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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
M'man
Non classifié
2 553
Piano & claviers
Piano seul
2 309
Piano, Voix
1 131
Piano, Voix et Guitare
406
Piano Facile
392
Orgue
256
Instruments en Do
154
Piano grosses notes
44
1 Piano, 4 mains
44
Piano Trio: piano, violon, violoncelle
38
Piano Quatuor: piano, violon, alto, violoncelle
35
Accompagnement Piano
32
2 Pianos, 4 mains
22
Orgue, Piano (duo)
12
Accordéon
9
Piano (partie séparée)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
Clavier
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 919
Guitare
159
Guitare notes et tablatures
142
Ukulele
46
Paroles et Accords
40
Basse electrique
25
Mandoline
20
2 Guitares (duo)
14
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
9
Ensemble de Ukulélés
5
Ukulele Baryton
4
Guitare (partie séparée)
4
Banjo
3
Mandoline, Guitare (duo)
2
Ensemble de guitares
2
Orchestre à Plectres
2
3 Guitares (trio)
1
Partitions De Groupes
1
Guitare, Violon, Violoncelle (trio)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
561
Pack Instrumental pour Chorale
202
Chorale TTBB
196
Chorale 3 parties
189
Chorale 2 parties
65
Chorale SSAA
61
Voix seule
24
Chorale Unison
20
Voix duo, Piano
19
Voix haute
16
Voix basse, Piano
14
Voix Soprano, Piano
14
Voix Baryton, Piano
10
Chorale
9
Voix moyenne, Piano
8
Voix duo
7
Voix Tenor, Piano
7
Chorale SSATB
5
Chorale SSATTB
4
Chorale SSAATTBB
4
Voix Moyenne
3
Voix basse
3
Voix Alto, Piano
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
1
Chorale SATBB
1
Voix Soprano
1
Chorale SSAB a cappella
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
541
Hautbois, Piano (duo)
313
Clarinette et Piano
264
Saxophone Alto et Piano
179
Clarinette
134
Saxophone Tenor et Piano
118
Saxophone Soprano et Piano
117
Quintette de Saxophone: 5 saxophones
110
Flûte traversière
110
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
2 Saxophones (duo)
102
Quatuor de Saxophones: 4 saxophones
89
Ensemble de saxophones
85
Saxophone Baryton, Piano
83
Cor anglais, Piano
78
2 Flûtes traversières (duo)
68
Clarinette Basse, Piano
65
Saxophone Tenor
60
Saxophone Alto
60
2 Clarinettes (duo)
55
Quatuor de Clarinettes: 4 clarinettes
53
Saxophone (partie séparée)
44
Ensemble de Clarinettes
41
2 Flûtes traversières, Piano
28
Quatuor de Flûtes : 4 flûtes
28
Flûte, Hautbois, Clarinette, Basson
27
Ensemble de Flûtes
25
2 Hautbois (duo)
20
Hautbois, Basson (duo)
19
Flûte à Bec
19
Clarinette (partie séparée)
18
3 Saxophones (trio)
17
Clarinette, Violon (duo)
16
Clarinette et Alto
16
Flûte, Violon
16
Quintette de Flûte : 5 flûtes
16
3 Clarinettes (trio)
16
Flute (partie séparée)
15
Saxophone
14
Flûte, Violoncelle
13
Flûte et Guitare
13
Hautbois (partie séparée)
12
Flûte à bec Soprano
12
Flûte, Alto (duo)
11
Flûte, Clarinette (duo)
11
Saxophone, Clarinette (duo)
9
Hautbois
9
Flûte, Violon, Piano
9
Ocarina
8
Quintette de Clarinettes: 5 clarinettes
8
Clarinette, Violoncelle (duo)
8
Piccolo, Piano
8
Trio de Flûtes: 3 flûtes
7
2 Flûte à bec (duo)
7
Harmonica
6
Clarinette, Trompette (duo)
6
Quatuor de Flûtes à bec
5
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Hautbois, Violoncelle
4
Saxophone Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Alto
4
Clarinette Basse
4
Saxophone et violoncelle
3
Flûte, Saxophone (duo)
3
Flûte traversière, Orgue (duo)
3
Clarinette, Harpe (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Violon et Violoncelle
3
Hautbois, Flûte
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Harpe
3
Flûte, Clarinette et Basson
3
2 Saxophones, Piano
2
Flûte, Trombone (duo)
2
Flûte, Guitare, Piano
2
Flûte, Trompette (duo)
2
Flûte à bec Tenor
2
Instruments en Mib
2
Cor Anglais
2
2 Clarinettes, Piano
2
Cor anglais et Harpe (duo)
2
Saxophone et Piano
2
Flûte, Violoncelle, Piano (trio)
1
2 Hautbois, Piano
