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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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DIDGERIDOO
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HARMONICA
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Who Opera
Non classifié
182
Piano & claviers
Piano, Voix
330
Piano seul
190
Accompagnement Piano
37
Piano, Voix et Guitare
34
Piano Facile
15
Instruments en Do
9
Orgue
5
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
8
Guitare
6
Ukulele
2
3 Guitares (trio)
2
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
41
Voix Tenor, Piano
40
Voix Soprano, Piano
39
Voix Alto, Piano
29
Voix Baryton, Piano
28
Voix duo
8
Chorale 3 parties
4
Chorale 2 parties
4
Chorale Unison
2
Voix duo, Piano
2
Voix basse, Piano
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix haute
1
+ 12 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
36
Flûte traversière et Piano
32
Clarinette et Piano
27
Saxophone Alto et Piano
26
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25
2 Saxophones (duo)
24
Flûte, Hautbois, Clarinette, Basson
24
2 Flûtes traversières (duo)
20
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20
Hautbois, Piano (duo)
19
Saxophone Alto
17
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16
Hautbois (partie séparée)
13
Saxophone Soprano et Piano
13
3 Saxophones (trio)
12
Clarinette
11
Flûte traversière
10
Quatuor de Flûtes : 4 flûtes
10
Cor anglais, Piano
8
2 Clarinettes (duo)
7
Saxophone Tenor et Piano
6
5 Flûtes à bec
6
Saxophone Baryton, Piano
5
2 Flûte à bec (duo)
5
3 Flûtes à bec (trio)
5
Quatuor de Flûtes à bec
5
Ensemble de Clarinettes
4
Flûte à Bec
4
Flûte à bec, Guitare (duo)
4
Flûte à bec Soprano
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
Flûte à bec Alto
3
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Guitare (duo)
2
Ensemble de saxophones
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Saxophone (partie séparée)
1
Flûte à Bec, Piano
1
Flute (partie séparée)
1
Cor Anglais
1
2 Hautbois (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Piccolo, Piano
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone
10
Trombone et Piano
10
Tuba
9
Trompette, Piano
9
Cor
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
8
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trombones
7
Cor et Piano
6
Quatuor de cuivres: 4 cors
5
2 Trompettes (duo)
5
2 Trombones (duo)
5
Quatuor de cuivres: 4 trompettes
5
Ensemble de Cors
4
Tuba et Piano
3
2 Cors (duo)
3
Trombone basse et Piano
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Euphoniums et 2 Tubas
1
Trombone (partie séparée)
1
Cor Anglais
1
2 Tubas (duo)
1
4 Tubas
1
2 Euphoniums (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon et Piano
34
Violoncelle, Piano
23
Violoncelle
20
Violon
19
Alto, Piano
17
Alto seul
16
Trio à Cordes: violon, alto, violoncelle
15
Quatuor à cordes : 4 altos
9
Harpe
8
Quatuor à cordes: 4 violons
5
Contre Basse
5
2 Violons (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
4
Alto, Guitare (duo)
4
4 Violoncelles
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
3
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 altos
3
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
40
Orchestre
34
Orchestre à Cordes
20
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
2
Piano et Orchestre
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Who Opera
Flûte traversière et Piano
Partitions à imprimer
32 partitions trouvées
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1
26
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Eugene Walckiers
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Fantaisie sur de motifs de l&r
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzier...
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Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell†was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.
$4.99
PAISIELLO SONATA IN D MAJOR Opus 23 no. 1 for flute & piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Giovanni Paisiello
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PAISIELLO SONATA IN D MAJOR Op
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Piper Publications
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.811782 Composed by Giovanni Paisiello (1740 - 1816). Arranged by Edited & arranged by Pat Spence. Classical,Concert,Grad...
