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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music: James R
Sheetmusicplus
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177
Piano & claviers
Piano seul
98
Piano, Voix et Guitare
76
Piano Facile
75
Piano, Voix
33
Instruments en Do
9
Orgue
6
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
29
Basse electrique
14
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
8
Paroles et Accords
3
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
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Voix
Chorale SATB
38
Chorale TTBB
13
Chorale 3 parties
9
Chorale 2 parties
9
Voix duo, Piano
7
Chorale SSAA
5
Chorale Unison
2
+ 2 instrumentations
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Vents
Flûte traversière
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
16
Clarinette et Piano
13
2 Saxophones (duo)
12
Saxophone Tenor
11
Saxophone Alto
10
Saxophone (partie séparée)
10
2 Flûtes traversières (duo)
10
Saxophone Tenor et Piano
9
Saxophone Alto et Piano
9
Flûte, Hautbois, Clarinette, Basson
8
2 Clarinettes (duo)
8
Hautbois, Piano (duo)
8
Ensemble de Clarinettes
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette
7
Quintette de Saxophone: 5 saxophones
5
Trio de Flûtes: 3 flûtes
4
Saxophone Soprano et Piano
4
3 Saxophones (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Clarinette (duo)
3
Quatuor de Flûtes à bec
3
Saxophone Baryton, Piano
3
Ensemble de saxophones
3
Flûte, Violon et Violoncelle
3
Hautbois
2
Flûte à Bec
2
Clarinette Basse, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano
2
Ensemble de Flûtes
2
Hautbois, Violoncelle
1
3 Flûtes à bec (trio)
1
Clarinette Basse
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Saxophone
1
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
Saxophone et Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette (partie séparée)
1
Hautbois (partie séparée)
1
2 Flûte à bec (duo)
1
5 Flûtes à bec
1
+ 53 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Ensemble de Trompettes
27
2 Trompettes (duo)
11
Trompette, Piano
10
Ensemble de Trombones
10
Trompette
9
Cor et Piano
8
Trombone
8
Trombone et Piano
6
Trompette (partie séparée)
5
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trombones (duo)
3
Trio de Cuivres
3
Trompette, Trombone (duo)
2
Tuba et Piano
2
Cor
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Euphonium
2
2 Cors (duo)
1
Tuba (partie séparée)
1
2 Trombones, Piano
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
Trompette, Violoncelle et Piano
1
Cor (partie séparée)
1
4 Tubas
1
Tuba et Orgue
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
14
Violon
13
Violoncelle, Piano
8
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Harpes (duo)
4
2 Violons (duo)
4
Alto (partie séparée)
4
Contrebasse, Piano (duo)
3
Alto seul
3
Harpe
3
Trio à Cordes: 3 violoncelles
2
Alto, Orgue
2
Violoncelle, Orgue
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
Ensemble de Violons
1
Violon, Trompette et Piano
1
+ 27 instrumentations
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Orchestre & Percussions
Batterie
19
Fanfare
13
Ensemble Jazz
12
Ensemble de cuivres
11
Marimba
9
Orchestre
8
Orchestre d'harmonie
7
Cloches
7
Jazz combo
5
Ensemble de Percussions
3
Percussion
2
Orchestre à Cordes
2
Percussion (partie séparée)
2
Orchestre de chambre
2
Xylophone
1
Quintette à Vent
1
Xylophone, Piano
1
+ 12 instrumentations
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Music: James R
SheetMusicPlus
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Josquin: 22 Duets for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Viola an
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Ren...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
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