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163
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399
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111
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61
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39
Orgue
12
2 Pianos, 4 mains
10
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9
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5
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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17
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5
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1
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1
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1
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67
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21
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18
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2
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61
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10
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10
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8
Clarinette
8
Saxophone Alto et Piano
7
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7
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7
Clarinette et Piano
7
Saxophone Alto
6
Saxophone Tenor
6
2 Clarinettes (duo)
6
Saxophone, Clarinette (duo)
5
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5
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4
Saxophone Baryton, Piano
4
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4
Clarinette, Violon (duo)
4
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4
Clarinette, Trompette (duo)
4
2 Flûtes traversières (duo)
4
Ensemble de Flûtes
3
Hautbois, Basson (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette et Alto
2
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2
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2
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2
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2
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2
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2
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2
Flûte, Clarinette (duo)
2
Ensemble de Clarinettes
1
Hautbois, Violoncelle
1
Hautbois
1
Flûte et Guitare
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Guitare (duo)
1
Saxophone
1
Flûte, Hautbois, Basson
1
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1
Saxophone Soprano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 41 instrumentations
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10
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8
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Trompette
6
Tuba et Piano
5
Cor
5
Trompette, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba
4
Trompette, Saxophone (duo)
4
Cor et Piano
4
Trompette, violon (duo)
3
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Trompette, Basson (duo)
1
Trompette (partie séparée)
1
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70
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66
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20
Harpe
9
Violoncelle
8
Violon, Violoncelle (duo)
8
Alto, Piano
7
Violon, Alto (duo)
6
Contre Basse
6
Trio à Cordes: violon, alto, violoncelle
6
Violon
6
2 Violons (duo)
5
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4
Alto (partie séparée)
4
Violon (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
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6
Orchestre de chambre
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Marimba
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Xylophone, Piano
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Jazz combo
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Fanfare
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2 Marimbas
1
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Violon, Alto (duo)
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Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
I'll Be Home For Christmas
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Violon, Alto (duo)
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FACILE
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Noël
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Brian McKnight
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Sarah Cellobat Chaffee
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I'll Be Home For Christmas
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Sarah Cellobat Chaffee
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - SKU: A0.1317397 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Sarah Cellobat Chaffee. Christm...
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Instrumental Duet,Viola,Violin - Level 2 - SKU: A0.1317397 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Sarah Cellobat Chaffee. Christmas,Holiday,Pop,Traditional. 5 pages. Sarah Cellobat Chaffee #906059. Published by Sarah Cellobat Chaffee (A0.1317397). *INSTRUMENTATION: VIOLIN & VIOLA DUET*Written in 1943 by Kim Gannon and Walter Kent, I'll Be Home For Christmas is a beautiful ballad that was originally intended as an homage to soldiers who were stationed overseas and unable to return home for the holidays. The song was recorded the same year by Bing Crosby, and his recording soon became a top 10 hit and cemented the song's place in popular Christmas repertoire -- so you can't go wrong having this one in your gig books! This Cellobat arrangement for violin and viola duet is a soulful rendition of the original, featuring beautiful soaring melodies, lovely harmonies, and even a viola melody at one point! Rated early intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$6.99
Swing Low, Swing Chariot, Gospel Song for Violin and Viola Duet
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.590018 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Prais...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.590018 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137563. Published by David McKeown (A0.590018). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Violin and one Viola.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Brave Wolfe (viola part – viola and violin)
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Violon, Alto (duo)
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AVANCÉ
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Mark O'Connor
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Brave Wolfe
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.861911 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. ...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.861911 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6206215. Published by Mark O'Connor Musik International (A0.861911). Brave Wolfe (viola part – viola and violin) MO108DViola Part (trumpet score and parts available)Music by Mark O’Connor4 pages - 7:00 minutes in length Brave Wolfe for viola and violin is a piece by Mark O’Connor based on an old traditional ballad. It was recorded by O’Connor and Wynton Marsalis for the album Liberty!. The recording was also used throughout the film documentary produced for PBS, Liberty! The American Revolution. This may very well be the first duet ever written for trumpet and violin. Summarized as a triumph by album notes writer Thomas Fleming, he goes on to characterize the duet by saying Marsalis’ sound echoes the noble sadness of this celebration of the heroic death of British General James Wolfe before Quebec in 1759. The piece turns into a musical gallop, evoking the surging seesaw battle Wolfe’s army fought outside the walls of the fortress city. We have a collaboration between the trumpet wizardry of Wynton Marsalis and Mark O’Connor’s extraordinary virtuosity on the fiddle. The music is suited for advanced levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Public Domain Arranged by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Wynton Marsalis – trumpet Catalogue Number MO108DCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
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