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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 Opera
Non classifié
191
Piano & claviers
Piano, Voix
206
Piano seul
94
Piano Facile
10
1 Piano, 4 mains
8
Piano, Voix et Guitare
7
Orgue
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Instruments en Do
3
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
19
2 Guitares (duo)
18
Guitare
6
3 Guitares (trio)
1
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
21
Chorale 2 parties
19
Chorale TTBB
15
Chorale SSAA
11
Chorale 3 parties
9
Voix duo, Piano
7
Voix duo
4
Voix Soprano, Piano
3
Chorale Unison
3
Voix haute
2
Voix Alto, Piano
1
Voix Soprano
1
Voix Tenor, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
80
2 Saxophones (duo)
50
2 Clarinettes (duo)
40
Quatuor de Clarinettes: 4 clarinettes
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte, Hautbois, Clarinette, Basson
16
Clarinette et Piano
16
Quatuor de Flûtes : 4 flûtes
15
2 Hautbois (duo)
13
Saxophone Alto et Piano
12
Flûte traversière et Piano
11
Quatuor de Saxophones: 4 saxophones
11
Hautbois, Piano (duo)
9
Saxophone Soprano et Piano
8
2 Clarinettes, Piano
8
2 Flûtes traversières, Piano
6
Clarinette
6
Saxophone Tenor
6
Ensemble de saxophones
6
Saxophone Tenor et Piano
6
Clarinette Basse, Piano
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
3 Saxophones (trio)
5
Saxophone (partie séparée)
5
3 Clarinettes (trio)
5
Quintette de Saxophone: 5 saxophones
5
Cor anglais, Piano
4
2 Clarinettes, Basson
4
Saxophone Baryton, Piano
4
Flûte traversière
4
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Basson (duo)
3
Saxophone Alto
3
Clarinette, Violon (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Piano
2
Hautbois, Flûte
2
Ensemble de Clarinettes
2
Hautbois (partie séparée)
2
Ensemble de Flûtes
2
Flute (partie séparée)
2
Clarinette (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
Flûte à Bec
1
Flûte, Trompette (duo)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano
1
Saxophone Baryton
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
Saxophone Soprano
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
2 Trompettes (duo)
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
2 Trombones (duo)
15
2 Cors (duo)
11
Trombone et Piano
9
Cor et Piano
8
Trompette, Piano
7
Trompette
6
Cor
5
Euphonium, Piano (duo)
5
Cor anglais, Piano
4
4 Tubas
3
Trompette (partie séparée)
3
Tuba et Piano
3
Trombone (partie séparée)
2
Trio de Cuivres
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
2
Quatuor de Cuivres
2
Trombone
2
2 Tubas (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
Tuba
1
Trompette, Trombone (duo)
1
Euphonium
1
2 Euphoniums (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
202
2 Violons (duo)
46
2 Violoncelles (duo)
26
Violon
21
Violon et Piano
21
2 Harpes (duo)
19
2 Altos (duo)
17
Alto, Piano
16
Violoncelle, Piano
15
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
9
Trio à Cordes: 2 violons, violoncelle
9
Violon, Violoncelle (duo)
8
Harpe
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
4 Violoncelles
4
Contre Basse
4
Violon, Alto (duo)
3
Alto seul
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Flûte, Contrebasse (duo)
2
Violon (partie séparée)
2
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
32
Orchestre d'harmonie
32
Orchestre à Cordes
27
Ensemble de cuivres
16
Orchestre de chambre
6
Percussion (partie séparée)
3
Cloches
3
Jazz combo
2
Ensemble Jazz
1
+ 4 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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TROMPETTE
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NOËL
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
2 Opera
intermédiaire
Voix duo, Piano
Partitions à imprimer
7 partitions trouvées
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Bist du bei mir / When you are near - 2 High voices, Piano
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Voix duo, Piano
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INTERMÉDIAIRE
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G
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John Ross
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Bist du bei mir / When you are
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John Ross
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SheetMusicPlus
Piano,Voice Duet High Voice,Piano - Level 3 - SKU: A0.1159160 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 7 ...
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Piano,Voice Duet High Voice,Piano - Level 3 - SKU: A0.1159160 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 7 pages. John Ross #759419. Published by John Ross (A0.1159160). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).
$3.99
Bist du bei mir / When you are near - 2 Medium voices, Piano
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Voix duo, Piano
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INTERMÉDIAIRE
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G
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John Ross
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Bist du bei mir / When you are
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John Ross
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SheetMusicPlus
Piano,Voice Duet Medium Voice,Piano - Level 3 - SKU: A0.1159166 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. ...
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Piano,Voice Duet Medium Voice,Piano - Level 3 - SKU: A0.1159166 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 11 pages. John Ross #759430. Published by John Ross (A0.1159166). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).
$3.99
Bist du bei mir / When you are near - 2 Low voices, Piano
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Voix duo, Piano
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INTERMÉDIAIRE
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G
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John Ross
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Bist du bei mir / When you are
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John Ross
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SheetMusicPlus
Piano,Voice Duet Low Voice,Piano - Level 3 - SKU: A0.1159168 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 7 p...
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Piano,Voice Duet Low Voice,Piano - Level 3 - SKU: A0.1159168 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 7 pages. John Ross #759432. Published by John Ross (A0.1159168). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).
$3.99
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
O Cessate di Piagarmi (Vocal duet)
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Voix duo, Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Alessandro Scarlatti
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John Ross
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O Cessate di Piagarmi
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John Ross
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages. John Ross #3447...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages. John Ross #3447535. Published by John Ross (A0.741860). Alessandro Scarlatti's O Cessate di Piagarmi from his 1683 opera Pompeo is a favourite of singers and singing teachers, being one of the early Italian arias often used in vocal tuition. This arrangement adds a second soloist, providing a decorative balancing part to the original aria's melodic line. Scarlatti repeats his melody line in the original aria. In this arrangement it is shared between the singers - soloist 1 singing it the first time, with soloist 2 singing a second part. On the repeat the singers swap roles. In this way each singer has the main tune once during this arrangement. There are additional decorations and ornaments in the repeated version. Creating a duet from a solo aria gives singers the chance to participate in some vocal chamber music and add another dimension to their performance skills.
$1.99
If You Can Prove That I Should Set You Free
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Voix duo, Piano
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INTERMÉDIAIRE
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Rachel J
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If You Can Prove That I Should
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Rachel J Peters
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SheetMusicPlus
Piano,Voice Duet Mezzo-Soprano Voice,Piano - Level 3 - SKU: A0.1302231 Composed by Rachel J. Peters. 21st Century,Classical,Opera. 33 pages. Rachel J Pe...
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Piano,Voice Duet Mezzo-Soprano Voice,Piano - Level 3 - SKU: A0.1302231 Composed by Rachel J. Peters. 21st Century,Classical,Opera. 33 pages. Rachel J Peters #891836. Published by Rachel J Peters (A0.1302231). Song cycle for 2 sopranos and up to 5 non-singing narrators Texts by Alice Duer Miller and Frances Ellen Watkins HarperDURATION: 14 minutesWORLD PREMIERE: Albany Symphony’s Dogs of Desire, Spring 2019Settings of suffrage-era satirist Alice Duer Miller’s poems are framed by underscored excerpts from Frances Ellen Watkins Harper’s “We Are All Bound Up Together†speech. The songs can be performed without the narration/underscoring movements between them.
$12.00
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