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Up to the Sky
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Vous avez sélectionné:
Up to the Sky
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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The Morning Sky: Serenade for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Dade
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The Morning Sky: Serenade for
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Daniel Dade
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.883406 Composed by Daniel Dade. 20th Century,Contemporary. 13 pages. Daniel Dade #3031071. Published by Daniel Dad...
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Woodwind Ensemble - Level 4 - SKU: A0.883406 Composed by Daniel Dade. 20th Century,Contemporary. 13 pages. Daniel Dade #3031071. Published by Daniel Dade (A0.883406). This piece was inspired by the sky. A few times a week, I would wake up and the sky would have a red tint, the tint filled me with many different emotions and I improvised at the piano with whatever came to my mind. The minor key represents the gloomy sky and the piece conveys the different types of weather. A dark gloomy red tinted sky, a lighter beautiful tinted sky, a mix of both colors, or a thunderstorm, all of these different weather types are portrayed in this piece.
$3.99
Out Under the Sky! (Both INTERMEDIATE and ADVANCED versions included)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Appalachian Carol
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Greg Engell
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Out Under the Sky!
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Greg Engell
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1080343 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Pra...
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Flute,Piano - Level 3 - SKU: A0.1080343 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Praise & Worship,Sacred,Spiritual. Score and part. 15 pages. Greg Engell #684568. Published by Greg Engell (A0.1080343). Ring in the Christmas Season with this medley of two sacred classics...Appalachian Carol / We Three Kings. From the opening fanfare to the refelctive melody, your listeners will feel the awe of that first Christmas night. Look up, gaze into the sky...imagine the Star! This set Is arranged for both an advanced and an intermediate flutist. Select the staff that best fits your rehearsal time and skill level. Suitable for both concert and worship settings. Rehearsal Piano Track also available. similar versions available for full orchestra (MJ-104-SOR) and Wind Quintet (MJ-104-W5). Demo Audio is taken from the INTERMEDIATE version. See other listing for advanced demo.
$6.99
Out Under the Sky! (Both ADVANCED and INTERMEDIATE flute versions included)
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Flûte traversière et Piano
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AVANCÉ
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Musique Sacrée
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Traditional Appalachian Carol
#
Greg Engell
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Out Under the Sky!
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Greg Engell
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1080340 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Pra...
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Flute,Piano - Level 5 - SKU: A0.1080340 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Praise & Worship,Sacred. Score and part. 15 pages. Greg Engell #684565. Published by Greg Engell (A0.1080340). Ring in the Christmas Season with this medley of two sacred classics...Appalachian Carol / We Three Kings. From the opening fanfare to the refelctive melody, your listeners will feel the awe of that first Christmas night. Look up, gaze into the sky...imagine the Star! This set Is arranged for both an advanced and an intermediate flutist. Select the staff that best fits your rehearsal time and skill level. Suitable for both concert and worship settings. Rehearsal Piano Track also available. similar versions available for full orchestra (MJ-104-SOR) and Wind Quintet (MJ-104-W5). Demo Audio is taken from the ADVANCED version.
$6.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Elven Lights
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Flûte traversière et Piano
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AVANCÉ
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Lewis A
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Elven Lights
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Lewis A. Kocher
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.943032 Composed by Lewis A. Kocher. Contemporary,New Age,Standards,World. Score and part. 14 pages. Lewis A. Kocher #462...
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Flute,Piano - Level 5 - SKU: A0.943032 Composed by Lewis A. Kocher. Contemporary,New Age,Standards,World. Score and part. 14 pages. Lewis A. Kocher #4627565. Published by Lewis A. Kocher (A0.943032). ELVEN LIGHTS for FLUTE and PIANOPlaying time: Appx. 3:45 Seasons/Concert venues: Any It is early evening. As the sun sets and the sky darkens, playful and magical lights begin to appear and dance. It is the time of night for the elves, the fairies, and all of their companions to gather and celebrate.Elven Lights is an exciting fantasy for advanced flute and piano performers. Containing both rhythmic and lyrical sections, it also includes a solo passage for the flute as well as for the piano. A perfect concert piece for any time of year, the music conjures up delightful and mystical realms!A special note to dance studios: Elven Lights is an ideal piece to choreograph, and its solo passages can even be used to highlight specific dancers for their own solos. The music can be performed live or prerecorded: local colleges/universities with music departments should be able to supply performers for either option.
$8.95
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