1
Hautbois et alto (duo)
1
Flûte à bec Soprano, Piano
1
Flûte à bec, Guitare (duo)
1
Saxophone et Orgue
1
Hautbois, trombone (duo)
1
Flûte, Violoncelle, Guitare
1
Ensemble De Flûte à bec
1
Saxophone, Basson (duo)
1
2 Hautbois et Cor anglais
1
Flûte et Trio à cordes
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Trombone (duo)
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
134
Trompette, Piano
122
Cor et Piano
118
Trombone et Piano
114
Quatuor de Cuivres : 2 trompettes, trombone, tuba
110
Trompette
100
Euphonium, Piano (duo)
86
Cor anglais, Piano
78
Trombone
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Ensemble de Trompettes
42
Cor
38
Tuba et Piano
34
Trompette (partie séparée)
32
Ensemble de Trombones
28
Trombone (partie séparée)
27
2 Cors (duo)
22
2 Trompettes (duo)
21
2 Trombones (duo)
18
Trompette, Trombone (duo)
18
Quatuor de Cuivres
17
Tuba
8
Trompette, Saxophone (duo)
7
Trio de Cuivres
7
Quatuor de cuivres: 4 trombones
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
6
2 Euphoniums (duo)
6
Tuba (partie séparée)
5
Cor (partie séparée)
5
Ensemble de Cors
5
Trombone basse et Piano
4
Cor, Violoncelle (duo)
4
2 Tubas (duo)
4
Euphonium, Tuba (duo)
4
Tuba ou Euphonium ou Saxhorn
3
2 Cors Anglais Et Pianoforte
3
Tuba et Orgue
3
Trombone, Alto (duo)
2
3 Trombones (trio)
2
2 Euphoniums et 2 Tubas
2
Cor et Basson (duo)
2
Cor Anglais
2
Trombone, Cor (duo)
2
Instruments en Sib
2
Trompette, Violoncelle (duo)
2
Cor anglais et Harpe (duo)
2
Trombone, Violon (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
614
Quatuor à cordes: 2 violons, alto, violoncelle
519
Violoncelle, Piano
228
Violon, Violoncelle (duo)
225
Alto, Piano
204
Violon
151
Trio à Cordes: violon, alto, violoncelle
134
Violoncelle
120
Harpe
91
Trio à Cordes: 2 violons, violoncelle
86
2 Violons (duo)
80
Alto seul
62
2 Violoncelles (duo)
59
Violon, Alto (duo)
57
2 Altos (duo)
47
Contrebasse, Piano (duo)
27
Violon (partie séparée)
23
Alto (partie séparée)
16
Ensemble d'Altos
16
Trio à cordes: 3 violins
15
Ensemble de Violons
15
Contre Basse
15
Alto, Violoncelle (duo)
14
2 Contrebasses (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Trio à Cordes: 2 violons, alto
12
Violoncelle (partie séparée)
11
Alto et Basson
10
Harpe, Flûte (duo)
10
4 Violoncelles
10
Contrebasse (partie séparée)
9
Piano Trio: Violon, Alto, Piano
9
Violon, Basson (duo)
8
Violon, Guitare (duo)
6
Violon, Orgue
6
Trio à Cordes: 3 violoncelles
5
Harpe, Violon (duo)
5
Trio à cordes
4
Violoncelle , Guitare (duo)
4
Ensemble de Violoncelles
3
Quatuor à cordes : 4 altos
3
Harpe, Violoncelle (duo)
2
Alto, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orgue
2
Alto et Harpe
2
Violon, Basse continue
1
2 Harpes (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Alto, Orgue
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
239
Orchestre à Cordes
213
Orchestre
186
Ensemble Jazz
70
Orchestre de chambre
67
Ensemble de cuivres
47
Cloches
28
Fanfare
19
Jazz combo
14
Percussion (partie séparée)
12
Batterie
10
Ensemble de Percussions
9
Piano et Orchestre
7
Timbales
5
Marimba
5
Xylophone
4
Percussion
4
2 Xylophones
4
Xylophone, Piano
3
Vibraphone
3
Batterie (partie séparée)
3
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Quintette à Vent
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Nouveautes
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débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
M'man
2 Bassons (duo)
Partitions à imprimer
51 partitions trouvées
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1
26
51
10 Romantic Pieces - Bassoon Duet
#
2 Bassons (duo)
#
FACILE
#
Classique
#
Anton Rubinstein, Antonin Dv
#
Francesco Leone
#
10 Romantic Pieces - Bassoon D
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, and Modest Petrovich Mussorgsky. Arranged by Francesco Leone. C...
