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54
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38
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23
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20
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16
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14
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6
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5
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2
Trombone (partie séparée)
2
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Tuba
2
Trompette, Trombone (duo)
2
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2 Cors (duo)
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4 Tubas
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Euphonium, Tuba (duo)
1
Quatuor de Cuivres
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2 Trombones (duo)
1
Trompette, Cor (duo)
1
3 Tubas (trio)
1
Tuba et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
2 Trompettes (duo)
1
Cor (partie séparée)
1
Euphonium
1
Ensemble de Trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor
1
Trompette (partie séparée)
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CORDES
Violon et Piano
148
Violoncelle, Piano
92
Alto, Piano
80
Violon
67
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violoncelle
12
Contrebasse, Piano (duo)
7
Alto seul
6
Harpe
6
Piano Trio: Violon, Alto, Piano
5
Violon, Violoncelle (duo)
5
2 Violons (duo)
5
Violon (partie séparée)
3
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Harpe et mandoline
1
Trio à cordes: 3 altos
1
Contrebasse (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Cloches
89
Orchestre à Cordes
19
Orchestre de chambre
16
Orchestre
13
Orchestre d'harmonie
11
Ensemble Jazz
8
Percussion (partie séparée)
3
Marimba, Piano (duo)
2
Xylophone, Piano
1
Jazz combo
1
Ensemble de cuivres
1
Ensemble de Percussions
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Piano et Orchestre
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Turkish March by Beethoven for Flute
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1155636 Composed by Ludwig van Bee…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1155636 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755939. Published by Woods Only, Arrangements (A0.1155636). This arrangement adapted for flute and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.8 €
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Flûte traversière et Piano
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Flute
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Woods Only, Arrangements
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
#
Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Variations on "Non piu mesta" for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossi…
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Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
$15.00
13.6 €
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Flûte traversière et Piano
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
#
Variations on "Non piu mesta" for Flute and Piano
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Ondine Press
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.62 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.44 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Melody and Variations for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.996520 Composed by James Mayhew. C…
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Flute,Piano - Level 5 - Digital Download SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew #5857157. Published by James Mayhew (A0.996520). *Includes the flute part on its own at the end of the file*This is a set of theme and variations in C minor (although it ends in C major) for flute and piano. The theme is a simple, melancholy melody with the first three variations on it being in C minor (and it is worth noting that the piano accompaniment is just chords for these first three variations), the fourth variation in Eb major while the fifth is the finale which includes numerous diversions from the theme and many contrasting passages of rich material, although the theme does appear in a fugato section and in another short, jig-like variation section, before it is played a couple of times near the end in the form of triumphant returns. Many passages are of an advanced level, particularly towards the end.
$4.99
4.52 €
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Flûte traversière et Piano
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James Mayhew
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Melody and Variations for flute and piano
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James Mayhew
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SheetMusicPlus
Variations for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.943191 Composed by Robert Cunningh…
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Flute,Piano - Level 5 - Digital Download SKU: A0.943191 Composed by Robert Cunningham. 20th Century,Contemporary. Score and part. 50 pages. Robert E Cunningham #4728515. Published by Robert E Cunningham (A0.943191). The Variations for Flute and Piano (1990) are a dynamic and virtuosic work consisting of an original theme, ten variations, and a coda. In addition to traditional devices like contrapuntal imitation, inversion, and fragmentation, many of the variations hearken back to earlier periods in music history. Variation III is suggestive of an aria from Baroque opera, Variation VIII spoofs twentieth-century avant-garde music, and the piano part in Variation X evokes Rachmaninoff. The brilliant coda is a pyrotechnic tour de force for both players.
$14.95
13.56 €
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Flûte traversière et Piano
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Robert Cunningham
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Variations for Flute and Piano
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Robert E Cunningham
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SheetMusicPlus
Theme and Variations
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.93…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.938207 Composed by Michael Williamson. 20th Century,Contemporary. Score and parts. 19 pages. Island Point Music #43991. Published by Island Point Music (A0.938207). Theme and Variations for solo flute with piano accompaniment is at the medium difficult level. The form of the composition is theme with 8 variations. The piece has flowing melodic sections with variations that test players technical skill and would be a good addition to a flutists repertoire.
$15.00
13.6 €
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Flûte traversière et Piano
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Michael Williamson
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Theme and Variations
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Island Point Music
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SheetMusicPlus
Hunting the hare (flute and piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.576029 Composed by Traditional. Ar…
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Flute,Piano - Level 3 - Digital Download SKU: A0.576029 Composed by Traditional. Arranged by David Warin Solomons. Celtic,Folk,World. Score and part. 3 pages. David Warin Solomons #2030121. Published by David Warin Solomons (A0.576029). Hunting the hare is a Welsh folk song. I have expanded the theme with variations to represent the hopping of the hare as he tries to escape the hunter. The pdf file contains score and separate melody instrument part. The sound sample is performed by Nancy Tyler and Richard RiccardiVideohttps://www.youtube.com/watch?v=t7wz57F72WgThis is the fourth in a series of seven folk song variations for the same combination of instruments The complete series comprises: 1. Gilderoy 2. Bobby Shaftoe 3. David of the White Rock 4. Hunting the Hare 5. I have a bonnet 6. The Scottish banana 7. A Hoe-Down in The Ash Grove.
