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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Being
Non classifié
2 135
Piano & claviers
Piano seul
950
Piano, Voix
366
Piano Facile
316
Piano, Voix et Guitare
269
Instruments en Do
244
Orgue
72
1 Piano, 4 mains
40
Accompagnement Piano
20
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
6
Piano grosses notes
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
2
Piano (partie séparée)
2
Ligne De Mélodie, Piano
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
80
Guitare
77
Guitare notes et tablatures
73
Ukulele
25
Basse electrique
20
Paroles et Accords
20
4 Guitares (Quatuor)
11
Banjo
7
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Mandoline
4
Guitare (partie séparée)
3
Ensemble de guitares
3
Ensemble de Ukulélés
1
Cithare
1
Mandoline, Guitare (duo)
1
Dulcimer
1
3 Guitares (trio)
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
480
Chorale 3 parties
186
Chorale TTBB
94
Chorale 2 parties
82
Chorale SSAA
64
Chorale Unison
44
Voix duo, Piano
30
Voix Soprano, Piano
17
Voix haute
16
Pack Instrumental pour Chorale
15
Voix seule
10
Voix Alto, Piano
9
Voix duo
8
Voix Tenor, Piano
7
Voix Baryton, Piano
4
Voix basse, Piano
4
Chorale
4
Chorale SSAATTBB
4
Chorale SSAB, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SAATB A Cappella
1
Chorale SSATB
1
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
204
Quintette de Saxophone: 5 saxophones
169
Quatuor de Saxophones: 4 saxophones
139
Flûte, Hautbois, Clarinette, Basson
133
Flûte traversière et Piano
126
Clarinette et Piano
94
Saxophone Alto
82
Hautbois, Piano (duo)
79
2 Saxophones (duo)
78
Ensemble de saxophones
69
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone Alto et Piano
68
Flûte traversière
63
Clarinette
59
Ensemble de Clarinettes
45
Saxophone Tenor
41
Saxophone Tenor et Piano
38
Saxophone (partie séparée)
36
Saxophone Soprano et Piano
35
2 Flûtes traversières (duo)
34
2 Clarinettes (duo)
32
Hautbois (partie séparée)
31
Quatuor de Flûtes : 4 flûtes
30
3 Saxophones (trio)
29
Saxophone Baryton, Piano
28
2 Flûtes traversières, Piano
27
Quatuor de Flûtes à bec
27
Quintette de Flûte : 5 flûtes
27
Ensemble de Flûtes
21
3 Clarinettes (trio)
21
Quintette de Clarinettes: 5 clarinettes
20
Hautbois
19
Saxophone
18
Cor anglais, Piano
18
2 Flûte à bec (duo)
17
Flûte et Guitare
17
5 Flûtes à bec
16
Flûte, Clarinette (duo)
15
Trio de Flûtes: 3 flûtes
14
2 Hautbois (duo)
13
Hautbois, Flûte
11
Flûte, Trombone (duo)
10
Saxophone Soprano
10
Clarinette, Violon (duo)
9
Clarinette, Basson (duo)
9
Saxophone, Clarinette (duo)
9
Flute (partie séparée)
9
Clarinette Basse, Piano
8
Flûte, Hautbois, Basson
8
Saxophone Baryton
8
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Cor Anglais
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Soprano
7
Flûte à Bec
6
Hautbois, Basson (duo)
6
Clarinette, Guitare (duo)
6
Clarinette et Alto
5
Clarinette, Trompette (duo)
5
Clarinette Basse
5
Flûte, Violon
5
Hautbois, Clarinette (duo)
5
Clarinette (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle, Piano (trio)
4
Ensemble De Flûte à bec
4
Flûte et Trio à cordes
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Ensemble à vent
2
Flûte, Violoncelle
2
4 Hautbois
2
Flûte, Hautbois (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Ocarina
2
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
Harmonica
1
3 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flute, harpe et violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
2 Clarinettes, Piano
1
Clarinette, Orgue
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson et Piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
248
Quatuor de Cuivres : 2 trompettes, trombone, tuba
124
Ensemble de Trompettes
112
Trompette, Piano
71
Trompette
69
Trombone et Piano
61
Trombone
49
Cor et Piano
46
Ensemble de Trombones
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor
38
Tuba
38
Tuba et Piano
37
Quatuor de Cuivres
22
Ensemble de Cors
20
Cor anglais, Piano
18
2 Trompettes (duo)
18
