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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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MARIMBA
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TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Händel, Georg
Non classifié
164
Piano & claviers
Piano seul
295
Piano, Voix
124
Piano, Voix et Guitare
25
Piano Facile
13
Orgue
12
Orgue, Trompette (duo)
7
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accordéon
5
Accompagnement Piano
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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1
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1
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12
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1
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159
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26
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9
Chorale 3 parties
8
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4
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3
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2
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1
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1
+ 4 instrumentations
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Flûte traversière
73
Flûte à Bec
34
Flûte, Hautbois, Clarinette, Basson
30
Saxophone
24
Clarinette
21
Quatuor de Saxophones: 4 saxophones
13
Hautbois
12
Clarinette et Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
Flûte traversière et Piano
10
Saxophone Tenor
7
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7
Saxophone Alto
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Saxophone Tenor et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Soprano et Piano
4
2 Saxophones (duo)
4
Flûte, Clarinette (duo)
3
Saxophone et Guitare
3
Harmonica
3
Cor anglais, Guitare (duo)
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
2
2 Clarinettes (duo)
2
Clarinette, Violoncelle (duo)
2
2 Flûte à bec (duo)
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Flûte et Guitare
1
Ensemble de saxophones
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières (duo)
1
2 Hautbois (duo)
1
Hautbois, Violoncelle
1
2 Clarinettes, Basson
1
Trio de Flûtes: 3 flûtes
1
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Trombone
16
Trompette
16
Trompette, Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone et Piano
11
Quatuor de cuivres: 4 cors
10
3 Trompettes (trio)
8
Cor et Piano
8
Euphonium
7
Cor
7
Quatuor de cuivres: 4 trombones
6
Tuba
6
Ensemble de Cors
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de cuivres: 4 trompettes
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor anglais, Guitare (duo)
3
Quatuor de Cuivres
3
Cor anglais, Piano
2
Trio de Cuivres
2
2 Cors (duo)
2
2 Trompettes (duo)
2
Euphonium, Piano (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Cor (duo)
1
Tuba et Piano
1
2 Trombones (duo)
1
3 Trombones (trio)
1
Trombone, Orgue
1
+ 24 instrumentations
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Cordes
Violon
48
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violoncelle
24
Violon et Piano
16
Alto seul
14
Violoncelle, Piano
9
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
8
Violon (partie séparée)
8
4 Violoncelles
6
Violon, Violoncelle (duo)
5
Quatuor à cordes : 4 altos
5
2 Violons (duo)
4
Alto, Violoncelle (duo)
4
Piano Trio: Violon, Alto, Piano
4
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Alto, Guitare (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Trio à cordes
1
Contre Basse
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
+ 20 instrumentations
Retracter
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Ensemble de cuivres
23
Orchestre à Cordes
21
Orchestre de chambre
18
Orchestre
4
Orchestre d'harmonie
1
Quatuor à Vent : 4 instruments à vents
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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Crtitères actifs :
Händel, Georg
2 Saxophones (duo)
Partitions à imprimer
4 partitions trouvées
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1
Jesus Christ Is Risen Today (Duet for Soprano and Tenor Saxophone)
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2 Saxophones (duo)
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FACILE
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Musique Sacrée
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Traditional, Georg Friedrich H
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Stephen DeCesare
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Jesus Christ Is Risen Today
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.625313 Composed by Traditional, Georg Friedrich H...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.625313 Composed by Traditional, Georg Friedrich Händel. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Exultet Music #4986743. Published by Exultet Music (A0.625313). The well-known hymn based on the tune Easter Hymn mixed with the famous melody from Georg Friedrich Händel's Hallelujah Chorus have now been joined together in one joyous hymn which is scored as a duet for a Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any church setting. .
$4.99
Josquin: 22 Duets for Alto & Tenor Sax
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2 Saxophones (duo)
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FACILE
#
Josquin des Prez
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James M
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Josquin: 22 Duets for Alto &am
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Instrumental Duet - Level 2 - SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,...
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Alto Saxophone,Instrumental Duet - Level 2 - SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678327. Published by jmsgu3 (A0.1074056). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Soprano & Alto Sax
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2 Saxophones (duo)
#
FACILE
#
Josquin des Prez
#
James M
#
Josquin: 22 Duets for Soprano
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1074047 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festi...
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Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1074047 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678317. Published by jmsgu3 (A0.1074047). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Tenor & Baritone Sax
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2 Saxophones (duo)
#
FACILE
#
Josquin des Prez
#
James M
#
Josquin: 22 Duets for Tenor &a
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1074034 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fes...
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Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1074034 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678304. Published by jmsgu3 (A0.1074034). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
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1
Händel, Georg