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Flute,Piano - Level 3 - SKU: A0.811782 Composed by Giovanni Paisiello (1740 - 1816). Arranged by Edited & arranged by Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and part. 14 pages. Piper Publications #6301163. Published by Piper Publications (A0.811782). The six quartets for flute, violin, viola and cello were probably composed in Naples in about 1800. This Sonata is an arrangement of the first quartet for flute and piano. The first five quartets each have two movements, the sixth having only one. They are all engaging and enjoyable to play and listen to as might be expected from a composer whose operas in his life time were more popular than those of a certain W. A. Mozart.Players of intermediate standard and above will enjoy playing this tuneful operatic style piece.The editing has been lightly done and all editings are shown in Parentheses ( ) or dashed lines. Obvious small errors have been corrected without comment.Piper Publications is also publishing a new edition of the quartet version of this piece. (PPF040).
$12.00
Handel: Largo (from Xerxes) for flute and piano
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Flûte traversière et Piano
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DÉBUTANT
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and p...
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Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Handel: Largo from Xerxes for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Flute,Piano - Level 3 - SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Largo al Factotum - Flute and Piano (Full Score and Parts)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Flute and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1455620 Composed by Gioachino Rossini. Arranged by César Madeira. Classical,Comedy,Multicultural,Opera,Romantic...
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Piano,Soprano Flute - Level 3 - SKU: A0.1455620 Composed by Gioachino Rossini. Arranged by César Madeira. Classical,Comedy,Multicultural,Opera,Romantic Period,World. Score and part. 33 pages. Sheet Music To Play Editions #1034714. Published by Sheet Music To Play Editions (A0.1455620). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Largo al Factotum - Flute and Piano (Full Score)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Flute and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1455622 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic ...
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Piano,Soprano Flute - Level 3 - SKU: A0.1455622 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 15 pages. Sheet Music To Play Editions #1034716. Published by Sheet Music To Play Editions (A0.1455622). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Largo al Factotum - Flute and Piano (Individual Parts)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Flute and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1455621 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Ro...
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Piano,Soprano Flute - Level 3 - SKU: A0.1455621 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Period,World. Score and part. 16 pages. Sheet Music To Play Editions #1034715. Published by Sheet Music To Play Editions (A0.1455621). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Turkish March by Beethoven for Flute
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Flûte traversière et Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1155636 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Flute,Piano - Level 2 - SKU: A0.1155636 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755939. Published by Woods Only, Arrangements (A0.1155636). This arrangement adapted for flute and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Salome Tanz (Dance of the Seven Veils)
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Flûte traversière et Piano
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AVANCÉ
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...
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Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
Wedding March (Bridal Chorus) - Flute and Piano - W/Chords (Full Score and Parts)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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César Madeira
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Wedding March
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1283595 Composed by Richard Wagner. Arranged by César Madeira. Children,Film/TV,Multicultural,Opera,Wedding,W...
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Piano,Soprano Flute - Level 3 - SKU: A0.1283595 Composed by Richard Wagner. Arranged by César Madeira. Children,Film/TV,Multicultural,Opera,Wedding,World. Score and part. 8 pages. Sheet Music To Play Editions #874786. Published by Sheet Music To Play Editions (A0.1283595). Wedding March (Bridal Chorus from Lohengrin) by Wagner. Arrangement for Flute and Piano. With Full Score and Individual Parts with Chords. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Die Zauberflöte
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Die Zauberflöte
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute and piano - intermediate - SKU: S9.Q54660 From Opera Transcriptions op. 45“. Composed by Wolfgang Amadeus Mozart. Arranged by Karl Jo...