Quatuor de cuivres: 4 trombones
17
Trompette (partie séparée)
17
Euphonium, Piano (duo)
15
2 Trombones (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
12
Quatuor de cuivres: 4 cors
10
4 Tubas
9
2 Cors (duo)
9
Trompette, Trombone (duo)
8
Euphonium
8
Trompette, Cor (duo)
7
Cor Anglais
7
2 Euphoniums et 2 Tubas
7
Trompette, Saxophone (duo)
6
Tuba et Orgue
5
Trio de Cuivres
3
2 Tubas (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
Cor (partie séparée)
2
3 Cors (trio)
2
Trombone, Orgue
2
Cor et Orgue
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Trombone basse
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
337
Violon et Piano
134
Violon
117
Violoncelle, Piano
96
Violoncelle
82
Alto, Piano
79
Trio à Cordes: violon, alto, violoncelle
70
Alto seul
52
Violon, Violoncelle (duo)
37
Violon, Alto (duo)
32
Contrebasse, Piano (duo)
32
Harpe
32
2 Violons (duo)
28
Contre Basse
26
2 Violoncelles (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Altos (duo)
18
Trio à Cordes: 2 violons, violoncelle
16
4 Violoncelles
16
2 Harpes (duo)
15
Ensemble de Violons
14
Ensemble d'Altos
12
Alto, Violoncelle (duo)
11
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
11
Alto (partie séparée)
11
Trio à Cordes: 3 violoncelles
9
Trio à cordes: 3 altos
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
6
Quatuor à cordes : 4 altos
6
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
Harpe, Quatuor à cordes
3
Violon, Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violon, Basson (duo)
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
2
Harpe et Orgue
2
Harpe, Violon, Violoncelle
2
Violoncelle, Basse continue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Alto et Basson
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
562
Orchestre
130
Orchestre à Cordes
129
Ensemble de cuivres
99
Ensemble Jazz
80
Orchestre de chambre
59
Cloches
41
Jazz combo
31
Marimba
20
Batterie
14
Ensemble de Percussions
13
Fanfare
11
Percussion (partie séparée)
6
Ensemble d'École
4
Xylophone, Piano
4
Orchestre, Violon
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Vibraphone et Marimba
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
2 Xylophones
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Being
Marimba
Partitions à imprimer
20 partitions trouvées
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1
Peace in Ukraine Marimba solo
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Marimba
#
FACILE
#
Anderson Matos
#
Peace in Ukraine Marimba solo
#
Anderson M. Matos
#
SheetMusicPlus
Marimba Solo - Level 2 - SKU: A0.819887 By Anderson Matos. By Anderson Matos. Instructional,Multicultural,New Age,Renaissance,Romantic Period,World. Ind...
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Marimba Solo - Level 2 - SKU: A0.819887 By Anderson Matos. By Anderson Matos. Instructional,Multicultural,New Age,Renaissance,Romantic Period,World. Individual part. 3 pages. Anderson M. Matos #424836. Published by Anderson M. Matos (A0.819887). Hello everyone.. after a few weeks, the video of my project is finished, which involves around 25 people from different parts of the world, together now for just 1 objective.. peace in the world, not war, and peace in Ukraine.🇺🇦🙠I would first like to thank Kana Omori , for being the first to accept the invitation to play in my project and for being the full support in this project, I would also like to thank all the musicians, speakers participants.. really... it was not easy to edit everything.. even more so because I let each guest perform their own free performance (I'm glad there wasn't much difference in tempo) I left this part free because I wanted to express that even though we are different from each other, being in different countries, different instruments, religion, ethnicity, sexuality.. we are all the same when we play the same music... there is nothing more important at this moment than doing what we love, which is playing music and we can bring peace, love and affection to those who watch us playing... this is gratifying.
