Partitions Numériques de Gluck pour Flûte, Clarinette (duo)

Gluck

#C W Gluck

Che Faro Senza Euridice (Flute & Clarinet Duet) #Flûte, Clarinette (duo) #INTERMÉDIAIRE #C W Gluck #Catriona Melville-Mason #Che Faro Senza Euridice #C Melville-Mason #SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.956618 Composed by C W Gluck. Arranged by Catriona Melville-Mason. Classical,Conc...(+)

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.956618 Composed by C W Gluck. Arranged by Catriona Melville-Mason. Classical,Concert,Standards. Score and parts. 4 pages. C Melville-Mason #6481187. Published by C Melville-Mason (A0.956618). This is a lament from Christoph Willibald Gluckâ€™s opera Orfeo ed Euridice, first performed in Vienna in October 1762. Orfeo has been permitted to bring his wife back from the underworld, provided he does not look at her during the return journey. He fails to meet this stipulation, turning to see her face, and so she dies. Grief-stricken, Orfeo asks what he will do without her. Some critics deem this music too light in character for a true lament, while others argue that its simplicity reflects a grief too deep for more complex expression.A charming addition to general repertoire, this piece rewards sensitive and expressive playing.

Can Can (Flute & Clarinet Duet) #Flûte, Clarinette (duo) #J Offenbach #Catriona Melville-Mason #Can Can #C Melville-Mason #SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - SKU: A0.956617 Composed by J Offenbach. Arranged by Catriona Melville-Mason. Concert,Romantic Perio...(+)

Instrumental Duet Clarinet,Flute,Instrumental Duet - SKU: A0.956617 Composed by J Offenbach. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 5 pages. C Melville-Mason #6481185. Published by C Melville-Mason (A0.956617). This well-known tune is fun to play and makes an ideal encore to a short recital. To increase the difficulty, go faster!Officially entitled â€˜Galop Infernaleâ€™, this piece hails from Offenbachâ€™s Orpheus in the Underworld, first performed in October 1858. Offenbachâ€™s comic opera is a humorous take on Gluckâ€™s highly successful Orpheus and Euridice. During a scene in which the gods are socialising, Jupiter suggests dancing a minuet. The other gods decide this is far too staid, calling for something with a livelier, party-feel â€“ and the Galop Infernale follows. The tuneâ€™s association with the high-kicking Can Can dance came later, some 50 years after Offenbachâ€™s death, when the French cabaret venues Moulin Rouge and Folies BergÃ¨re appropriated the piece for use in this context.