The motivation behind the ?layered solos ensemble effect? came from very successful learning and performing with the BegEnz harp books series.The idea is that the student harpist firstly learns a solo at level one. Then there are two versions of the solo, increasing in difficulty, and some parts which are accompaniment or harmonisation when they are played together. Harp one fits onto a fully levered 26 string harp (lowest string is C below middle C) and harps 2 and 3 fit onto 34 string harps.The first solo is always just a clear tune and single note accompaniment arrangement, so by the time they have successfully learnt this, and probably played it in the group, they know exactly how the piece sounds, and the structure of the arrangement. As they improve they can play a more challenging version, and/or stick to the easier part if playing in a group feels trickier. It?s all about having the confidence to take the next step up!The best thing about layered arrangements is that there is a good chunk of each version that can be used as a solo so you are practicing something that you can play without needing other harps to fill out the parts, but when you bring it all together you are still practicing very important ensemble skills ? listening to others, staying in time, being in tune, and being adaptive as a musician in a group.

This work is attributed to Johann Sebastian Bach. It is used the name of the now attributed composer Christian Petzold for there is new information about him. This arrangement is written for two harps. The difficulty level is basically easy as the original for both parts. The PDF file includes the score with parte prima and seconda in the same page and, also, the both parts separately. .