Partitions Numériques de Joy Horn 1 pour 2 Trombones (duo)

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PIANO & CLAVIERS

Piano seul 9 Piano Facile 8 1 Piano, 4 mains 5 Piano, Voix et Guitare 4 Piano Quatuor: piano, violon, alto, violoncelle 3

Accompagnement Piano 3 Piano Quintette: piano, 2 violons, alto, violoncelle 2 Instruments en Do 2 Piano Trio: piano, violon, violoncelle 2 Piano, Voix 1 Piano (partie séparée) 1

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GUITARES

Guitare (partie séparée) 3 Guitare notes et tablatures 1 4 Guitares (Quatuor) 1

VOIX

Pack Instrumental pour Chorale 40 Chorale SATB 23 Voix Baryton, Piano 15 Chorale TTBB 4 Chorale Unison 2

Chorale 3 parties 2 Voix duo 2 Chorale 2 parties 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 165 Flûte, Hautbois, Clarinette, Basson 36 Cor anglais, Piano 33 Cor Anglais 25 Quatuor de Clarinettes: 4 clarinettes 15

Hautbois, Piano (duo) 10 Saxophone Alto et Piano 10 Ensemble de Clarinettes 8 Quintette de Clarinettes: 5 clarinettes 8 Clarinette et Piano 7 Saxophone (partie séparée) 6 Saxophone Baryton, Piano 3 Saxophone Tenor et Piano 3 Flûte traversière et Piano 3 Flute, Cor (duo) 1 Flûte à bec Tenor 1 Flûte traversière 1 Flûte, Hautbois, Basson 1 Quatuor de Flûtes à bec 1 Flûte, Basson et Piano 1 2 Saxophones (duo) 1 Ensemble de saxophones 1 Quintette de Saxophone: 5 saxophones 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 3 Clarinettes (trio) 1 Flute (partie séparée) 1 Clarinette 1 Saxophone, Clarinette (duo) 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 239 Cor 201 Cor et Piano 159 Quatuor de Cuivres : 2 trompettes, trombone, tuba 122 Quatuor de Cuivres: 2 trompettes, Cor, trombone 86 2 Cors (duo) 60 Cor (partie séparée) 37 Cor anglais, Piano 33 Quatuor de Cuivres 30 Cor Anglais 25 Trompette, Cor (duo) 21 Quatuor de cuivres: 4 cors 15 Cor, Violoncelle (duo) 13 Quatuor de cuivres: 4 trombones 11 Cor et Basson (duo) 9 Trombone, Cor (duo) 7 Trombone (partie séparée) 5 Trombone et Piano 5 Trompette, Piano 3 Trompette (partie séparée) 3 Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3 Cor, Tuba (duo) 3 2 Trombones (duo) 2

Trompette 2 2 Trompettes (duo) 2 Tuba (partie séparée) 1 3 Trompettes (trio) 1 Euphonium, Piano (duo) 1 Ensemble de Cors 1 Euphonium 1 Trombone 1 Trio de Cuivres 1 Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib 1 Bass Clef Instruments 1 3 Cors (trio) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 8 Violoncelle, Piano 6 Alto, Piano 5 Violon et Piano 3 Trio à Cordes: violon, alto, violoncelle 3

Violoncelle 2 Violon 2 2 Violons (duo) 1 Contrebasse (partie séparée) 1 Violon, Violoncelle (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 146 Ensemble de cuivres 50 Orchestre 38 Ensemble Jazz 15 Orchestre à Cordes 5

Orchestre de chambre 5 Ensemble de Percussions 2 Batterie (partie séparée) 1 Jazz combo 1 Fanfare 1 Cloches 1

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AUTRES

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Joy Horn 1

2 Trombones (duo)

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Christmas Carols for Two Jolly Trombonists, Vol. 1

2 Trombones (duo)

Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #663…(+)

Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #6631003. Published by SeanBrownMusic
This book is a duet version of Christmas Carols for the Lonely Trombonist, with some slight modifications. Still technically and musically challenging, they provide great sight-reading and rehearsal practice for both players. Also playable on euphonium and baritone. It is more aimed towards advanced high school players and up. There are compatible versions of this book for trumpet, horn and tuba. The following tunes are featured in this book: Deck the Halls Silent Night Good King Wenceslas O Holy Night In Dulci Jubilo We Three Kings The First Noel Joy to the World O Come, O Come Emmanuel O Christmas Tree Hark! The Herald Angels Sing O Come, All Ye Faithful Angels We Have Heard on High God Rest Ye Merry Gentlemen It Came Upon a Midnight Clear Jingle BellsThis book is a duet version of Christmas Carols for the Lonely Trombonist, with some slight modifications. Still technically and musically challenging, they provide great sight-reading and rehearsal practice for both players. Also playable on euphonium and baritone. It is more aimed towards advanced high school players and up. There are compatible versions of this book for trumpet, horn and tuba. The following tunes are featured in this book: Deck the Halls Silent Night Good King Wenceslas O Holy Night In Dulci Jubilo We Three Kings The First Noel Joy to the World O Come, O Come Emmanuel O Christmas Tree Hark! The Herald Angels Sing O Come, All Ye Faithful Angels We Have Heard on High God Rest Ye Merry Gentlemen It Came Upon a Midnight Clear Jingle Bells

$14.00 12.8 € #2 Trombones (duo) #Sean A #Christmas Carols for Two Jolly Trombonists, Vol. 1 # SeanBrownMusic #SheetMusicPlus

Nineteen Skeletal Duets for Trombones

2 Trombones (duo)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together. 1. Cranium This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes. 2. Stirrup This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets. 3. Humerus This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. 4. Vertebra This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet. 5. Axis Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials. 6. Tibia This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important. 7. Clavicle The key of A for this duet provides variation for the students. 8. Fibula nd This duet uses the easiest of rhythms and range, especially for the 2 9. Scapula This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before. 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone. (student) part. 11. Radius This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet. 12. Femur This duet works on double time and half time tempo changes. 13. Patella This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used. 14. Anvil This gallop displays different types of articulation. 15. Hammer This duet is in the style of a fanfare. 16. Rib This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option. 17. Sacrum This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”. 18. Ulna This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”. 19. Ilium This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together. 1. Cranium This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes. 2. Stirrup This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets. 3. Humerus This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. 4. Vertebra This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet. 5. Axis Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials. 6. Tibia This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important. 7. Clavicle The key of A for this duet provides variation for the students. 8. Fibula nd This duet uses the easiest of rhythms and range, especially for the 2 9. Scapula This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before. 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone. (student) part. 11. Radius This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet. 12. Femur This duet works on double time and half time tempo changes. 13. Patella This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used. 14. Anvil This gallop displays different types of articulation. 15. Hammer This duet is in the style of a fanfare. 16. Rib This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option. 17. Sacrum This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”. 18. Ulna This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”. 19. Ilium This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

$20.00 18.28 € #2 Trombones (duo) #Gregory Fritze #Nineteen Skeletal Duets for Trombones #Musica Nova USA #SheetMusicPlus