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CLARINETTE
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Pertinence
Ventes
Prix - au +
Prix + au -
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
502
PIANO & CLAVIERS
Piano seul
225
Piano Facile
48
Orgue
39
Piano, Voix
22
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
Piano (partie séparée)
6
Piano, Voix et Guitare
4
Accompagnement Piano
3
Instruments en Do
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
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GUITARES
Guitare
64
Guitare notes et tablatures
41
2 Guitares (duo)
13
Guitare (partie séparée)
11
Ukulele
4
Mandoline, Guitare (duo)
2
Basse electrique
2
Banjo
1
Mandoline
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
162
Chorale 3 parties
59
Chorale 2 parties
45
Chorale SSAA
17
Chorale TTBB
16
Chorale Unison
14
Voix duo, Piano
7
Voix duo
4
Voix moyenne, Piano
2
Chorale
1
Chorale SSATB
1
Voix seule
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
31
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone (partie séparée)
25
Quintette de Saxophone: 5 saxophones
25
2 Saxophones (duo)
25
Clarinette et Piano
19
Hautbois, Piano (duo)
19
Saxophone Alto et Piano
16
Quatuor de Flûtes : 4 flûtes
16
2 Flûtes traversières (duo)
16
Clarinette
14
Ensemble De Flûte à bec
13
Saxophone Tenor et Piano
12
Ensemble de Clarinettes
11
Cor anglais, Piano
10
Ensemble de Flûtes
10
Saxophone Soprano et Piano
10
2 Clarinettes (duo)
10
Ensemble de saxophones
9
Saxophone Baryton, Piano
9
Flûte traversière
9
Hautbois, Basson (duo)
9
2 Hautbois (duo)
8
Clarinette Basse, Piano
7
Flûte, Violon
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Trompette (duo)
7
Clarinette, Violoncelle (duo)
7
Saxophone, Clarinette (duo)
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Quintette de Flûte : 5 flûtes
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
5
Flûte, Violoncelle
5
Clarinette, Violon (duo)
5
Clarinette, Basson (duo)
4
Flûte, Clarinette (duo)
4
Hautbois
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette et Basson
3
3 Flûtes à bec (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Alto (duo)
3
3 Saxophones (trio)
3
Flûte et Trio à cordes
3
Clarinette et Alto
3
Saxophone Alto
3
Hautbois, Violoncelle
3
5 Flûtes à bec
2
Flûte, Hautbois (duo)
2
Hautbois, violon (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
2 Flûte à bec (duo)
2
Hautbois, Flûte
2
Piccolo, Piano
2
Hautbois, trombone (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois (partie séparée)
1
Flute, harpe et violon
1
Flûte, Tuba (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Piano
1
Hautbois et alto (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte, Trombone (duo)
1
Clarinette, Tuba
1
Flûte et Guitare
1
4 Hautbois
1
Saxophone Tenor
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Flûte traversière, Basse continue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Trombone (partie séparée)
23
Trompette (partie séparée)
20
Trombone et Piano
18
Cor et Piano
13
2 Trombones (duo)
13
Trompette, Piano
11
2 Trompettes (duo)
11
Cor anglais, Piano
10
Trompette
10
Euphonium, Piano (duo)
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
9
Ensemble de Trompettes
6
Trompette, Trombone (duo)
5
Trombone
5
Cor (partie séparée)
5
Cor
5
Tuba
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
107
Trio à Cordes: violon, alto, violoncelle
28
Violon, Violoncelle (duo)
26
Violon et Piano
25
Alto, Piano
20
Violoncelle, Piano
19
Violon (partie séparée)
12
Violon
12
2 Violons (duo)
10
Violon, Alto (duo)
9
Violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
Contrebasse, Piano (duo)
6
2 Altos (duo)
6
Alto seul
5
Contre Basse
5
Alto (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Harpe
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Ensemble d'Altos
2
Violon, Basson (duo)
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
89
Orchestre à Cordes
63
Ensemble Jazz
51
Orchestre
28
Ensemble de cuivres
27
Orchestre de chambre
16
Cloches
10
Jazz combo
6
Batterie (partie séparée)
6
Percussion
5
Vibraphone
3
Ensemble de Percussions
3
Percussion (partie séparée)
2
Batterie
2
Xylophone
1
Vibraphone et Marimba
1
Marimba
1
2 Xylophones
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
counterpoint
SheetMusicPlus
Partitions à imprimer
31 partitions trouvées
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Little Counterpoint - Flute and Piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.98…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.983218 Composed by John Wilks. Arranged by John Wilks. Christmas,Classical,Concert,Holiday. Score and parts. 5 pages. John WIlks #3135535. Published by John WIlks (A0.983218). Little simple counterpoint available in different arrangements.
