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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move On
Non classifié
1 892
Piano & claviers
Piano seul
984
Piano Facile
248
Piano, Voix
160
Orgue
150
Piano, Voix et Guitare
101
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
34
Instruments en Do
28
2 Pianos, 4 mains
15
Accompagnement Piano
9
Piano grosses notes
8
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
4
Piano (partie séparée)
4
Accordéon, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Clavier
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 18 instrumentations
Retracter
Guitares
Guitare
135
Guitare notes et tablatures
74
2 Guitares (duo)
25
Piano, Guitare (duo)
22
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
14
Paroles et Accords
13
Basse electrique
11
Guitare (partie séparée)
8
Mandoline
7
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
Ensemble de guitares
2
Dulcimer
2
Cithare
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
395
Chorale 3 parties
71
Chorale 2 parties
61
Chorale TTBB
47
Chorale SSAA
41
Chorale Unison
32
Voix Baryton, Piano
7
Voix Soprano, Piano
6
Voix duo
6
Voix duo, Piano
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix haute
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
1
Voix seule
1
Voix Alto, Piano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Chorale
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
226
Quatuor de Saxophones: 4 saxophones
121
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
112
Clarinette et Piano
107
Hautbois, Piano (duo)
91
Quatuor de Clarinettes: 4 clarinettes
79
Saxophone Alto et Piano
69
2 Saxophones (duo)
68
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
54
Clarinette
52
Ensemble de saxophones
49
2 Clarinettes (duo)
41
Ensemble de Clarinettes
40
Saxophone Tenor et Piano
39
Saxophone (partie séparée)
38
Flûte traversière
36
Saxophone Soprano et Piano
34
3 Saxophones (trio)
29
Quatuor de Flûtes : 4 flûtes
29
Hautbois (partie séparée)
28
2 Flûtes traversières, Piano
27
Saxophone Alto
26
Saxophone Baryton, Piano
26
Flûte, Clarinette (duo)
23
Quintette de Flûte : 5 flûtes
23
Cor anglais, Piano
22
Ensemble de Flûtes
20
3 Clarinettes (trio)
19
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
17
Saxophone Tenor
17
2 Hautbois (duo)
16
Flûte et Guitare
16
Clarinette Basse, Piano
16
Hautbois, Basson (duo)
14
2 Flûte à bec (duo)
14
Trio de Flûtes: 3 flûtes
13
Hautbois, Flûte
12
Clarinette, Violon (duo)
10
Hautbois, Clarinette (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois
8
Clarinette, Trompette (duo)
8
Quatuor de Flûtes à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Clarinette, Guitare (duo)
7
Flûte, Clarinette et Basson
7
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette, Basson (duo)
6
Flute (partie séparée)
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto
6
Clarinette et Alto
5
Flûte irlandaise
5
Clarinette (partie séparée)
4
Saxophone et Orgue
4
Flûte à bec Soprano, Piano
4
Flûte, Trompette (duo)
4
Flûte à Bec
4
Flûte, Alto (duo)
4
Saxophone Baryton
4
Hautbois, Guitare (duo)
4
5 Flûtes à bec
4
Flûte, Violon, Piano
3
Ocarina
3
Saxophone
3
Flûte à bec Tenor
3
Saxophone Soprano
3
Piccolo, Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Flûte, Trombone (duo)
2
3 Hautbois
2
Cor anglais, Guitare (duo)
2
2 Saxophones, Piano
2
Harmonica
2
Hautbois, Harpe
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
2 Clarinettes, Piano
2
Clarinette, Tuba
1
Saxophone, Tuba (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Basson
1
Cor Anglais
1
Saxophone et Harpe
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
+ 99 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Quatuor de Cuivres : 2 trompettes, trombone, tuba
123
Trombone et Piano
75
Trompette, Piano
60
Ensemble de Trompettes
51
Trompette
50
Cor et Piano
46
Trombone
38
Trombone (partie séparée)
35
Tuba et Piano
31
Trompette (partie séparée)
31
Ensemble de Trombones
30
Euphonium, Piano (duo)
27
Cor anglais, Piano
22
Cor
22
Tuba
22
Quatuor de Cuivres
18
2 Trombones (duo)
17
2 Trompettes (duo)
17
Trompette, Trombone (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette, Saxophone (duo)
11
2 Cors (duo)
9
3 Trombones (trio)
9
Quatuor de cuivres: 4 trombones
8
Ensemble de Cors
8
Trompette, Cor (duo)
7
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trompettes
5
Trombone, Orgue
5
Cor (partie séparée)
5
3 Trompettes (trio)
5
4 Tubas
5
Trombone basse
4
3 Tubas (trio)
4
Tuba (partie séparée)
3
Euphonium
3
2 Tubas (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Trio de Cuivres
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Trompette, Tuba (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
302
Violon et Piano
164
Violoncelle, Piano
105
Alto, Piano
89
Violon
68
2 Violons (duo)
56
Violoncelle
55
Violon, Violoncelle (duo)
46
Violon, Alto (duo)
45
Trio à Cordes: violon, alto, violoncelle
44
Harpe
40
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Altos (duo)
20
Contrebasse, Piano (duo)
19
Contre Basse
19
2 Violoncelles (duo)
17
Alto (partie séparée)
15
Contrebasse (partie séparée)
15
Trio à cordes: 3 violins
12
Trio à Cordes: 2 violons, violoncelle
11
Ensemble de Violons
10
Violoncelle, Contrebasse (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
9
Ensemble d'Altos
9
Trio à cordes: 3 altos
8
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
6
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
5
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
4
Harpe, Violon (duo)
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Harpes (duo)