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Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, and Modest Petrovich Mussorgsky. Arranged by Francesco Leone. Classical,Instructional,Romant ic Period. 52 pages. Glissato Edizioni Musicali #6604137. Published by Glissato Edizioni Musicali
10 Easy Romantic Pieces arranged for Bassoon duet (scored in 4 different keys).
contents titles: 1. Largo from "New World Simphony" ? A. Dvork 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvork
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky
$12.99
Saint-Saens: Romance for Bassoon & Piano
#
2 Bassons (duo)
#
FACILE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: Romance for Basso
#
jmsgu3
#
SheetMusicPlus
Bassoon,Instrumental Duet - Level 2 - SKU: A0.549086 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Stand...
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Bassoon,Instrumental Duet - Level 2 - SKU: A0.549086 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standards. 15 pages. Jmsgu3 #3451307. Published by jmsgu3 (A0.549086). Camille Saint-Saens Romance Op. 36. Score - 10 pg. 93 ms. Duration - 3:41 Solo part - 2 pg. Piano part - 3 pg.
$32.95
Telemann: Six Sonatas Op. 2 Complete for Bassoon Duo
#
2 Bassons (duo)
#
INTERMÉDIAIRE
#
Georg Philipp Telemann 1681-17
#
James M
#
Telemann: Six Sonatas Op. 2 Co
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552389 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552389 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 161 pages. Jmsgu3 #6341703. Published by jmsgu3 (A0.552389). Telemann: Sonata Op. 2 No. 1I. SoaveII. AllegroIII. AndanteIV. AllegroDuration: 9:00 Score: 14 pages Telemann: Sonata Op. 2 No. 2I. LargoII. AllegroIII. AffettuosoIV. Vivace Telemann: Sonata Op. 2 No. 3I. DolceII. AllegroIII. LargoIV. VivaceDuration: 7:45 Score: 11 pages Telemann: Sonata Op. 2 No. 4I. LargoII. VivaceIII. GratiosoIV. AllegroDuration: 11:15 Score: 15 pages Telemann: Sonata Op. 2 No. 5I. SicilianoII. VivaceIII. AndanteIV. AllegroDuration: 9:45 Score: 16 pages Telemann: Sonata Op. 2 No. 6I. AffetuosoII. PrestoIII. SoaveIV. SpirituosoDuration: 9:15 Score: 18 pages
$49.95
Telemann: Sonata in G Major for Bassoon & Piano
#
2 Bassons (duo)
#
INTERMÉDIAIRE
#
Georg Philipp Telemann
#
James M
#
Telemann: Sonata in G Major fo
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550724 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550724 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and parts. 43 pages. Jmsgu3 #4798379. Published by jmsgu3 (A0.550724). Sonata in four movements. Duration: 6:45, Score: 19 pages. 159 measures. 1. Cantabile 2. Allegro 3. Affetuoso 4. Allegro
$32.95
Telemann: Sonata in C Minor for Bassoon & Piano
#
2 Bassons (duo)
#
INTERMÉDIAIRE
#
Georg Philipp Telemann
#
James M
#
Telemann: Sonata in C Minor fo
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550753 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,...
(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550753 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and parts. 39 pages. Jmsgu3 #4802241. Published by jmsgu3 (A0.550753). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
Telemann: Sonata in F Major for Bassoon & Piano
#
2 Bassons (duo)
#
INTERMÉDIAIRE
#
Georg Philipp Telemann
#
James M
#
Telemann: Sonata in F Major fo
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550845 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,...
(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550845 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and parts. 15 pages. Jmsgu3 #4839593. Published by jmsgu3 (A0.550845). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
Telemann: Sonata in Bb Major for Bassoon & Piano
#
2 Bassons (duo)
#
INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in Bb Major f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550868 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.550868 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and parts. 33 pages. Jmsgu3 #4849863. Published by jmsgu3 (A0.550868). Sonata in Bb Major, Score: 17 pages, duration: ca. 9:30in five movements:1. Largo2. Allegro3. Allegretto4. Vivace5. Allegro.
$32.95
Telemann: Sonata Op. 2 No. 1 for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 1 f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552322 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552322 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 24 pages. Jmsgu3 #6326247. Published by jmsgu3 (A0.552322). I. SoaveII.Allegro III. AndanteIV. AllegroDuration: 9:00 Score: 14 pages.
$24.95
Telemann: Sonata Op. 2 No. 2 for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 2 f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552332 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552332 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 31 pages. Jmsgu3 #6327403. Published by jmsgu3 (A0.552332). I. LargoII. AllegroIII. AffettuosoIV. VivaceDuration: 11:00 Score: 17 pages.
$24.95
Telemann: Sonata Op. 2 No. 3 for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 3 f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552345 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552345 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 21 pages. Jmsgu3 #6329745. Published by jmsgu3 (A0.552345). I. DolceII. AllegroIII. LargoIV. VivaceDuration: 7:45 Score: 11 pages.
