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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Movement Iii
Non classifié
189
Piano & claviers
Piano seul
112
Orgue
17
1 Piano, 4 mains
5
Piano Facile
4
Piano, Voix
4
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
Piano, Guitare (duo)
1
Voix
Chorale SATB
33
Chorale 3 parties
8
Chorale TTBB
3
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Chorale SSAA
2
Voix basse, Piano
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Clarinette et Piano
29
Flûte traversière et Piano
23
Saxophone Alto et Piano
21
Quatuor de Saxophones: 4 saxophones
20
Quatuor de Clarinettes: 4 clarinettes
19
Clarinette (partie séparée)
16
Flûte, Hautbois, Clarinette, Basson
16
Hautbois, Piano (duo)
15
Clarinette
9
Saxophone Soprano et Piano
9
3 Clarinettes (trio)
6
2 Saxophones (duo)
6
Saxophone Tenor et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Saxophone Alto
5
2 Flûtes traversières (duo)
4
Saxophone (partie séparée)
4
2 Clarinettes (duo)
4
Flûte et Guitare
4
Saxophone Baryton, Piano
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de Clarinettes
3
Flûte traversière
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de saxophones
3
Hautbois, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Cor anglais, Piano
2
3 Saxophones (trio)
2
Clarinette Basse, Piano
2
Flute (partie séparée)
2
Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Orchestre
1
Saxophone Tenor
1
Flûte, Alto et Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois (partie séparée)
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Saxophone et Guitare
1
Flûte, Alto et Piano
1
Clarinette Basse
1
Flûte, Hautbois, Basson
1
+ 50 instrumentations
Retracter
Cuivres
Cor
31
Trompette
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette (partie séparée)
15
Trombone et Piano
11
Trompette, Piano
10
Trombone (partie séparée)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor et Piano
4
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Tuba (partie séparée)
3
Tuba et Piano
3
Cor anglais, Piano
2
3 Trombones (trio)
2
Cor (partie séparée)
2
Trombone basse et Piano
1
Trombone basse
1
Trombone
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
28
Violoncelle, Piano
20
Violon, Alto (duo)
17
Violoncelle
16
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
8
Violon
8
2 Violoncelles (duo)
7
Alto (partie séparée)
6
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto seul
3
Harpe
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon (partie séparée)
2
2 Violons (duo)
2
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Contre Basse
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
158
Orchestre
66
Orchestre à Cordes
60
Orchestre de chambre
20
Ensemble de cuivres
10
Fanfare
5
Cloches
3
Ensemble de Percussions
2
Marimba
2
Percussion (partie séparée)
2
Percussion
1
Timbales (partie séparée)
1
+ 7 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Movement Iii
Alto, Violoncelle (duo)
Partitions à imprimer
4 partitions trouvées
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1
Josquin: 22 Duets for Viola and Cello
Alto, Violoncelle (duo)
Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1073960 Composed…
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Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.32 €
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Alto, Violoncelle (duo)
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Josquin des Prez
#
James M
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Josquin: 22 Duets for Viola and Cello
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jmsgu3
#
SheetMusicPlus
Duo for Cello and Viola
Alto, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.11…
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1184237 Composed by Patrick Prejean. Classical,Contemporary. Score and parts. 23 pages. Patrick Prejean #783953. Published by Patrick Prejean (A0.1184237). There are no titles for this piece. I - Reminiscent of Ravel's Sonata for Violin and Cello, the eerie colors provide no warmth. Instead it is ice cold as one stands over a polar plateau alone.II - A parody of Palladio. This movement isn't playful. It has a crass and strident force that drives it forward throughout. There is no melody to be found here.III - This movement is about pain and agony. There is only grey and all other colors have gone away and disappeared. What sense of progress is lost, and we find ourselves looking for anything to latch onto to. Do we truly find it though?
$35.00
32.21 €
#
Alto, Violoncelle (duo)
#
Patrick Prejean
#
Duo for Cello and Viola
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Patrick Prejean
#
SheetMusicPlus
Dark Angels (1990, rev. 1994) for viola and cello
Alto, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.86…
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Lamentoso ... Nureyev III. 14 pages. Thomas Oboe Lee #32295. Published by Thomas Oboe Lee (A0.869310). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99
9.19 €
#
Alto, Violoncelle (duo)
#
Thomas Oboe Lee
#
Dark Angels
#
Thomas Oboe Lee
#
SheetMusicPlus
Dark Angels (1990, rev. 1994) for viola and cello
Alto, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.86…
(+)
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 16 pages. Thomas Oboe Lee #13495. Published by Thomas Oboe Lee (A0.869352). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99
9.19 €
#
Alto, Violoncelle (duo)
#
Thomas Oboe Lee
#
Dark Angels
#
Thomas Oboe Lee
#
SheetMusicPlus
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