$5.00
4.53 €
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Flûte traversière et Piano
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Traditional
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David Warin Solomons
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Hunting the hare
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David Warin Solomons
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SheetMusicPlus
Nimrod, from the Enigma Variations by Elgar, for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587740 Composed by Edward Elgar. A…
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Flute,Piano - Level 3 - Digital Download SKU: A0.587740 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833265. Published by David McKeown (A0.587740). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Flute and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.17 €
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Flûte traversière et Piano
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variations by Elgar, for Flute and Piano
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David McKeown
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SheetMusicPlus
Ten Green Bottles and Variations for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.717143 Composed by Traditional. Ar…
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Flute,Piano - Level 1 - Digital Download SKU: A0.717143 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806723. Published by Tim Curd (A0.717143). Ten Green Bottles and Variations for Flute and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-flute-and-piano-piano-accom...
$3.99
3.62 €
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Flûte traversière et Piano
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Traditional
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Tim Curd
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Ten Green Bottles and Variations for Flute and Piano
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Tim Curd
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SheetMusicPlus
Amazing Grace, for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.763344 Composed by Trad American. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.763344 Composed by Trad American. Arranged by Nigel Williams. Easter,Folk,Lent,Sacred. Score and part. 8 pages. Nigel Williams #5038553. Published by Nigel Williams (A0.763344). This new arrangement of Amazing Grace uses the well known traditional American tune 'New Britain'. The flute states the familiar tune accompanied by the piano, then in the following two variations the piano has the melody while the flute accompanies with a descant style counter melody. Ideal in any church service at any time, and especially during the Easter season, this arrangement is also ideal for High School students looking for new and innovative repertoire. The performance duration is close to three minutes and the full score has individual parts attached.
$4.99
4.52 €
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Flûte traversière et Piano
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Trad American
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Nigel Williams
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Amazing Grace, for Flute and Piano
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Nigel Williams
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SheetMusicPlus
Theme and Variations for flute and piano
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Digital Download SKU: A0.938740 Composed by Dana Di…
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Flute,Instrumental Solo,Piano - Digital Download SKU: A0.938740 Composed by Dana Dimitri Richardson. Contemporary. Score and individual part. 17 pages. Dana Richardson #43341. Published by Dana Richardson (A0.938740). Submitted for 2015 Areon Flutes International Chamber Composition Music Competition This a theme and variations movements with a predominantly serene character.
$9.99
9.06 €
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Flûte traversière et Piano
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Dana Dimitri Richardson
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Theme and Variations for flute and piano
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Dana Richardson
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SheetMusicPlus
I Love You Truly-flute/piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.844641 Composed by Phil Beaman. 20…
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Flute,Piano - Level 2 - Digital Download SKU: A0.844641 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414795. Published by Phil Beaman (A0.844641). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.43 €
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Flûte traversière et Piano
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Phil Beaman
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I Love You Truly-flute/piano
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Phil Beaman
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SheetMusicPlus
David of the White Rock (flute and piano)
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.575733 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.575733 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and individual part. 3 pages. David Warin Solomons #2027863. Published by David Warin Solomons (A0.575733). David of the white Rock (Dafydd y Garreg Wen) variations based on a tune composed by the famous blind harpist and composer David Owen in the early 18th century The pdf file contains score and separate melody instrument part. The sound sample is an electronic preview. This is the third in a series of seven folk song variations for the same combination of instruments The complete series comprises: 1. Gilderoy 2. Bobby Shaftoe 3. David of the White Rock 4. Hunting the Hare 5. I have a bonnet 6. The Scottish banana 7. A Hoe-Down in The Ash Grove.
$5.00
4.53 €
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Flûte traversière et Piano
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David Owen
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David Warin Solomons
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David of the White Rock
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David Warin Solomons
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SheetMusicPlus
Hunting the Hare (flute and piano)
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.575739 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.575739 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and individual part. 3 pages. David Warin Solomons #2027867. Published by David Warin Solomons (A0.575739). Hunting the hare (or Hela’r Ysgyfarnog) is a Welsh folk song. I have expanded the theme with variations to represent the hopping of the hare as he tries to escape the hunter. The pdf file contains score and separate melody instrument part. The sound sample is an electronic preview. This is the fourth in a series of seven folk song variations for the same combination of instruments The complete series comprises: 1. Gilderoy 2. Bobby Shaftoe 3. David of the White Rock 4. Hunting the Hare 5. I have a bonnet 6. The Scottish banana 7. A Hoe-Down in The Ash Grove.
$5.00
4.53 €
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Flûte traversière et Piano
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Traditional
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David Warin Solomons
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Hunting the Hare
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David Warin Solomons
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SheetMusicPlus
Christmas and Carols to download for flute & piano
Flûte traversière et Piano
This is an exclusive arrangements for flute & piano of HIGH skill level from the origi…
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This is an exclusive arrangements for flute & piano of HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: christmas carols, jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, Greensleeves, greensleaves, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, jesu joy of man desiring, green sleeves, greensleves, the first noel,adeste fedelis,adeste fidelis,adeste fideles,adeste fedeles,douce nuit, sainte nuit / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$13.99
12.68 €
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Flûte traversière et Piano
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Christmas and Carols to download for flute & piano
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Virtualsheetmusic
Boehm, The German Variations for flute & piano
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.761979 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.761979 Composed by Boehm, Theobald. Arranged by Glenn Michael. Concert,Instructional,Romantic Period,Standards. Score and individual part. 34 pages. Glenn Egner #370895. Published by Glenn Egner (A0.761979).
$3.99
3.62 €
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Flûte traversière et Piano
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Boehm, Theobald
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Glenn Michael
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Boehm, The German Variations for flute & piano
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Glenn Egner
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.88 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.88 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano -S0
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Bach-Gounod: Ave Maria for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.88 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano
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Bach-Gounod: Ave Maria for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbe…
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Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
24.44 €
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Flûte traversière et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
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