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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I\'m Lit
Non classifié
541
Piano & claviers
Piano seul
435
Piano, Voix
94
Instruments en Do
78
Piano, Voix et Guitare
64
Piano Facile
50
Orgue
25
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
1
2 Pianos, 8 mains
1
1 Piano, 4 mains
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
49
Guitare
14
Guitare notes et tablatures
13
Basse electrique
4
4 Guitares (Quatuor)
2
Dulcimer
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
71
Chorale TTBB
18
Chorale 3 parties
11
Chorale 2 parties
8
Chorale SSAA
7
Voix seule
4
Voix duo, Piano
4
Voix Soprano, Piano
4
Chorale Unison
3
Voix Tenor, Piano
1
Voix duo
1
Voix Alto, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
75
Ensemble de saxophones
59
Ensemble de Clarinettes
28
2 Saxophones (duo)
19
Quintette de Flûte : 5 flûtes
16
Quatuor de Saxophones: 4 saxophones
11
2 Flûtes traversières (duo)
9
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
8
Clarinette et Piano
7
2 Clarinettes (duo)
7
Flûte traversière
7
Clarinette
6
Saxophone Alto et Piano
6
Ensemble de Flûtes
6
Flûte traversière et Piano
5
Hautbois, Piano (duo)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Violon (duo)
3
Saxophone Alto
3
Hautbois (partie séparée)
3
Saxophone, Clarinette (duo)
3
2 Hautbois (duo)
3
Saxophone Tenor et Piano
3
3 Clarinettes (trio)
3
Saxophone Tenor
2
Flute (partie séparée)
2
Hautbois
2
Flûte, Violon
2
Quintette de Clarinettes: 5 clarinettes
2
Instruments en Mib
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon, Piano
1
Clarinette Basse, Piano
1
Saxophone Soprano et Piano
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
2 Flûte à bec (duo)
1
3 Saxophones (trio)
1
Saxophone (partie séparée)
1
Cor anglais, Piano
1
Saxophone et Orgue
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
Clarinette, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 46 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
81
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Ensemble de Trombones
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Ensemble de Trompettes
18
Trompette
10
Tuba
5
2 Cors (duo)
5
Cor
4
Cor et Piano
4
Trompette, Trombone (duo)
4
Trompette, Piano
3
2 Trombones (duo)
3
Trombone et Piano
3
Trombone
3
Tuba et Piano
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
Trompette, Saxophone (duo)
2
Trombone, Tuba (duo)
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
Cor, Tuba (duo)
1
Ensemble de Cors
1
Instruments en Sib
1
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor anglais, Piano
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Ensemble d'Altos
18
Ensemble de Violons
17
2 Violons (duo)
17
Violon et Piano
14
Violon
12
Trio à Cordes: violon, alto, violoncelle
12
Harpe
12
2 Altos (duo)
12
Violon, Violoncelle (duo)
11
Violon, Alto (duo)
9
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto, Piano
8
Violoncelle, Piano
7
2 Violoncelles (duo)
7
Alto seul
5
Contre Basse
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse, Piano (duo)
2
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
Alto et Harpe
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
45
Ensemble Jazz
24
Jazz combo
10
Orchestre à Cordes
10
Orchestre
10
Orchestre de chambre
6
Ensemble de cuivres
5
Ensemble de Percussions
3
Fanfare
2
Marimba
2
Vibraphone
1
Cloches
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
I\'m Lit
Voix duo, Piano
Partitions à imprimer
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Princess Diana the Musical: I'm Not the Little Kid I Used to Be
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Voix duo, Piano
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INTERMÉDIAIRE
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Comédie Musicale
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Ryan Rubek, Lisa Lind
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Chuck Penington
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Princess Diana the Musical: I'
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Karen Sokolof Javitch
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SheetMusicPlus
By Ryan Rubek, Lisa Lind. By Karen Sokolof Javitch. Arranged by Chuck Penington. Broadway, Musical/Show. 4 pages. Karen Sokolof Javitch #124183. Publi...
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By Ryan Rubek, Lisa Lind. By Karen Sokolof Javitch. Arranged by Chuck Penington. Broadway, Musical/Show. 4 pages. Karen Sokolof Javitch #124183. Published by Karen Sokolof Javitch
$2.99
La Décima Musa
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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William Ortiz
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La Décima Musa
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William Ortiz
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Publish...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Published by William Ortiz (A0.1009002). The text for “La Décima Musa†(2016) for Soprano, Mezzo and Piano, written by Amaya E. Ortiz, is inspired and influenced by the life and work of the Mexican poet Sor Juana Inés de la Cruz. Sor Juana Inés (1651-1695) was a controversial figure that defended women’s rights to education and was censured. Her defiance towards the Catholic Church at the time, led to all her books being confiscated. She has been since named “La Décima Musa†and has also been known as “El Phoenix de Méxicoâ€. The work is divided musically into ten sections of different character, each one preceded by a vocalized or brief instrumental interlude introducing each verse of the poem. The piece begins with a subtle, serene and contemplative vocalize in the tonality of F mayor and continues it’s musical discourse through modulations, rhythmic changes and imitative polyphony. The music reflects to a certain degree the neo baroque styling of the text, which in turn mirrors Sor Juana’s muse. The text transmits to me a phantasmagorical message that contains a great variety of metaphors and profound sentiment. I try to transform those words and thoughts into emotions and sensibilities through the miracle of what is music.
$9.95
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
Summertime
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dorothy Heyward, Du Bose Heywa
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Thomas J
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Summertime
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John P. Redmon Music
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.975466 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Tho...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.975466 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Thomas J. Dawson, Jr. Contemporary. 10 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247659. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975466). I had no trouble (at all) making my choice for personal favorite of the ten great tunes John offers up… his rendition of Summertime is THE most mellow performance of that classic jazz tune I have ever heard… the vocals just SHIMMER, folks! (Dick Metcalf, Contemporary Fusion Reviews)Rising Star John Redmon, Hollywood Actress/Jazz Singer Linda Purl and Music Legend Thomas Dawson Jr. team up with an arrangement of Summertime that would make even the biggest jazz critic applaud. This piano/vocal arrangement by Dawson takes this delectable Gershwin tune and turns it into a gourmet feast in which you can’t get enough. The chords are delicious!This version of Summertime would be fitting as background music, jazz bars and night clubs, theatrical spaces, concerts, and jazz festivals.Summertime appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.The recorded version is just a little over 4 1/2 minutes.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook: https://m.facebook.com/johnredmonmusic/Instagram: https://www.instagram.com/johnredmonmusic/Twitter: https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/
$4.99
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I\'m Lit
