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--INSTRUMENTS--
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Husband
SheetMusicPlus
Partitions à imprimer
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Glorify the Lord With Me (Vocal Duet and Piano)
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Voix duo, Piano
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INTERMÉDIAIRE
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Jayne Nitz
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Glorify the Lord With Me
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Jayne Nitz
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.922836 Composed by Jayne Nitz. Christian,Sacred,Wedding. 6 pages. Jayne Nitz #6334333. Published by Jay...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.922836 Composed by Jayne Nitz. Christian,Sacred,Wedding. 6 pages. Jayne Nitz #6334333. Published by Jayne Nitz (A0.922836). This original wedding song is a duet for male and female voices. Based on Psalm 34:3 and more (see additional Bible verse references below), the lyrics draw from God’s Word to put the focus on Him, but still acknowledge the love between a husband and wife. LyricsMy gift of God, answer to my prayer, (James 1:17)This day our hearts rejoice. (Song of Songs 3:1)Two separate lives, in faith and love,Unite in a single voice. (Genesis 2:24)Chorus:Glorify the Lord with me, (Psalm 34:3a)Calling on his holy name together. (Psalm 34:3b)Glorify the Lord with me.Let us sing His praise as one. (Psalm 105:2)My gift of God, blessed beyond all words, (John 1:16)We’ll go forward as husband and wife.But better still, we’ll share the yearsAs brother and sister in Christ. (Mark 3:35)ChorusFor the joy that he brings us from here,We’ll offer our grateful song. (Psalm 28:7)In the valley of sorrow or fear, (Psalm 23:4)May the hymn of thanksgiving go on! (1 Thess. 5:18)Last Chorus:Glorify the Lord with me,Calling on his holy name together.Glorify the Lord with me.Let us sing His praise…My gift of God, blessed beyond all words,Let us sing His praise as one.Copyright © 2019 Jayne Nitz. All rights reserved.Choral series.
$2.00
Nearer My God to Thee / I Need Thee Every Hour Medley (Vocal Duet)
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Voix duo, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Annie S
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Rebecca Belliston
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Nearer My God to Thee / I Need
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Rebecca Belliston
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.726890 Composed by Annie S. Hawks, Lowell Mason, Robert Lowry, and Sarah F. Adams. Arranged by Rebecca ...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.726890 Composed by Annie S. Hawks, Lowell Mason, Robert Lowry, and Sarah F. Adams. Arranged by Rebecca Belliston. Christian,Easter,Holiday,Sacred,Spiritual. 3 pages. Rebecca Belliston #4338879. Published by Rebecca Belliston (A0.726890). Simple medley of I Need Thee Every Hour and Nearer My God to Thee. Can also be used with I am a Child of God.About the ArrangerRebecca Belliston studied music and orchestration at Brigham Young University and Utah State University. She is the composer and arranger of over seventy religious and classical-style songs. In addition, Rebecca also writes romantic suspense novels. She lives in Michigan with her husband and five kids. Find her online at http://www.RebeccaBelliston.com.
$5.99
Sleep Gently
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Voix duo, Piano
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INTERMÉDIAIRE
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Classique
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Lisa Lamb
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Sleep Gently
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Lisa Lamb
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.546348 Composed by Lisa Lamb. Classical. 2 pages. Lisa Lamb #156405. Published by Lisa Lamb (A0.546348)...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.546348 Composed by Lisa Lamb. Classical. 2 pages. Lisa Lamb #156405. Published by Lisa Lamb (A0.546348). Lisa composed this short song for voice and harp while in a long-distance relationship with her future husband. It is a peaceful lullaby. Although originally composed for harp, it would also sound great on piano, omitting the harmonics.
$1.99
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
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