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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
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263
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195
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93
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31
Instruments en Do
15
Piano Facile
15
Orgue
14
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
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2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 8 instrumentations
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Piano, Guitare (duo)
74
Guitare notes et tablatures
50
Guitare
30
Paroles et Accords
16
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
11
Basse electrique
5
Mandoline
4
2 Guitares (duo)
2
Dulcimer
1
+ 5 instrumentations
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Voix
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60
Voix Tenor
25
Voix Alto, Piano
24
Voix Soprano
23
Chorale TTBB
23
Voix Baryton, Piano
19
Chorale 3 parties
17
Chorale SSAA
5
Chorale 2 parties
5
Chorale
4
Voix duo, Piano
2
Voix moyenne, Piano
2
Voix haute
2
Chorale Unison
2
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1
Voix Mezzo-Soprano, Piano
1
Voix duo
1
+ 12 instrumentations
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Hautbois, Piano (duo)
149
Clarinette et Piano
135
Flûte traversière et Piano
129
Saxophone Alto et Piano
96
Saxophone Tenor et Piano
92
2 Saxophones (duo)
40
Clarinette
32
Flûte traversière
29
Quintette de Saxophone: 5 saxophones
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
21
Hautbois (partie séparée)
18
Saxophone Alto
15
Hautbois
13
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Tenor
10
Saxophone Baryton, Piano
9
2 Flûtes traversières (duo)
9
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette (duo)
7
2 Hautbois (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
2 Clarinettes (duo)
6
Saxophone Soprano et Piano
6
Ensemble de saxophones
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone (partie séparée)
4
Saxophone Baryton
4
Ensemble de Clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano
3
Saxophone Soprano
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Basson (duo)
3
Hautbois, Clarinette (duo)
3
3 Clarinettes (trio)
3
Flûte, Violon
3
Flûte, Violon, Piano
2
Cor Anglais
2
Cor anglais, Piano
2
Flûte et Guitare
2
Ensemble de Flûtes
2
Flûte, Hautbois, Basson
1
Ensemble De Flûte à bec
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Trio de Flûtes: 3 flûtes
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Flûte, Alto (duo)
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Instruments en Mib
1
2 Flûtes traversières, Piano
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
3 Saxophones (trio)
1
2 Hautbois, Piano
1
+ 55 instrumentations
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Trombone et Piano
107
Trompette
70
Trompette, Piano
55
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46
Trombone
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Tuba et Piano
20
Cor
19
Tuba
19
Cor et Piano
19
2 Trombones (duo)
8
Trompette (partie séparée)
8
2 Trompettes (duo)
8
Trompette, Saxophone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Cors (duo)
6
Trompette, Trombone (duo)
5
Ensemble de Cors
3
Trompette, Cor (duo)
2
Cor Anglais
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
Ensemble de Trombones
2
Cor anglais, Piano
2
Trombone (partie séparée)
2
Euphonium
1
Trombone basse
1
Instruments en Sib
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
2 Cors, Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
+ 29 instrumentations
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Cordes
Alto, Piano
135
Violon et Piano
117
Violoncelle, Piano
116
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon
48
Violoncelle
40
Alto seul
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
2 Violons (duo)
12
Violon, Violoncelle (duo)
12
2 Altos (duo)
10
Violon, Alto (duo)
9
Contre Basse
8
2 Violoncelles (duo)
7
Alto (partie séparée)
7
Contrebasse, Piano (duo)
7
Harpe
6
Trio à Cordes: 2 violons, violoncelle
6
Trio à Cordes: violon, alto, violoncelle
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
3
2 Altos, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Violon (partie séparée)
1
4 Violoncelles
1
+ 27 instrumentations
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Fanfare
48
Ensemble Jazz
42
Orchestre d'harmonie
22
Orchestre à Cordes
14
Orchestre
10
Jazz combo
10
Batterie
7
Ensemble de cuivres
6
Cloches
6
Ensemble de Percussions
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre de chambre
2
Batterie (partie séparée)
1
Conga
1
Vibraphone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR ANGLAIS
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CORNET
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Voix duo, Piano
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What am I Doing Here PVG
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Voix duo, Piano
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INTERMÉDIAIRE
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Steven H
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Ashley Ivers
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What am I Doing Here PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishin...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishing #4360965. Published by Boothe Publishing (A0.984013). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$3.99
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
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