$8.00
Impromptu No.15 For Marimba
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Marimba
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Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.15 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047233. Published by Neal Fitzpatrick Editions (A0.955426). This is Impromptu No.15 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.14 For Marimba
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Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.14 For Marimba
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Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editions #6047219. Published by Neal Fitzpatrick Editions (A0.955425). This is Impromptu No.14 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.18 For Marimba
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Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.18 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick Editions #6048849. Published by Neal Fitzpatrick Editions (A0.955430). This is Impromptu No.18 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.11 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.11 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039309. Published by Neal Fitzpatrick Editions (A0.955423). This is Impromptu No.11 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.13 For Marimba
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Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.13 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955424 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 3 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955424 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 3 pages. Neal Fitzpatrick Editions #6040503. Published by Neal Fitzpatrick Editions (A0.955424). This is Impromptu No.13 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$1.99
Impromptu No.10 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.10 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039281. Published by Neal Fitzpatrick Editions (A0.955421). This is Impromptu No.10 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.7 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.7 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.4 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.4 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029223. Published by Neal Fitzpatrick Editions (A0.955415). This is Impromptu No.4 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.2 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.2 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Ne...
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Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.16 For Marimba
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Marimba
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Contemporain
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.16 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047249. Published by Neal Fitzpatrick Editions (A0.955427). This is Impromptu No.16 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.8 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.8 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6036611. Published by Neal Fitzpatrick Editions (A0.955419). This is Impromptu No.8 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.1 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.1 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
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Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027557. Published by Neal Fitzpatrick Editions (A0.955412). This is Impromptu No.1 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.12 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.12 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
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Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6040459. Published by Neal Fitzpatrick Editions (A0.955422). This is Impromptu No.12 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.20 For Marimba
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Marimba
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Contemporain
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.20 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editions #6055709. Published by Neal Fitzpatrick Editions (A0.955431). This is Impromptu No.20 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.00
Impromptu No.19 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.19 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatric...
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Marimba Solo - SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatrick Editions #6053767. Published by Neal Fitzpatrick Editions (A0.955429). This is Impromptu No.19 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.99
Impromptu No.6 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.6 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955418 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 3 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955418 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6035709. Published by Neal Fitzpatrick Editions (A0.955418). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.5 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.5 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029231. Published by Neal Fitzpatrick Editions (A0.955416). This is Impromptu No.5 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Sunday Morning- Marimba Solo
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Marimba
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INTERMÉDIAIRE/AVANCÉ
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Landon Major
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Sunday Morning- Marimba Solo
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LMajor
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SheetMusicPlus
Marimba Solo - Level 4 - SKU: A0.1405513 Composed by Landon Major. Classical,Contest,Festival,Instructional. Individual part. 2 pages. LMajor #988567. P...
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Marimba Solo - Level 4 - SKU: A0.1405513 Composed by Landon Major. Classical,Contest,Festival,Instructional. Individual part. 2 pages. LMajor #988567. Published by LMajor (A0.1405513). A Marimba solo written for contests. It has a very lively sound, and is impressive without being too tought. This solo is a great option for high schoolers or even college students. Make sure to implement proper use of dynamics, tempo changes, and accents.
$7.99
Tree Dance
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Marimba
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AVANCÉ
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Marei Suyama
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Tree Dance
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good umbrella inc
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SheetMusicPlus
Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual p...
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Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 72 pages. Good umbrella inc #989346. Published by good umbrella inc (A0.1406581). It is said that when an earthquake occurs, trees grow well.Though there is no evidence, the vibration of the earthquake seems to stir and condition the soil.Even through unprecedented disasters when the earth is cracked and the city is burnt, and even when people suffer from helplessness and anger, the trees (including apricot and blackberry branches) grow unaffectedly.Inger Christensen, the author of the poetry collection 'Alphabet', through her perceptive and lyrical senses, expressed that human beings are not managers of nature.On a lonely night, all we hear is the sound of crawling roots underneath the earth and rhythmic breathing of branches and leaves.....Not a few people consider classical music as something you listen to quietly while frowning. Tapping your feet to the rhythm is simply not acceptable. But I’ve always thought that classical music could be danceable - something that DJs can play at a club and you can move your body to.≪Tree dance≫, as the title suggests, is a musical piece featuring marimba and piano expressing the way trees dance in the wind. The music is almost like the classical version of craftwork, combining four-on-the-floor beats of techno music with the sharp sounds of modern music and organic poetry.I hope that the colorful musical notes on the score will be given life to and grow in this concert hall, creating a feast of dancing trees. I would be overwhelmed with joy to see the audience move their bodies or tap their feet to the rhythm of music. Marei Suyama
$38.00
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