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A Change In Me
Non classifié
161
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92
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55
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42
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19
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9
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2
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1
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1
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1
2 Pianos, 4 mains
1
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15
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8
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4
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2
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2
3 Guitares (trio)
1
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1
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70
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11
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6
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4
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9
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1
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Quatuor de Cuivres
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34
Harpe
33
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7
Violon, Violoncelle (duo)
5
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5
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5
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3
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3
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3
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3
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2
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2
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1
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9
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Vous avez sélectionné:
A Change In Me
Voix duo, Piano
Partitions à imprimer
4 partitions trouvées
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What am I Doing Here PVG
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Voix duo, Piano
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INTERMÉDIAIRE
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Steven H
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Ashley Ivers
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What am I Doing Here PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishin...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishing #4360965. Published by Boothe Publishing (A0.984013). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$3.99
Quarry Songs
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Voix duo, Piano
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AVANCÉ
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Brett L
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Quarry Songs
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Sonata Grendel Publishing
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SheetMusicPlus
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultura...
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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
$51.06
Dear Diary
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Antonio Gervasoni
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that's instead of that is)
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Dear Diary
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Antonio Gervasoni
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SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - SKU: A0.1088422 Composed by Antonio Gervasoni. Classical,Contemporary. 50 pages. Antonio Ge...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - SKU: A0.1088422 Composed by Antonio Gervasoni. Classical,Contemporary. 50 pages. Antonio Gervasoni #692687. Published by Antonio Gervasoni (A0.1088422). Mini-opera for soprano, tenor and piano. I've wanted to write a piece based on Twain's Diaries of Adam and Eve ever since I read it. I always thought that the story had great potential to write a little opera buffa, and when I came across it by chance while tidying up a bookshelf, the idea came back to me and this time I finally decided to make it a reality. I have used only a few sentences from Twain's book and arranged them in such a way as to produce a workable libretto. For the most part, I've kept everything intact, except for a few words that I've taken the liberty of contract (for example, it's instead of it is; that's instead of that is). Also, in Eve's last entry, I changed every wife to everyone, as I want her words to refer to all human beings and not just women.
$9.99
La Décima Musa
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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William Ortiz
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La Décima Musa
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William Ortiz
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Publish...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Published by William Ortiz (A0.1009002). The text for “La Décima Musa†(2016) for Soprano, Mezzo and Piano, written by Amaya E. Ortiz, is inspired and influenced by the life and work of the Mexican poet Sor Juana Inés de la Cruz. Sor Juana Inés (1651-1695) was a controversial figure that defended women’s rights to education and was censured. Her defiance towards the Catholic Church at the time, led to all her books being confiscated. She has been since named “La Décima Musa†and has also been known as “El Phoenix de Méxicoâ€. The work is divided musically into ten sections of different character, each one preceded by a vocalized or brief instrumental interlude introducing each verse of the poem. The piece begins with a subtle, serene and contemplative vocalize in the tonality of F mayor and continues it’s musical discourse through modulations, rhythmic changes and imitative polyphony. The music reflects to a certain degree the neo baroque styling of the text, which in turn mirrors Sor Juana’s muse. The text transmits to me a phantasmagorical message that contains a great variety of metaphors and profound sentiment. I try to transform those words and thoughts into emotions and sensibilities through the miracle of what is music.
$9.95
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A Change In Me
