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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sacred Music Publishers
Non classifié
1 965
Piano & claviers
Piano seul
499
Piano, Voix et Guitare
403
Orgue
335
Piano, Voix
257
Piano Facile
73
1 Piano, 4 mains
34
Orgue, Trompette (duo)
33
Instruments en Do
14
Orgue, Piano (duo)
12
Accompagnement Piano
8
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Clavecin
2
Ensemble de Pianos
1
1 Piano, 6 mains
1
Tous Les Instruments
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
8
Guitare notes et tablatures
6
Guitare
4
Ukulele
2
Banjo
1
3 Guitares (trio)
1
Basse electrique
1
+ 2 instrumentations
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Voix
Chorale SATB
1 746
Chorale 3 parties
239
Chorale 2 parties
86
Chorale Unison
73
Chorale TTBB
64
Chorale
35
Chorale, Orgue
14
Chorale SSAA
14
Voix seule
10
Voix duo
8
Voix haute
7
Chorale SSATTB
4
Voix duo, Piano
4
Voix basse, Piano
3
Voix moyenne, Piano
3
Chorale SSATB
3
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix Soprano
1
Chorale SSAATB
1
Chorale SSATBB
1
+ 16 instrumentations
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Vents
2 Flûtes traversières (duo)
106
2 Saxophones (duo)
83
2 Clarinettes (duo)
42
3 Clarinettes (trio)
36
Saxophone, Clarinette (duo)
36
Flûte traversière et Piano
32
Quatuor de Flûtes : 4 flûtes
32
Flûte traversière
29
Quatuor de Clarinettes: 4 clarinettes
29
Quatuor de Saxophones: 4 saxophones
28
Clarinette, Violon (duo)
28
Saxophone Alto et Piano
25
Flûte, Clarinette (duo)
25
Trio de Flûtes: 3 flûtes
19
Clarinette et Piano
19
Hautbois, Piano (duo)
18
Clarinette, Trompette (duo)
18
2 Hautbois (duo)
17
3 Saxophones (trio)
16
Hautbois, Clarinette (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette et Alto
15
Flûte, Violon
14
Saxophone Soprano et Piano
14
Clarinette
12
Flûte, Saxophone (duo)
12
Hautbois, Basson (duo)
12
Flûte, Trompette (duo)
11
Flûte, Alto (duo)
11
Flute (partie séparée)
10
Hautbois, Flûte
10
Cor anglais, Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte traversière, Orgue (duo)
7
Saxophone Tenor et Piano
7
Flûte à bec Soprano
6
Clarinette, Basson (duo)
5
Hautbois (partie séparée)
4
Flûte à bec Alto
4
Flûte à bec Tenor
4
Quatuor de Flûtes à bec
3
Saxophone Alto
3
Flûte à bec Soprano, Piano
3
2 Flûtes traversières, Piano
3
Clarinette, Violoncelle (duo)
3
Ensemble De Flûte à bec
2
Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Piano (trio)
2
2 Flûte à bec (duo)
2
Saxophone Tenor
2
Flûte, Violon, Piano
2
Saxophone et Orgue
2
Saxophone
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Clarinette Basse, Piano
2
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
2 Clarinettes, Basson
1
Ensemble de Flûtes
1
Clarinette, trompette et piano
1
Hautbois, Violoncelle et Piano
1
Hautbois, Violon, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
Piccolo
1
4 Hautbois
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
+ 76 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trompette, Saxophone (duo)
25
Trompette, Piano
19
2 Trombones (duo)
19
Trompette (partie séparée)
18
2 Trompettes (duo)
18
Trombone et Piano
15
Trompette, Trombone (duo)
14
Trompette
14
2 Cors (duo)
12
Tuba et Piano
11
Cor et Piano
10
Cor anglais, Piano
10
3 Trombones (trio)
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Quatuor de cuivres: 4 cors
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
3 Trompettes (trio)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Euphonium, Piano (duo)
4
Trombone, Cor (duo)
3
Trombone
3
Trompette, Cor (duo)
2
Trio de Cuivres
2
Tuba et Orgue
2
Tuba
2
Cor
2
Quatuor de Cuivres
2
Trompette, Violoncelle et Piano
1
Trompette, Trombone, Piano
1
Trombone (partie séparée)
1
Trombone, violoncelle (duo)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon, Violoncelle (duo)
43
Violon
36
Violon et Piano
28
2 Violons (duo)
22
Trio à Cordes: violon, alto, violoncelle
21
Violon, Alto (duo)
17
Violoncelle
16
2 Altos (duo)
14
Violoncelle, Piano
14
2 Violoncelles (duo)
13
Alto, Piano
10
Alto, Violoncelle (duo)
10
Alto seul
10
2 Harpes (duo)
7
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe
3
Trio à Cordes: 2 violons, alto
3
Harpe et Orgue
3
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
Violoncelle, Orgue
2
Harpe, Voix
2
4 Violoncelles
2
Contrebasse, Piano (duo)
2
Piano Trio: Violon, Alto, Piano
2
3 Harpes
1
Alto et Basson
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Cloches
210
Orchestre
64
Ensemble Jazz
62
Orchestre de chambre
26
Ensemble de cuivres
22
Orchestre à Cordes
18
Orchestre d'harmonie
10
Timbales
2
Quintette à Vent
2
Percussion
1
Jazz combo
1
Marimba
1
Batterie
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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Sacred Music Publishers
Voix duo, Piano
Partitions à imprimer
4 partitions trouvées
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1
Sacred Vocal Duets (for High and Low Voice)-Digital Version
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Voix duo, Piano
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Musique Sacrée
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Lloyd Larson
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Sacred Vocal Duets
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Hope Publishing - Digital
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SheetMusicPlus
Arranged by Lloyd Larson. Vocal Duet Collections. Vocal Duet Collections. General Worship, Sacred. Vocal score. 64 pages. Hope Publishing - Digital #8...
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Arranged by Lloyd Larson. Vocal Duet Collections. Vocal Duet Collections. General Worship, Sacred. Vocal score. 64 pages. Hope Publishing - Digital #8065DP. Published by Hope Publishing - Digital
$24.95
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jacques Leguerney
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Jacques Leguerney: De L'Ab&ici
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik ...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
Take (Christian worship song)
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Voix duo, Piano
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FACILE
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Musique Sacrée
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Anthony Giamanco
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Take
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Whole Tone Press
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.773868 Composed by Anthony Giamanco. Pop,Praise & Worship,Sacred. 8 pages. Whole Tone Press #5996245. P...
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Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.773868 Composed by Anthony Giamanco. Pop,Praise & Worship,Sacred. 8 pages. Whole Tone Press #5996245. Published by Whole Tone Press (A0.773868). A beautiful, flowing worship song that asks God to use our hands, feet, lips, voice to spread the Gospel to all. Arranged for piano/keyboard (with chord symbols) and tenor/alto duet. Add guitar, bass, and drums for worship band presentation. Ideal for worship services and other church events. Congregations will enjoy singing this too!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$3.50
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