Partitions Numériques de I'm Her pour Voix duo, Piano

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TRI ET FILTRES

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Non classifié 1383

PIANO & CLAVIERS

Piano seul 696 Piano, Voix 585 Piano, Voix et Guitare 361 Instruments en Do 144 Piano Facile 140

Orgue 73 Piano grosses notes 41 1 Piano, 4 mains 12 Accompagnement Piano 9 2 Pianos, 4 mains 7 Piano Quatuor: piano, violon, alto, violoncelle 7 Accordéon 5 Piano Trio: piano, violon, violoncelle 5 Piano (partie séparée) 2 1 Piano, 6 mains 1 2 Pianos, 8 mains 1 Orgue, Trompette (duo) 1

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GUITARES

Ligne De Mélodie, (Paroles) et Accords 2027 Guitare notes et tablatures 107 Paroles et Accords 35 Guitare 34 Basse electrique 24

Ukulele 7 2 Guitares (duo) 5 Piano, Guitare (duo) 4 4 Guitares (Quatuor) 4 Guitare (partie séparée) 3 3 Guitares (trio) 2 Guitare, Violon, Violoncelle (trio) 2 Banjo 1 Mandoline, Guitare (duo) 1 Dulcimer 1

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VOIX

Chorale SATB 315 Chorale 3 parties 93 Chorale SSAA 66 Chorale TTBB 64 Pack Instrumental pour Chorale 39 Chorale 2 parties 33 Chorale Unison 17 Voix Soprano, Piano 10 Voix seule 8 Voix haute 8 Voix moyenne, Piano 4 Voix duo, Piano 4

Voix Baryton, Piano 4 Voix duo 3 Voix, Guitare 1 Voix Alto, Piano 1 Voix Soprano 1 Voix basse 1

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VENTS

Quintette de Saxophone: 5 saxophones 142 Ensemble de saxophones 99 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 93 Flûte traversière et Piano 55 Quatuor de Saxophones: 4 saxophones 50

Ensemble de Clarinettes 46 Flûte, Hautbois, Clarinette, Basson 36 Clarinette et Piano 31 Hautbois, Piano (duo) 29 Flûte traversière 29 Clarinette 26 Quintette de Flûte : 5 flûtes 24 Quatuor de Clarinettes: 4 clarinettes 24 2 Flûtes traversières (duo) 23 2 Saxophones (duo) 21 Saxophone Alto et Piano 21 Ensemble de Flûtes 17 Saxophone (partie séparée) 16 Saxophone Tenor et Piano 16 Flûte à Bec 15 2 Clarinettes (duo) 12 Saxophone Tenor 12 Hautbois (partie séparée) 11 Saxophone Baryton, Piano 10 Saxophone Alto 10 Saxophone Soprano et Piano 10 Cor anglais, Piano 7 Hautbois, Basson (duo) 7 Clarinette Basse, Piano 7 Trio de Flûtes: 3 flûtes 6 Clarinette et Alto 6 3 Clarinettes (trio) 6 Quatuor de Flûtes : 4 flûtes 6 Flûte, Violoncelle 5 Flûte, Alto (duo) 5 Flûte, Clarinette (duo) 5 Flute (partie séparée) 5 2 Hautbois (duo) 5 3 Saxophones (trio) 5 Flûte et Guitare 4 Flûte à bec Soprano 4 2 Flûte à bec (duo) 3 Flûte, Violon 3 Clarinette, Violon (duo) 3 Saxophone, Clarinette (duo) 3 Flûte, Hautbois, Basson 3 Clarinette, Guitare (duo) 2 Clarinette (partie séparée) 2 Clarinette, Violoncelle (duo) 2 2 Cors Anglais Et Pianoforte 1 Flûte, Violoncelle, Guitare 1 Saxophone et Orgue 1 Instruments en Mib 1 Flûte et Trio à cordes 1 Flûte, Saxophone (duo) 1 Quintette de Clarinettes: 5 clarinettes 1 Hautbois, Flûte 1 Flûte, Hautbois (duo) 1 Saxophone et Guitare 1 Flûte, Clarinette et Basson 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Hautbois, Harpe 1 Hautbois, Clarinette (duo) 1 Hautbois, Violoncelle 1 Piccolo, Piano 1

