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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
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864
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582
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80
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52
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52
Piano Facile
33
Piano seul
32
Orgue
16
1 Piano, 4 mains
5
Accompagnement Piano
4
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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Guitare notes et tablatures
263
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250
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71
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58
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22
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13
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60
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41
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23
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17
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13
Voix duo, Piano
10
Voix duo
5
Chorale SSAA
5
Pack Instrumental pour Chorale
4
Voix seule
3
Voix Alto, Piano
1
+ 6 instrumentations
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Vents
Flûte et Guitare
34
2 Saxophones (duo)
21
2 Flûtes traversières (duo)
18
Saxophone (partie séparée)
13
Clarinette, Guitare (duo)
13
Flûte traversière
13
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Alto
10
Saxophone Tenor
10
Flûte traversière et Piano
9
Clarinette
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quatuor de Saxophones: 4 saxophones
6
Saxophone, Clarinette (duo)
6
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
6
Clarinette et Piano
5
Saxophone Alto et Piano
5
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4
Cor anglais, Guitare (duo)
4
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Saxophone Tenor et Piano
4
2 Flûte à bec (duo)
3
Saxophone Baryton, Piano
3
Saxophone Soprano et Piano
3
Cor anglais, Piano
3
Flûte à bec Soprano
2
Flûte à Bec
2
Hautbois
2
2 Hautbois (duo)
2
Flûte à bec Tenor
2
Saxophone Soprano
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Saxophone et Guitare
2
Flûte à bec Alto
2
Ensemble de saxophones
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Violon
2
Saxophone Baryton
2
Hautbois, Flûte
2
Hautbois (partie séparée)
2
Flûte, Trompette (duo)
2
Flûte, Trombone (duo)
1
Flûte à bec, Guitare (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Cor Anglais
1
Flûte, Harpe et Violoncelle
1
Flute (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Flûtes
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Hautbois, Basson (duo)
1
+ 54 instrumentations
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Cuivres
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone (partie séparée)
6
Trompette (partie séparée)
6
Trombone
6
Tuba et Piano
4
Trompette, Piano
4
Cor
4
Cor et Piano
4
Cor anglais, Guitare (duo)
4
Tuba
4
Trompette, Saxophone (duo)
4
Trombone et Piano
4
2 Trombones (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor anglais, Piano
3
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
Cor (partie séparée)
1
Cor, Tuba (duo)
1
Cor Anglais
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
Trompette, Cor (duo)
1
Ensemble de Trombones
1
2 Cors (duo)
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
Trompette et Guitare
1
Quatuor de cuivres: 4 trombones
1
Trompette, violon (duo)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
32
Violon
22
Violon, Guitare (duo)
16
Violoncelle
13
Alto seul
10
Violon, Violoncelle (duo)
9
Alto, Piano
8
Violoncelle , Guitare (duo)
6
Violoncelle, Piano
6
Violon, Alto (duo)
5
Harpe
5
Alto, Guitare (duo)
5
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
2 Violoncelles (duo)
4
Contrebasse (partie séparée)
4
Violon (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 22 instrumentations
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Orchestre & Percussions
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91
Ensemble Jazz
70
Orchestre
30
Ensemble de cuivres
16
Jazz combo
16
Orchestre à Cordes
14
Fanfare
9
Orchestre de chambre
4
Ensemble de Percussions
4
Batterie
3
Ensemble d'École
3
Batterie (partie séparée)
2
Cloches
1
Marimba
1
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Autres
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ACCORDEON
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CORNEMUSE
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DOBRO - GUI…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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Get A Guitar
Voix duo
Partitions à imprimer
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The worst of loves (Where do they go, the faces?) for alto and guitar
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Voix duo
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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The worst of loves
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.575808 Composed by David Warin Solomons. 20th Century. 5 pages. David Warin Solomons #2028389. Published by David W...
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Voice Duet Voice - Level 3 - SKU: A0.575808 Composed by David Warin Solomons. 20th Century. 5 pages. David Warin Solomons #2028389. Published by David Warin Solomons (A0.575808). Setting of a poem by Douglas Dunn - Where do they go, the faces.... a song of nostalgia for failed opportunities to get to know people. The sound sample is performed live by the composer. The music also appears as an instrumental duet for flute and guitar or clarinet and guitar under the title Across a crowded room.Where do they go, the faces, the people seen
$7.00
To Idleness for solo alto and guitar
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Voix duo
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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To Idleness for solo alto and
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576885 Composed by David Warin Solomons. 20th Century,Contemporary. 3 pages. David Warin Solomons #484853. Publishe...
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Voice Duet Voice - Level 3 - SKU: A0.576885 Composed by David Warin Solomons. 20th Century,Contemporary. 3 pages. David Warin Solomons #484853. Published by David Warin Solomons (A0.576885). Setting of a poem by David Dunning extolling the virtues of idleness and its effects in each season. The sound sample was performed by the composer (alto and guitar) These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$8.00
Down with the Smokers for voice and guitar
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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Down with the Smokers for voic
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published ...
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Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00
Cumberland Gap - duet, violin and piano
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Voix duo
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FACILE
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Connie Boss
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Cumberland Gap - duet, violin
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Connie Boss
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SheetMusicPlus
Voice Duet Voice - Level 2 - SKU: A0.801625 Arranged by Connie Boss. Country,Folk. 4 pages. Connie Boss #6304057. Published by Connie Boss (A0.801625). ...
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Voice Duet Voice - Level 2 - SKU: A0.801625 Arranged by Connie Boss. Country,Folk. 4 pages. Connie Boss #6304057. Published by Connie Boss (A0.801625). This old time Appalachian song has new lyrics (lyrics are based on the history of the Cumberland Gap. They are in the banjo part and someone can sing along). It follows the melody but also is a little different. This version has parts for duet, optional violin and piano. It also has guitar chords to strum along to. It's sure to get your toes a tappin. cdboss@cvalley.netLyrics:Cumberland GapAppalachian Folk SongArranged by Connie Boss Refrain:Cumberland Gap, Cumberland GapIt’s a long journey through the Cumberland GapCumberland Gap, Cumberland GapThey had to make a map just to find their way back Verse 1:To get across the mountain they had to make a pathCumberland Gap, Cumberland GapThe rocks were very big and they were hard to passCumberland Gap, Cumberland Gap Refrain: Verse 2:The gap was very treacherous, but they did their bestCumberland Gap, Cumberland GapThey had to make through it to travel out WestCumberland Gap, Cumberland Gap Refrain: Verse 3:The gap was used in many of the past warsCumberland Gap, Cumberland GapAnd they all believed what they were fighting forCumberland Gap, Cumberland Gap Final Refrain:Cumberland Gap, Cumberland Gap - repeat
$5.00
St. Matthew Blue (Rock Version)
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Voix duo
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INTERMÉDIAIRE
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Rock
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Stra...
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Voice Duet Voice - Level 3 - SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Strand (A0.970756). By Mike Strand, ASCAP This is a pop rock lead sheet with lyrics, chord symbols and guitar fret boards, for a rock ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, depending on your group’s particular setup. The audio sample is a pop rock accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A swing version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. My rock tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other rock tunes. Here are my lyrics to St. Matthew Blue: An evil little bug has got me down. I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00
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