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Flute and piano - intermediate - SKU: S9.Q54660 From Opera Transcriptions op. 45“. Composed by Wolfgang Amadeus Mozart. Arranged by Karl Joachim Andersen and Werner Richter. This edition: Sheet music. Flöte im Salon. Downloadable. Duration 6 minutes, 30 seconds. Musikverlag Zimmermann - Digital #Q54660. Published by Musikverlag Zimmermann - Digital (S9.Q54660). German • English • French.Joachim Andersen's Operatic Transcriptions for Flute and Pianoforte, op. 45, though typical products of the bourgeois salons of the nineteenth Century, stand in a thoroughly respectable tradition whose origins reach far back into the past and which attained an unsurpassable culmination in the famous piano transcriptions of Franz Liszt. Potpourris, as this type of domestic music-making can be called, often gave bourgeois music lovers of the time their only opportunity to become acquainted with and to discuss important or popular works by prominent tone-poets of die day. (For further information see Count Gallenberg's Kleine Ballettmusik für zwei Flöten, available from the same publisher under the order number ZM 2625.) Carl Joachim Andersen (1847-1909) was one of the most important and internationally best regarded flautists of his day; in later years he also performed as a conductor. His numerous pedagogical and recital pieces for flute stand well above the qualitative level of the virtuoso and salon music being mass-produced at the time. These works reveal him to have been a composer with taste, a strong sense of form and a mastery of harmony.
$9.99
The Flight of the Bumble Bee - Rimsky Korsakov - for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1039634 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Peri...
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Flute,Piano - Level 5 - SKU: A0.1039634 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 21 pages. Raymond Fenech #644546. Published by Raymond Fenech (A0.1039634). Flight of the Bumblebee (Russian: Полёт шмелÑ) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Song to the Moon - Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Song to the Moon - Flute and P
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Music-Scores.com
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.721299 Composed by Antonin Dvorak. Arranged by Anne L Christopherson GRSM ARCM. Concert,Opera,Wedding. Score and part. 7...
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Flute,Piano - Level 3 - SKU: A0.721299 Composed by Antonin Dvorak. Arranged by Anne L Christopherson GRSM ARCM. Concert,Opera,Wedding. Score and part. 7 pages. Music-Scores.com #4310013. Published by Music-Scores.com (A0.721299). Song to the Moon, from the opera Rusalka, a fairy tale about a water nymph who falls in love with a prince. Rusalka wishes to become mortal so she can live her dream, and sings to the moon to tell the Prince of her love.A lower version or Flute and Piano.About 3 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
Variations on "Non piu mesta" for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini, Frederic Ch
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Yoon Jae Lee
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Variations on "Non piu me
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Ondine Press
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Sta...
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Flute,Piano - Level 4 - SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
$15.00
Allegro & Minuetto Op7 No5 for Eb Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Nicolas Dalayrac
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Lisa Ochoco
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Allegro & Minuetto Op7 No5
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.560109 Composed by Nicolas Dalayrac. Arranged by Lisa Ochoco. Classical,Concert. Score and part. 17 pages. Lisa L Ochoco...
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Flute,Piano - Level 3 - SKU: A0.560109 Composed by Nicolas Dalayrac. Arranged by Lisa Ochoco. Classical,Concert. Score and part. 17 pages. Lisa L Ochoco #6450187. Published by Lisa L Ochoco (A0.560109). This flute solo piece with piano accompaniment was originally written for string quartet by French composer Nicolas Dalayrac, who was mostly known as an Opera Comique composer. This piece renders itself quite well as a flute solo piece, with a lively and bubbly first movement and beautiful second movement. It's a great recital piece.
$12.00
Allegro & Minuetto Op7 No5 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Nicolas Dalayrac
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Lisa Ochoco
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Allegro & Minuetto Op7 No5
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.560108 Composed by Nicolas Dalayrac. Arranged by Lisa Ochoco. Classical. Score and part. 17 pages. Lisa L Ochoco #645018...
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Flute,Piano - Level 3 - SKU: A0.560108 Composed by Nicolas Dalayrac. Arranged by Lisa Ochoco. Classical. Score and part. 17 pages. Lisa L Ochoco #6450185. Published by Lisa L Ochoco (A0.560108). This flute solo piece with piano accompaniment was originally written for string quartet by French composer Nicolas Dalayrac, who was mostly known as an Opera Comique composer. This piece renders itself quite well as a flute solo piece, with a lively and bubbly first movement and beautiful second movement. It's a great recital piece.
$12.00
Sullivan - The Lost Chord in F Major - Easy
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Flûte traversière et Piano
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DÉBUTANT
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Sir Arthur Seymour Sullivan
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Piacere Music Sheets
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Sullivan - The Lost Chord in F
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1108441 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standar...