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CUIVRES

Quatuor de Cuivres : 2 trompettes, trombone, tuba 117 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 103 Ensemble de Trompettes 44 Ensemble de Trombones 39 Quatuor de Cuivres: 2 trompettes, Cor, trombone 37

Trompette, Piano 24 Trombone et Piano 24 Trompette 23 Quatuor de Cuivres 19 Cor et Piano 15 Trompette (partie séparée) 15 Trombone (partie séparée) 13 Euphonium, Piano (duo) 10 Trompette, Trombone (duo) 8 Trio de Cuivres 8 Cor anglais, Piano 7 Trombone 7 2 Cors (duo) 6 Ensemble de Cors 5 2 Trompettes (duo) 5 Bass Clef Instruments 4 2 Trombones (duo) 4 2 Euphoniums (duo) 3 Tuba et Piano 3 Quatuor de cuivres: 4 cors 3 Tuba 3 Quatuor de cuivres: 4 trombones 3 Trompette, Saxophone (duo) 2 2 Cors Anglais Et Pianoforte 1 Cor (partie séparée) 1 Cor 1 Trombone basse et Piano 1 Trombone, Tuba (duo) 1 4 Tubas 1 Euphonium, Tuba (duo) 1 Tuba (partie séparée) 1 Instruments en Sib 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 304 Violon, Violoncelle (duo) 184 Violon 166 Trio à Cordes: violon, alto, violoncelle 145 Violon et Piano 58

Violoncelle 40 Violoncelle, Piano 35 Alto, Piano 33 Quintette à cordes: 2 violons, alto, violoncelle, basse 31 Harpe 27 Ensemble d'Altos 27 Violon, Alto (duo) 26 Ensemble de Violons 26 2 Violons (duo) 25 Alto seul 25 Trio à Cordes: 2 violons, violoncelle 19 2 Altos (duo) 12 2 Violoncelles (duo) 11 Contre Basse 10 4 Violoncelles 7 Alto (partie séparée) 7 Flûte, Contrebasse (duo) 5 Violoncelle, Contrebasse (duo) 5 Quatuor à cordes: 4 violons 3 Quintette à cordes: 2 violons, 2 altos, violoncelle 3 Contrebasse (partie séparée) 3 Violon, Guitare (duo) 2 2 Harpes (duo) 2 Trio à Cordes: 3 violoncelles 2 Violoncelle , Guitare (duo) 2 Quatuor à cordes : 4 altos 2 Harpe, Violon (duo) 1 Violoncelle, Orgue 1 Trio à cordes: 3 altos 1 Trio à Cordes: 2 violons, alto 1 Violon, Tuba (duo) 1 Trio à cordes: 3 violins 1 Alto, Guitare (duo) 1 Harpe, Flûte (duo) 1 2 Violons, Piano 1 2 Contrebasses (duo) 1 Quintette à cordes : 2 violons, alto et 2 violoncelles 1 Ensemble de Violoncelles 1 Alto, Violoncelle (duo) 1 Alto et Harpe 1 Violon (partie séparée) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 117 Orchestre à Cordes 112 Ensemble Jazz 69 Orchestre 54 Fanfare 29

Orchestre de chambre 26 Ensemble de cuivres 23 Jazz combo 20 Marimba 19 Ensemble de Percussions 11 Cloches 9 Batterie 8 Quintette de Cuivres: autres combinaisons 2 Batterie (partie séparée) 2 Vibraphone 1

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AUTRES

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I'm Her

Voix duo, Piano

Partitions à imprimer

4 partitions trouvées

Hänsel und Gretel

Voix duo, Piano

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…(+)