$4.50
4.13 €
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Flûte traversière et Piano
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John Wilks
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John Wilks
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Little Counterpoint - Flute and Piano
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John WIlks
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SheetMusicPlus
Sonata for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1451686 By Diana Mascari. By Diana…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1451686 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 145 pages. Diana Mascari Music #1030983. Published by Diana Mascari Music (A0.1451686). Sonata for Flute and Piano is a four movement 15 minute work that explores a variety of moods as suggested by the titles of its movements: I. Urban Frenzy, II. Serenity, III. Fiesta Fantasia, IV Introduction and Finale At times the piano and flute work in partnership, unison or counterpoint. At other times, the piano accompaniment forms a rhythmic foundation above which the flute flies from here to there. Composer Diana Mascari has been a jazz pianist for more than 40 years, and her chamber music always reflects this influence. For more information about Diana Mascari, her other compositions and her teaching, please visit: www.dianamascari.com
$29.95
27.47 €
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Flûte traversière et Piano
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Diana Mascari
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Diana Mascari
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Sonata for Flute and Piano
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Diana Mascari Music
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SheetMusicPlus
"Canon" by Pachelbel - Version for FLUTE SOLO with PIANO
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1387466 Composed by Johann Pachelb…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1387466 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Score and part. 9 pages. Iury Cardoso #971320. Published by Iury Cardoso (A0.1387466). FLUTE SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and FLUTE part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for FLUTE SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for flute and pianocanon pachelbel sheet musiccanon in D pachelbel for flute solocanon pachelbel flute and piano sheet musiccanon flute and piano duetflute chamber musiccanon but on the flute flute with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for flute solocanon arrangement for flute solo with piano.
$5.99
5.49 €
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Flûte traversière et Piano
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Johann Pachelbel
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Iury Cardoso
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"Canon" by Pachelbel - Version for FLUTE SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
"Canon" by Pachelbel - Version for FLUTE SOLO with PIANO
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1387464 Composed by Johann Pachelb…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1387464 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Traditional,Wedding. Score and part. 9 pages. Iury Cardoso #971318. Published by Iury Cardoso (A0.1387464). FLUTE SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and FLUTE part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for FLUTE SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for flute and pianocanon pachelbel sheet musiccanon in D pachelbel for flute solocanon pachelbel flute and piano sheet musiccanon flute and piano duetflute chamber musiccanon but on the flute flute with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for flute solocanon arrangement for flute solo with piano.
$5.99
5.49 €
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Flûte traversière et Piano
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Johann Pachelbel
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Iury Cardoso
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"Canon" by Pachelbel - Version for FLUTE SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
Feelin' It
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1373975 Composed by Lawren…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1373975 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958542. Published by Lawrence H Underwood (A0.1373975). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
6.41 €
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Flûte traversière et Piano
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Lawrence H Underwood
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Feelin' It
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Lawrence H Underwood
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SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.88 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.22 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Interpretation of the Irish Folk Tune "Slane"
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.917266 Composed by Robert Chamberlin. Arrang…
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Flute,Piano - Digital Download SKU: A0.917266 Composed by Robert Chamberlin. Arranged by Robert Chamberlin. Contemporary,Holiday,Sacred. Score and part. 6 pages. Robert Chamberlin #4794501. Published by Robert Chamberlin (A0.917266). This is a simple arrangement of the traditional Irish Folk Tune, Slane. After a brief introduction, the flute states the melody simply against rolled chords in the piano. There are three additional statements of the melody, each one varying in texture. The third statement is for piano alone and uses extended harmonies and imitative counterpoint. The flute part is included with the score.