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Flute,Piano - Level 1 - SKU: A0.1108441 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711082. Published by Piacere Music Sheets (A0.1108441). Opus/Catalog Number: IAS 42 Key/Tone: F Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Flute with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
Wedding March Bridal Chorus - FREE Mp3 Playback + Solo and Piano Parts
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Flûte traversière et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Wedding March Bridal Chorus -
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Fabio Eduardo
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1269714 By Fabio Eduardo de Oliveira. By Richard Wagner. Arranged by Fabio Eduardo de Oliveira. 20th Century,Cla...
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Piano,Soprano Flute - Level 1 - SKU: A0.1269714 By Fabio Eduardo de Oliveira. By Richard Wagner. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #862223. Published by Fabio Eduardo (A0.1269714). FREE Mp3 Playback DownloadThe Bridal Chorus from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
$1.99
3 Little Sonatas
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Flûte traversière et Piano
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FACILE
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Louis Drouet
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3 Little Sonatas
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - easy to intermediate - SKU: S9.Q11357 Composed by Louis Drouet. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Mu...
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Flute and piano - easy to intermediate - SKU: S9.Q11357 Composed by Louis Drouet. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q11357. Published by Schott Music - Digital (S9.Q11357). Louis Drouet (1792-1873), much admired virtuoso flautist, composer, musical director and opera director, was 'a flautist of truly European standing and sphere of influence'. His method still forms part of today's standard teaching repertoire. The 'Little Sonatas' published here for the first time as a separate new edition constitute the final part of Part 3 of his method. In accordance with the remarks of Drouet who had two different performance versions in mind, the sonatas are available in two instrumentations: for two flutes and for flute and piano. The piano accompaniment, with its figured bass realized by Gottfried Bach, has been turned into a harmonic accompaniment.
$15.99
Valse - Scherzo op.34 for flute and piano
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...
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Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
Golliwogg's Cakewalk
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Flûte traversière et Piano
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Classique
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Claude Debussy
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Wolfgang Birtel
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Golliwogg's Cakewalk
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - SKU: S9.Q41490 From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Sheet music. Edit...
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Flute and piano - SKU: S9.Q41490 From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q41490. Published by Schott Music - Digital (S9.Q41490). The famous Golliwogg’s Cakewalk is the final piece from Debussy's cycle Children’s Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.
$5.99
Humoresque op. 101 no. 7 for easy flute/violin and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Klas Krantz
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Humoresque op. 101 no. 7 for e
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Amadeus Music
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SheetMusicPlus
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.532536 Composed by Antonin Dvorak. Arranged by Klas Krantz. Classical,Romantic Period. Score and...
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Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.532536 Composed by Antonin Dvorak. Arranged by Klas Krantz. Classical,Romantic Period. Score and part. 7 pages. Amadeus Music #6437069. Published by Amadeus Music (A0.532536). Anton Dvorak, (1841 - 1904) was a Czech composer of romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia in symphonic, oratorial, chamber and operatic works. The ever popular and celebrated Humoresque Op. 101, No. 7 in G flat major was composed 1894.
$4.95
Aria - Lascia ch'io pianga for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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G
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Klas Krantz
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Aria - Lascia ch'io pianga for
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Amadeus Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.531926 Composed by G. F. Handel. Arranged by Klas Krantz. Baroque,Classical. Score and part. 4 pages. Amadeus Music #496...
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Flute,Piano - Level 3 - SKU: A0.531926 Composed by G. F. Handel. Arranged by Klas Krantz. Baroque,Classical. Score and part. 4 pages. Amadeus Music #49637. Published by Amadeus Music (A0.531926). George Frideric Handel (1685 - 1759) was a German-British Baroque composer who is famous for his operas, oratorios, and concertos. His works include Messiah, Water Music, and Music for the Royal Fireworks. He was strongly influenced by the techniques of the great composers of the Italian Baroque and the middle-German polyphonic Choral tradition.
$4.95
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