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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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16
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7
Accordéon
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6
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138
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105
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57
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16
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11
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3
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1
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1
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VENTS
Clarinette
83
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76
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73
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54
Saxophone Alto
52
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47
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45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Clarinette et Piano
45
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30
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29
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27
2 Saxophones (duo)
27
2 Clarinettes (duo)
26
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26
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23
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23
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18
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18
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17
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16
2 Hautbois (duo)
16
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11
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10
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9
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8
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8
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4
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4
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3
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3 Saxophones (trio)
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
Cornemuse
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3 Hautbois
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Cor
64
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54
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46
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44
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42
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33
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30
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30
Cor et Piano
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2 Trompettes (duo)
18
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15
Tuba et Piano
14
2 Cors (duo)
12
Tuba et Orgue
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2 Euphoniums (duo)
8
2 Tubas (duo)
8
Cor anglais, Piano
7
Trombone (partie séparée)
7
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6
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6
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4
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3
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Cor (partie séparée)
3
Tuba (partie séparée)
2
Trompette, Cor (duo)
2
Trombone, Cor (duo)
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon
101
Violon et Piano
82
Alto seul
74
Violoncelle, Piano
62
Violoncelle (partie séparée)
57
Alto, Piano
56
2 Violons (duo)
34
Contre Basse
27
Contrebasse, Piano (duo)
23
Violoncelle
21
2 Altos (duo)
21
Alto (partie séparée)
19
2 Violoncelles (duo)
18
Harpe
17
Violon, Violoncelle (duo)
13
Violon, Alto (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
5
Violon (partie séparée)
5
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
2 Altos, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
95
Orchestre à Cordes
63
Orchestre
34
Ensemble de cuivres
14
Cloches
12
Orchestre de chambre
10
Ensemble de Percussions
7
Ensemble Jazz
7
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Percussion (partie séparée)
2
Jazz combo
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
This Very Child
Voix duo, Piano
Partitions à imprimer
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Who Will Bind Their Wounds?
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.868044 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.868044 Composed by Jennette Jay Booth. Christian,Sacred,Spiritual. 7 pages. Sound Booth #6371945. Published by Sound Booth (A0.868044). As I have watched what the youth of today are up against, I couldn't help but think of the stripling warriors described in the Book of Mormon.It struck me that even though every warrior miraculously survived the two battles they fought in, every warrior was also badly injured, many to the point of fainting from the loss of blood.And what happened next?Every able soldier worked to bind up the wounds of the injured.THIS is part of the story of their miraculous survival!This is OUR part of the story as the parents/leaders of the youth today.Who Will Bind Their Wounds? is a call to the latter-day Army of Antipus to come fight for and rescue our beloved Youth Battallion.Will you hasten to the fight like Antipus of old?Will you march with all your might to defend the stripling fold?...All profits go toward preventing child sexual abuse at BodySafetySongs.org
$4.99
4.61 €
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Voix duo, Piano
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Jennette Jay Booth
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Who Will Bind Their Wounds?
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Sound Booth
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SheetMusicPlus
Hänsel und Gretel
Voix duo, Piano
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
22.14 €
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Voix duo, Piano
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the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
Little Birds
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.1028072 Composed …
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.1028072 Composed by Renji Mao. Contemporary. 6 pages. The Letter Wynn #5726163. Published by The Letter Wynn (A0.1028072). Daydreams are not just something children have. For some of us, we use it to escape the mundane of everyday life and to cope with its stresses when times get tough. This piano ballad is dedicated to a friend of mine who wrote the words.PERFORMANCE SUGGESTIONSThough not written in the score, I encourage the pianist to use the damper pedal to bolster the harmony and create the pensive quality that piano ballads have, as well as to feel free to add your own interpretation to the solos. As for the vocal part, both males and females can sing it. The singing should feel easy, but not lacking sentiment when words or harmonies call for it, especially the funereal ending.A typical performance should last 7-8 minutes.
$5.99
5.53 €
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Voix duo, Piano
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Renji Mao
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Little Birds
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The Letter Wynn
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SheetMusicPlus
Tawel Nos
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.875639 Composed by Welsh Tr…
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Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.875639 Composed by Welsh Traditional. Arranged by Caroline Venter. Christian,Christmas. 4 pages. Caroline Venter #3867119. Published by Caroline Venter (A0.875639). A version of Silent Night but in the beautiful Welsh language. This arrangement has a unison first verse and then splits into 2 part harmony for the second. Very effective with a children's choir. Would recommend for elementary school age.
$8.99
8.3 €
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Voix duo, Piano
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Welsh Traditional
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Caroline Venter
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Tawel Nos
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Caroline Venter
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SheetMusicPlus
If I Were A Fish
Voix duo, Piano
Piano,Voice Duet Low Voice,Medium Voice,Piano - Level 2 - Digital Download SKU: A0.1220…
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Piano,Voice Duet Low Voice,Medium Voice,Piano - Level 2 - Digital Download SKU: A0.1220242 By Corook. By Corinne Savage and Olivia Barton. Arranged by Amanda Dills. Children,Contemporary,Film/TV,Instructional,Pop. 5 pages. Amanda Dills #816573. Published by Amanda Dills (A0.1220242). if I were a fish by corook and Oliva Barton is a wildly popular TikTok tune, and now everyone can play and sing along with this 2-part piano/vocal sheet music! Arrangement Details:• Number of Pages: 5• Duration: 2’11â€â€¢ Key: F Major (Original Key)• Includes: entire piece, 2-part vocals, with lyrics & chord symbols• Features: catchy melody, positive message, adorable lyrics, • Great For: Pops recitals, singers who want to accompany themselves, pops duets, treble choir, general music classAbout the Arranger:Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City.  She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses.  For more information (including full composition and arrangement catalogue and fun freebies!), visit
$4.99
4.61 €
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Voix duo, Piano
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Corook
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Amanda Dills
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If I Were A Fish
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Amanda Dills
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SheetMusicPlus
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