Partitions Numériques de It pour 2 Tubas (duo)

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Duel to the Death (Tuba Duet) #2 Tubas (duo) #AVANCÉ #Michelle Kraak #Duel to the Death #Michelle Kraak #SheetMusicPlus

Instrumental Duet,Tuba - Level 5 - SKU: A0.1012607 Composed by Michelle Kraak. Contemporary,Instructional,Standards. 14 pages. Michelle Kraak #6102961. ...(+)

Instrumental Duet,Tuba - Level 5 - SKU: A0.1012607 Composed by Michelle Kraak. Contemporary,Instructional,Standards. 14 pages. Michelle Kraak #6102961. Published by Michelle Kraak (A0.1012607). Tuba doesn't often get moments of virtuosity, so I wanted to write something that really featured the technical capacity of a truly spectacular tubist. The duet allows each player to up the ante as the piece continues, evoking a sense of healthy competition. It could be played in a recital or as a showpiece in a concert. It would be a great technical piece for students to work up.5 minutes 28 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/.

Perpetuum Mobile (2014) for tuba and live processing #2 Tubas (duo) #AVANCÉ #Contemporain #Mark Zanter #Perpetuum Mobile #MJIC Music Publishing #SheetMusicPlus

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.934211 Composed by Mark Zanter. Contemporary. Score and parts. 6 pages. MJIC Music Publishi...(+)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.934211 Composed by Mark Zanter. Contemporary. Score and parts. 6 pages. MJIC Music Publishing (ASCAP) #6040427. Published by MJIC Music Publishing (ASCAP) (A0.934211). Perpetuum Mobile (2014) for tuba, fixed media and processing was composed for George Palton, professor of tuba at Marshall University. I have worked closely with George engineering his solo CD, Tuba In Motion, and that influenced our collaboration on this work. Georgeâ€™s playing exhibits a full range of technical and expressive skills and the composition takes advantage of those strengths. The fixed media portion of the work was planned from the beginning; but as the work matured, processing was mixed with the live tuba enabling it to inhabit the same sound world as the recorded media. Overall the work is in three sections ending with a reprise of the opening material. Surface rhythms, textural changes, and the constant cycling of pitches occurring throughout the work exhibit the characteristic of moto perpetuo. A listener can perceive these myriad possibilities or simply enjoy the workâ€™s virtuosity, lyrical melodies, changes of rhythm, and ambient sounds. Perpetuum Mobile was premiered on the International Tuba and Euphonium Conference 2014. I have to thank George Palton for the many great performances of the work.

Twelve Duos for Tubas based on Armenian Folk Songs #2 Tubas (duo) #AVANCÉ #Petros Shoujounian #Twelve Duos for Tubas based on #Gordon Cherry #SheetMusicPlus

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and parts. 31 pages. ...(+)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and parts. 31 pages. Gordon Cherry #6071203. Published by Gordon Cherry (A0.792723). Petros Shoujounian, Armenian/Canadian composer has written Twelve Duos for Tubas based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Tubas. My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works are nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence. Komitas has left a collection of about 3,000 cleaned versions of ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination. This is the motivation behind my own work and these Twelve Duos for Tubas: to make the essence of our ethnographic music accessible through Komitas. These Twelve Duos are appropriate for advanced performers and may be performed on C Tuba, F Tuba and the larger B-flat Bass Tubas.

Compositeurs