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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DIDGERIDOO
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
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Their First Time
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390
Piano & claviers
Piano seul
114
Piano, Voix
69
Piano Facile
61
Piano, Voix et Guitare
28
Instruments en Do
17
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
21
Guitare
19
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
4
Basse electrique
4
3 Guitares (trio)
3
Paroles et Accords
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Banjo
1
+ 8 instrumentations
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Voix
Chorale SATB
72
Chorale 3 parties
12
Chorale TTBB
10
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
6
Voix Soprano, Piano
6
Voix duo, Piano
3
Voix haute
1
Voix duo
1
+ 5 instrumentations
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Vents
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
36
Quatuor de Saxophones: 4 saxophones
32
Hautbois, Piano (duo)
29
2 Flûtes traversières (duo)
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Saxophone Soprano et Piano
11
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Saxophone Tenor et Piano
10
Flûte, Saxophone (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
Flûte traversière
8
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
3 Saxophones (trio)
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Flûte à bec Soprano
4
Saxophone (partie séparée)
3
Cor Anglais
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
2
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
Hautbois et alto (duo)
1
Ensemble De Flûte à bec
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 64 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
15
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
11
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
9
Trompette
9
Cor anglais, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Tuba
6
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
1
Tuba et Orgue
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
44
Violon et Piano
40
Violoncelle, Piano
30
Violon, Violoncelle (duo)
27
Harpe
19
Violon
17
2 Violoncelles (duo)
12
Violoncelle
10
Violon, Alto (duo)
10
2 Violons (duo)
10
2 Altos (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
4 Violoncelles
5
Ensemble de Violons
5
Ensemble d'Altos
3
Harpe, Trombone (duo)
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
33
Orchestre
27
Ensemble Jazz
19
Jazz combo
14
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Marimba
1
Orchestre, Violon
1
Batterie
1
Piano et Orchestre
1
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--INSTRUMENTS--
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Their First Time
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Josquin: 22 Duets for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Viola an
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Ren...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Symphony No. 5 by Beethoven for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1186629 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Pe...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1186629 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 9 pages. Woods Only, Arrangements #786282. Published by Woods Only, Arrangements (A0.1186629). This adaptation was intended for a small group of viola and violoncello duet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
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Their First Time