$3.99
3.66 €
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Flûte traversière et Piano
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Robert Chamberlin
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Robert Chamberlin
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Interpretation of the Irish Folk Tune "Slane"
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Robert Chamberlin
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …
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Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.88 €
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Flûte traversière et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.22 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano -S0
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Bach-Gounod: Ave Maria for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.72 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Flûte traversière et Piano
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J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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jmsgu3
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SheetMusicPlus
Journeying (for Flute Solo)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.949367 Composed by Adam Lenhart. C…
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Flute,Piano - Level 3 - Digital Download SKU: A0.949367 Composed by Adam Lenhart. Contemporary. Score and part. 7 pages. Adam Lenhart #5196759. Published by Adam Lenhart (A0.949367). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.This piece is also available for the following solo instruments: Oboe, Violin.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$3.99
3.66 €
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Flûte traversière et Piano
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Adam Lenhart
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Journeying
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Adam Lenhart
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
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Flûte traversière et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.22 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano
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Bach-Gounod: Ave Maria for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Thérèse Brenet: Sonata for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
15.55 €
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Flûte traversière et Piano
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Therese Brenet
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Thérèse Brenet: Sonata for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Silent Night
Flûte traversière et Piano
Flute,Instrumental Duet,Keyboard - Level 1 - Digital Download SKU: A0.1148640 Compo…
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Flute,Instrumental Duet,Keyboard - Level 1 - Digital Download SKU: A0.1148640 Composed by Franz Xaver Gruber. Arranged by Aaron Newcastle. 19th Century,Christmas,Classical,Holiday,Religious. 3 pages. Aaron Newcastle #748779. Published by Aaron Newcastle (A0.1148640). Piano music sheet music piano score music easy piano piano sheet music trio quartet piano trio Arrangement Chamber Music Orchestrations Muisc and life PDF The art of music Harmony counterpoint polyphony music socre music notes Instrumentation Silent Night — Flute and Easy Piano C Major — Sheet Music Flute music flute notes easy flute flute sheet music flute pdf silent night silent night sheet music.
$2.99
2.74 €
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Flûte traversière et Piano
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Franz Xaver Gruber
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Aaron Newcastle
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Silent Night
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Aaron Newcastle
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SheetMusicPlus
The Four Seasons, Spring
Flûte traversière et Piano
Flute,Instrumental Duet,Keyboard - Level 1 - Digital Download SKU: A0.1150631 Compo…
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Flute,Instrumental Duet,Keyboard - Level 1 - Digital Download SKU: A0.1150631 Composed by Antonio Vivaldi. Arranged by Aaron Newcastle. Baroque,Chamber,Early Music,Historic. 3 pages. Aaron Newcastle #750809. Published by Aaron Newcastle (A0.1150631). Vivaldi, Spring (The Four Seasons) — Flute and Easy Piano — Sheet Music, Score and Parts, piano music sheet music piano score music composer easy piano score piano sheet music trio quartet piano trio Arrangement Chamber Music Orchestrations Muisc and life PDF The art of music Harmony counterpoint polyphony music socre music notes Instrumentation Vivaldi Spring (The Four Seasons) — Flute and Easy Piano — Sheet Music vivaldi flute sheet music flute notes four seasons vivaldi the four seasons sheet music Aaron Newcastle newcastle music.
