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206
Piano & claviers
Piano seul
58
Piano Facile
30
Piano, Voix
21
Piano, Voix et Guitare
12
Orgue
7
Instruments en Do
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 4 mains
1
+ 4 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
13
Guitare notes et tablatures
6
Ukulele
5
Guitare
2
Basse electrique
2
Paroles et Accords
2
Mandoline
1
2 Guitares (duo)
1
Dulcimer
1
+ 4 instrumentations
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Voix
Chorale SATB
39
Chorale 3 parties
21
Chorale 2 parties
14
Chorale Unison
7
Chorale TTBB
6
Chorale SSAA
4
Voix duo, Piano
3
Voix duo
1
+ 3 instrumentations
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Vents
2 Saxophones (duo)
20
Quatuor de Saxophones: 4 saxophones
18
Flûte traversière
13
Saxophone Alto
13
Saxophone Tenor
11
Flûte, Hautbois, Clarinette, Basson
10
3 Saxophones (trio)
9
2 Clarinettes (duo)
7
Clarinette et Piano
7
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7
Saxophone
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois, Piano (duo)
6
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5
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5
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5
Saxophone Alto et Piano
5
2 Flûtes traversières (duo)
5
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4
Saxophone Tenor et Piano
4
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4
Saxophone Baryton, Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Hautbois (partie séparée)
3
Hautbois, Basson (duo)
3
Flûte traversière et Piano
3
2 Hautbois (duo)
2
Flûte, Alto (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
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2
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2
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Clarinette
2
Clarinette, Violon (duo)
2
Flûte, Saxophone (duo)
2
3 Clarinettes (trio)
2
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1
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1
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1
Flûte, Hautbois (duo)
1
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1
Flûte, Violoncelle
1
Hautbois, violon (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano
1
+ 51 instrumentations
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Cuivres
Trombone et Piano
16
Trompette
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de Cuivres
4
Trombone
4
Cor et Piano
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
3
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Tubas (trio)
2
Tuba
2
3 Trombones (trio)
2
Trompette, Cor (duo)
2
3 Cors (trio)
2
Trompette, Trombone (duo)
2
Cor
2
Ensemble de Trombones
1
4 Tubas
1
Ensemble de Cors
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Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Cors (duo)
1
+ 23 instrumentations
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17
Quatuor à cordes: 2 violons, alto, violoncelle
17
Alto, Piano
17
Violoncelle
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
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6
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5
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5
Violon, Violoncelle (duo)
5
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4
Alto seul
4
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3
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3
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2
Alto, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
2
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
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Ensemble de Percussions
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Cloches
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Alto, Violoncelle (duo)
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Ode to Joy by Beethoven for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Vi
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1202680 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Roman...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1202680 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801444. Published by Woods Only, Arrangements (A0.1202680). This arrangement adapted for viola and violoncello duet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
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Josquin: 22 Duets for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Viola an
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Ren...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
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