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Rhythm Song - Chamber Piece
Voix duo, Piano
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Hänsel und Gretel
Voix duo, Piano
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
21.54 €
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Voix duo, Piano
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the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
Te Quiero - Vocal duet with piano and violin
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.793058 Composed b…
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.793058 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel Solberg. Classical,Latin. 10 pages. Daniel Solberg #5710885. Published by Daniel Solberg (A0.793058). This sensual Spanish piece serves as a modern art song for voice piano and optional violin!The vocal range is suitable for many voice types. Vocal solo version available as well.Rubato with a subtle tormenting rhythm underneath, the piano part includes an exact transcription of Daniel Solberg's accompaniment, and also chord symbols for those who want to build on the improvisatory nature of this piece's style.
$9.99
8.97 €
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Voix duo, Piano
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John Oliva, Michael Gandolfi, and Ron Antinori
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Daniel Solberg
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Te Quiero - Vocal duet with piano and violin
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Daniel Solberg
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SheetMusicPlus
What You Don't Know About Women
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 5 - Digital Download SKU: A0.790075 Composed b…
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Piano,Voice Duet Piano,Voice - Level 5 - Digital Download SKU: A0.790075 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. 10 pages. Diamond S Music #3561465. Published by Diamond S Music (A0.790075). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the PIANO/VOCAL PART ONLY. Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
8.97 €
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Voix duo, Piano
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Cy Coleman
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What You Don't Know About Women
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Diamond S Music
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SheetMusicPlus
How Beautiful
Voix duo, Piano
Vocal, Duet, Solo (Choral, Handbells, Orchestra, Vocal Solo/Duet) - Digital Download …
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Vocal, Duet, Solo (Choral, Handbells, Orchestra, Vocal Solo/Duet) - Digital Download Composed by Twila Paris. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestration. Ring & Sing Series. Communion - NO USE!, Contemporary, Wedding NO USE!, Commemoration, Wedding, Lent, Good Friday, General Worship, Communion, Cross of Christ, Discipleship, Life of Christ, Lord's Supper, Sacrifice, Trust & Unity. Vocal score. 8 pages. Hope Publishing - Digital #8651DP. Published by Hope Publishing - Digital
By Twila Paris. Isaiah 52:7 - John 13:1 - John 13:2 - John 13:3 - John 13:4 - John 13:5 - John 13:6 - John 13:7 - John 13:8 - John 13:9 - John 13:10 - John 13:11 - John 13:12 - John 13:13 - John 13:14 - John 13:15 - John 13:16 - John 13:17 - Ephesia.<br> <br> Popular ballad by Twila Paris This exquisite ballad by Twila Paris has been set by arranger Lloyd Larson in a new 2-part mixed setting with a new 3-5 octave handbell accompaniment (compatible with all voicings). With both Lenten and communion themes, this best-selling arrangement is a useful reflection for a variety of occasions. The original, lush orchestration by Mark Kellner is also available. This includes a Conductor's Score and parts for: Flute, Oboe, 2 Horns, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, and Rhythm (Guitar & Electric Bass).<br> <br> New for 2012, Lloyd offers a dramatic new vocal solo (medium voice) setting of this popular song. This piece is also included in Lloyd's extensive collection of vocal solos, The Essential Collection for the Church Soloist (#8508).
$7.95
7.14 €
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Voix duo, Piano
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Twila Paris
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Lloyd Larson
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Sing Series
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How Beautiful
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Hope Publishing - Digital
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SheetMusicPlus
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