2
Violon, Clarinette, Piano (trio)
2
3 Contrebasses
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Alto et Harpe
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
643
Orchestre
256
Orchestre à Cordes
170
Orchestre de chambre
132
Ensemble de cuivres
82
Ensemble Jazz
41
Cloches
30
Ensemble de Percussions
19
Percussion (partie séparée)
15
Batterie
15
Jazz combo
8
Fanfare
7
Marimba
5
Batterie (partie séparée)
4
Vibraphone
4
Orchestre, Violon
2
Xylophone
2
Vibraphone et Marimba
2
Xylophone, Piano
2
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
2 Xylophones
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Move On
Alto, Violoncelle (duo)
Partitions à imprimer
7 partitions trouvées
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1
Dark Angels (1990, rev. 1994) for viola and cello
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Alto, Violoncelle (duo)
#
INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Dark Angels
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Thomas Oboe Lee
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 16 pages. Thomas Oboe Lee #13495. Published by Thomas Oboe Lee (A0.869352). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99
Dark Angels (1990, rev. 1994) for viola and cello
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Alto, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
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Dark Angels
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Thomas Oboe Lee
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Lamentoso ... Nureyev III. 14 pages. Thomas Oboe Lee #32295. Published by Thomas Oboe Lee (A0.869310). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99
Symphony No. 7 by Beethoven for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
#
SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1189421 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Rom...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1189421 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #789056. Published by Woods Only, Arrangements (A0.1189421). This arrangement adapted for viola and violoncello duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$3.99
Ode to Joy by Beethoven for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
#
Classique
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Vi
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Woods Only, Arrangements
#
SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1202680 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Roman...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1202680 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801444. Published by Woods Only, Arrangements (A0.1202680). This arrangement adapted for viola and violoncello duet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$3.99
Chopin - Andantino from Wiosna (Spring) in G Minor - Intermediate
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Alto, Violoncelle (duo)
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FACILE
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Classique
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Frederic Chopin
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Piacere Music Sheets
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Chopin - Andantino from Wiosna
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Piacere Music Sheets
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1097676 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1097676 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and parts. 6 pages. Piacere Music Sheets #701615. Published by Piacere Music Sheets (A0.1097676). Opus/Catalog Number: Op.74, No.2, B.117 Key/Tone: G Minor Movements/Sections: 1 (Andantino) Year/Date of Composition: 1838 Difficulty: Grade 4/12 (Intermediate) Obs.: The 17 Polish Songs, Op. 74 were assembled posthumously and are not in chronological order. This particular song, Wiosna [Spring], although the second song in the set, was actually the fourteenth Chopin wrote. It was composed in 1838 and first published in Berlin in 1857. It is thus contemporary with the Op. 33 mazurkas and Op. 40 polonaises. Chopin's Polish song Wiosna is set on a text by the composer's friend and Polish poet Stefan Witwicki (1801-1847). Witwicki's descriptions of blossoming flowers and animals in green pastures contrast with gloomy ruminations. The music is beautifully simple and quite melancholic. This piano piece Wiosna is in fact the piano part of the song Wiosna. Chopin arranged it for piano solo several times for his friends between 1838 and 1848.Franz Liszt also transcribed it for the second of his Chants polonais. This is an arrangement for Viola and Cello.
$4.95
Josquin: 22 Duets for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Viola an
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Ren...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Moonlight Sonata by Beethoven for Violin and Cello
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Alto, Violoncelle (duo)
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1202577 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,R...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1202577 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #801314. Published by Woods Only, Arrangements (A0.1202577). This arrangement adapted for viola and violoncello duet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
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