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Hear Me When I Call
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Vous avez sélectionné:
Hear Me When I Call
Voix duo, Piano
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Be Merciful to Me ~ Psalm 57 (for Vocal Duet with Piano accompaniment)
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Voix duo, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.565305 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Prais...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.565305 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. 17 pages. Sharon Wilson #3872549. Published by Sharon Wilson (A0.565305). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal duet with piano accompaniment. This arrangement is in the key of G major with the vocal ranges the same for both parts: the first B below middle C to the first B above middle C (B3 to B4). The limited, moderate vocal range makes this song accessible to just about every combination of voices (SA, AA, AB, TB, etc.) It is a very straight-forward arrangement with the SOPRANO (Part 1) carrying the melody throughout and the ALTO (Part 2) adding a non-complex harmony. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The purchase price includes the 9-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (4 pages) and a PIANO only score (3 pages). To purchase multiple copies for 2-part choral use, this arrangement is available separately at a reduced price.  The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Il Tramonto ... Shelley-Ascoli (2022) full score
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Il Tramonto ... Shelley-Ascoli
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.898494 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary. 30 pages. Thomas Oboe Lee #504...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.898494 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary. 30 pages. Thomas Oboe Lee #504802. Published by Thomas Oboe Lee (A0.898494). Full score. I am a frequent visitor to the Protestant Cemetery in Testaccio, Rome. Shelley, Keats and Corso are buried there among other expatriates who adopted the city of Rome as their own. I am a not a huge fan of the music by Ottorino Respighi, whose work, like the Pines of Rome, reminds too much of Hollywood music scores. But I was pleasantly surprised when I discovered on YouTube a chamber work he wrote for mezzo-soprano and string quartet called “Il Tramonto.†The vocal and string writing are exquisite, quite beautiful and heart-felt. When I looked at the source of the text I saw that it was an Italian translation by Roberto Ascoli of a poem by Percy Bysshe Shelley. That immediately inspired me to do my own musical setting of this poem. Two reasons. One, it has a Rome connection. Two, two of my favorite subjects in music are all there in one poem: love and death. Unfortunately I did not find the original English version to be sufficiently “musical.†The archaic language was a bit leaden and convoluted. On the other hand, the Italian translation is so much more lyrical and transcendental. I divided the poem into five parts. At the end I decided to tag on a text I have wanted to set for quite some time: Media Vita. I think the subject of this Latin text fits beautifully as a coda or “apotheosis†to Il Tramonto. I. Moderato … Già v’ebbe un uomo II. Andante … Ora è sommerso il sole III. Adagio … Il given e la dama giacquer tra il sonno IV. Moderato … Neri gli occhi ma non fulgidi più V. Adagio … Ho tal retaggio che la terra non dà VI. Apotheosis: Largo … Media Vita Enjoy!!!
$9.99
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Hear Me When I Call