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinckâ€™s fairy tale opera HÃ¤nsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinckâ€™s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the HÃ¤nsel und Gretel was begun in 1890. Adelheidâ€™s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a â€œvery pretty folkloricâ€ Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her â€œdear sugar-sweet little brother... Engel-BÃ¤rtchen [angel beard]â€. She enclosed the corresponding verses with the letter and â€œfor funâ€ also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition BrÃ¼derchen kommâ€™ tanzâ€™ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die VÃ¶gelein und Tirelireli! â€˜s ist nicht mehr frÃ¼h â€œfor two childrenâ€™s voices and piano accompanimentâ€ (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: â€œAs you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the â€˜cock-a-doodle-dooâ€™ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettesâ€™ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a â€œKinderstubenweihfestspielâ€œ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks MÃ¤rchenoper HÃ¤nsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes MÃ¤rchenspiel gleichen Namens, welches sie gemeinsam mit ihren TÃ¶chtern im Familienkreis auffÃ¼hrte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. WÃ¤hrend BrÃ¼derchen, komm tanz mit mir und Tirelireli in verÃ¤nderter Form auch in die spÃ¤tere MÃ¤rchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks HÃ¤nsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprÃ¼ngliche Lieder, die in dieser Fassung erstmals in editierter Form verÃ¶ffentlicht werden, ebenso wie den vollstÃ¤ndigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

$23.99 22 € #Voix duo, Piano #the way, the â€˜cock-a-doodle-dooâ€™ can also be sung on one note(E flat) instead of on the four notes of the chord #Engelbert Humperdinck #Hänsel und Gretel #Schott Music - Digital #SheetMusicPlus

All That I Am - SA Duet

Voix duo, Piano

Composed by Sherrie M. Boren. Christian, Sacred, Praise & Worship, Latter-Day Saints. Shee…(+)

Composed by Sherrie M. Boren. Christian, Sacred, Praise & Worship, Latter-Day Saints. Sheet Music Single. 9 pages. Published by Sherrie Boren Music (S0.225131). - Sheet Music Single - Christian,Sacred,Praise & Worship,Latter-Day Saints - Sherrie Boren Music

$1.99 1.83 € #Voix duo, Piano #Sherrie M #All That I Am - SA Duet #Sherrie Boren Music #SheetMusicPlus

Quarry Songs

Voix duo, Piano

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU:…(+)

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn ForchÃ©. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and Iâ€™m humbled by the writerâ€™s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identityâ€”self imposed and projectedâ€”on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readersâ€™ minds on the rough truths of our shared history as Americans.

$51.06 46.83 € #Voix duo, Piano #Brett L #Quarry Songs #Sonata Grendel Publishing #SheetMusicPlus

La Décima Musa

Voix duo, Piano

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.1009002 Composed …(+)

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Published by William Ortiz (A0.1009002). The text for â€œLa DÃ©cima Musaâ€ (2016) for Soprano, Mezzo and Piano, written by Amaya E. Ortiz, is inspired and influenced by the life and work of the Mexican poet Sor Juana InÃ©s de la Cruz. Sor Juana InÃ©s (1651-1695) was a controversial figure that defended womenâ€™s rights to education and was censured. Her defiance towards the Catholic Church at the time, led to all her books being confiscated. She has been since named â€œLa DÃ©cima Musaâ€ and has also been known as â€œEl Phoenix de MÃ©xicoâ€. The work is divided musically into ten sections of different character, each one preceded by a vocalized or brief instrumental interlude introducing each verse of the poem. The piece begins with a subtle, serene and contemplative vocalize in the tonality of F mayor and continues itâ€™s musical discourse through modulations, rhythmic changes and imitative polyphony. The music reflects to a certain degree the neo baroque styling of the text, which in turn mirrors Sor Juanaâ€™s muse. The text transmits to me a phantasmagorical message that contains a great variety of metaphors and profound sentiment. I try to transform those words and thoughts into emotions and sensibilities through the miracle of what is music.

$9.95 9.13 € #Voix duo, Piano #William Ortiz #La Décima Musa #William Ortiz #SheetMusicPlus