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John Walsh
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Vous avez sélectionné:
John Walsh
2 Clarinettes (duo)
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T.A. ARNE: TRIO SONATA IN F MINOR OPUS 3 No. 4 for 2 clarinets & bass clarinet or bassoon or cello
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2 Clarinettes (duo)
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Thomas Augustine Arne
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Pat Spence
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T.A. ARNE: TRIO SONATA IN F MI
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Piper Publications
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SheetMusicPlus
B-Flat Bass Clarinet,B-Flat Clarinet,Bassoon,Cello - SKU: A0.1237722 Composed by Thomas Augustine Arne (1710 - 1778). Arranged by Pat Spence. Baroque,Ch...
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B-Flat Bass Clarinet,B-Flat Clarinet,Bassoon,Cello - SKU: A0.1237722 Composed by Thomas Augustine Arne (1710 - 1778). Arranged by Pat Spence. Baroque,Chamber,Contest,Festival,Instructional,Wedding. 26 pages. Piper Publications #833225. Published by Piper Publications (A0.1237722). This trio sonata is the fourth of a set of seven first published by John Walsh in London in 1757 for violins with cello or keyboard. The movements (Largo, Vivace & Largo - Presto)Â are well contrasted for three equal players of above intermediate standard.
$15.00
BOYCE TRIO SONATA IN Eb for 2 clarinets & bassoon or cello
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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William Boyce
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Pat Spence
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BOYCE TRIO SONATA IN Eb for 2
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet - Level 3 - SKU: A0.811737 Composed by William Boyce (1711 - 1779). Arranged by Pat Spence. Baroque,Concert,Gradua...
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Small Ensemble Bassoon,Cello,Clarinet - Level 3 - SKU: A0.811737 Composed by William Boyce (1711 - 1779). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 20 pages. Piper Publications #5723425. Published by Piper Publications (A0.811737). The eighth of twelve trio sonatas first published in London by John Walsh in 1747 for 2 violins and cello or harpsichord by William Boyce 'composer to his Majesty' George the second. Boyce had been granted the Royal Privilege and Licence in 1745 to have his music printed and sold for a period of fourteen years. The list of subscribers to the publication includes everyone who was anyone and included one 'George Frederick Handel, Esq;'.This arrangement for clarinets and bassoon or cello can be tackled by players of intermediate standard and above. Additional dynamic markings are in parentheses ( ). The musical notation has been modernised e.g. dots across bar/measure lines have been replaced with ties. In the original publication all the dynamics were spelled out in full e.g. piano instead of p .
$12.00
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