$27.95
Telemann: Sonata Op. 2 No. 4 for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 4 f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552355 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552355 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 27 pages. Jmsgu3 #6331683. Published by jmsgu3 (A0.552355). I. LargoII. VivaceIII. GratiosoIV. AllegroDuration: 11:15 Score: 15 pages.
$27.95
Telemann: Sonata Op. 2 No. 6 for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 6 f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552379 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552379 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 30 pages. Jmsgu3 #6340861. Published by jmsgu3 (A0.552379). I. AffetuosoII. PrestoIII. SoaveIV. SpirituosoDuration: 9:15 Score: 18 pages.
$27.95
Telemann: Sonata Op. 2 No. 5 for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Classique
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Georg Philipp Telemann 1681-
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Telemann: Sonata Op. 2 No. 5 f
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jmsgu3
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SheetMusicPlus
Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional, Standards,Wedding. Score and parts. 28 pages...
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Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional, Standards,Wedding. Score and parts. 28 pages. Jmsgu3 #6333995. Published by jmsgu3
$27.95
Dangerous Woman
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2 Bassons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ariana Grande
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James M
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drums) and nightclubs.
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Dangerous Woman
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 4 - SKU: A0.548237 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop....
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Bassoon,Instrumental Duet - Level 4 - SKU: A0.548237 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. 8 pages. Jmsgu3 #3224951. Published by jmsgu3 (A0.548237). DUration: 3:20 Score: 6 pages, Part: 2 pages, Tempo: eighth note = 134, Meter: 12/8 Works well for recitals, encores, jazz combo performance (just add bass & drums) and nightclubs.
$64.95
Luther: Out of the Depths for Bassoon & Piano
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2 Bassons (duo)
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Sta...
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Instrumental Duet Bassoon,Instrumental Duet - Level 1 - SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Schubert: Ave Maria for Bassoon & Piano
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2 Bassons (duo)
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bassoo
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 1 - SKU: A0.548694 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 page...
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Bassoon,Instrumental Duet - Level 1 - SKU: A0.548694 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411135. Published by jmsgu3 (A0.548694). A Bassoon Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bassoon part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Stamitz: Six Duets Op. 27 Complete for Bassoon Duo
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2 Bassons (duo)
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INTERMÉDIAIRE
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Carl Stamitz
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James M
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Stamitz: Six Duets Op. 27 Comp
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552305 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,S...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.552305 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 86 pages. Jmsgu3 #6324375. Published by jmsgu3 (A0.552305). Duetto No. 1 1. Allegro 2. Romanze 3. Un poco presto Duration: 9:45 Score: 10 pages Duetto No. 2 1. Andante 2. Menuetto 3. Allegro Duration: 8:15 Score: 8 pages Duetto No. 3 I. Andante non moderato II. Romanze III. Fugato - Allegro Duration: 9:30 Score: 10 pages Duetto No. 4 I. Andante II. Menuetto III. Allegro Duration: 7:15 Score: 7 pages Duetto No. 5 I. Allegro moderato II. Andante III. Allemande - Presto Duration: 7:00 Score: 7 pages Duetto No. 6 I. Andante II. Menuetto - Trio III. Allegro Duration: 7:00 Score: 8 pages
$59.95
Mussorgsky: Pictures at an Exhibition for Bassoon & Piano
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2 Bassons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.549932 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Holida...
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Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.549932 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Holiday,Instructional,Patriotic,Romantic Period,Standards. Score and parts. 91 pages. Jmsgu3 #4303577. Published by jmsgu3 (A0.549932). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante nontroppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano
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2 Bassons (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 3 - SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Bassoon,Instrumental Duet - Level 3 - SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 17 pages. Jmsgu3 #3504441. Published by jmsgu3 (A0.549517). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Bach-Gounod: Ave Maria for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contempor...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #3490133. Published by jmsgu3 (A0.549363). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano, S0.661791. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,E...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and parts. 12 pages. Jmsgu3 #4888319. Published by jmsgu3 (A0.550922). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Handel: Largo from Xerxes for Bassoon & Piano
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2 Bassons (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549381 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549381 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and parts. 9 pages. Jmsgu3 #3492259. Published by jmsgu3 (A0.549381). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Bassoon Duo
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2 Bassons (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.612796 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by Jam...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.612796 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221990. Published by jmsgu3 (A0.612796). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Bach: Bist du bei mir BWV 508 for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 2 - SKU: A0.549232 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,We...
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Bassoon,Instrumental Duet - Level 2 - SKU: A0.549232 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. 9 pages. Jmsgu3 #3468756. Published by jmsgu3 (A0.549232). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Bassoon & Piano
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2 Bassons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Ins...
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Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 15 pages. Jmsgu3 #3497185. Published by jmsgu3 (A0.549452). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
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