$2.99
2.74 €
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Flûte traversière et Piano
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Antonio Vivaldi
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Aaron Newcastle
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The Four Seasons, Spring
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Aaron Newcastle
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SheetMusicPlus
Special
Flûte traversière et Piano
Flute,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1163087 By SZ…
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Flute,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1163087 By SZA. By Benny Blanco, Blake Slatkin, Omer Fedi, Shellback, and Solana Rowe. Arranged by Aaron Newcastle. Hip-Hop,R & B. 7 pages. Aaron Newcastle #763441. Published by Aaron Newcastle (A0.1163087). SZA, Special — Flute and Intermediate Piano — Sheet Music, Score and Parts,piano notes,easy piano songs,Newcastle Music,Aaron Newcastle,piano music,sheet music,piano score,music,composer,easy piano,score,piano sheet music,piano trio,Arrangement,Chamber Music,Orchestrations,The art of music,Harmony,counterpoint,polyphony,music notes,Instrumentation,how to play szaintermediate paino,sza special,special sza,flute easy flute,flute sheet music,special on flute.
$4.99
4.58 €
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Flûte traversière et Piano
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SZA
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Aaron Newcastle
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Special
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Aaron Newcastle
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SheetMusicPlus
Greensleeves
Flûte traversière et Piano
Flute,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1181112 By En…
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Flute,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1181112 By English Folk Song. By Anonymous. Arranged by Aaron Newcastle. Early Music,Historic,Renaissance. 3 pages. Aaron Newcastle #780946. Published by Aaron Newcastle (A0.1181112). Greensleeves — For Flute and Piano — Sheet Music. Score and Partsgreensleeves,flute notes,piano notes,flute songs,piano songs,Newcastle Music,Aaron Newcastle,greensleeves music,sheet music,flute score,music,composer,easy flute,flute sheet music,Arrangement,Chamber Music,Orchestrations,The art of music,Harmony,counterpoint,polyphony,music notes,Instrumentation,how to play flutepianoflutehow to play greensleeves on flute,how to play greesleeves on paino,easy bassoon, four seasons,.
$2.99
2.74 €
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Flûte traversière et Piano
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English Folk Song
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Aaron Newcastle
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Greensleeves
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Aaron Newcastle
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SheetMusicPlus
Autumn Days (Easy Flute & Piano Duet)
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.781329 Composed by Joanna Mills. 2…
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Flute,Piano - Level 1 - Digital Download SKU: A0.781329 Composed by Joanna Mills. 20th Century,Folk,Holiday,Standards,Traditional. Score and part. 8 pages. Joanna Mills Music #4595287. Published by Joanna Mills Music (A0.781329). This hauntingly beautiful song is an instrumental version of the choral work Autumn Days which is based on the poetry of Helen Hunt Jackson. Arranged for easy/early intermediate flute and piano, it is perfect for late summer/fall concerts and recitals or Thanksgiving. The arrangement starts off very simply, but increases in complexity and difficulty, culminating in a lovely counterpoint by the flute. A rehearsal/performance track of the piano part for this duet is also available to purchase on Sheet Music Plus.
$7.99
7.33 €
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Flûte traversière et Piano
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Joanna Mills
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Autumn Days
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Joanna Mills Music
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SheetMusicPlus
Rumours of Spring (Flute & Piano Duet)
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.781313 Composed by Joanna Mills. C…
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Flute,Piano - Level 1 - Digital Download SKU: A0.781313 Composed by Joanna Mills. Contemporary,Folk,Holiday,Standards. Score and part. 12 pages. Joanna Mills Music #4294561. Published by Joanna Mills Music (A0.781313). This hauntingly pretty, original song is about longing for spring in the depths of winter. Arranged for easy/early intermediate flute and piano, it is perfect for winter or spring concerts and recitals. The arrangement starts off very simply, but increases in complexity and difficulty, culminating in a lovely counterpoint by the flute. A rehearsal/performance track of the piano part for this duet is also available to purchase on Sheet Music Plus.
$7.99
7.33 €
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Flûte traversière et Piano
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Joanna Mills
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Rumours of Spring
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Joanna Mills Music
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SheetMusicPlus
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