Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One In Ten
Sheetmusicplus
Non classifié
13 526
Piano & claviers
Piano seul
2 627
Piano, Voix
1 288
Piano Facile
713
Piano, Voix et Guitare
506
Instruments en Do
413
Orgue
266
Accompagnement Piano
181
1 Piano, 4 mains
124
Piano (partie séparée)
114
Piano Trio: piano, violon, violoncelle
74
2 Pianos, 4 mains
62
Accordéon
29
Piano Quatuor: piano, violon, alto, violoncelle
23
Orgue, Trompette (duo)
17
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Orgue, Piano (duo)
8
Clavecin
6
Clavier
5
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
Concertina
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
438
Guitare
387
Guitare (partie séparée)
229
Ligne De Mélodie, (Paroles) et Accords
93
Ukulele
92
2 Guitares (duo)
38
Basse electrique
31
Mandoline
23
Dulcimer
18
4 Guitares (Quatuor)
17
Piano, Guitare (duo)
15
Banjo
12
2 Dulcimers (duo)
8
Ukulele Baryton
8
Ensemble de guitares
6
Paroles et Accords
6
3 Guitares (trio)
5
Mandoline, Guitare (duo)
4
2 Ukuleles
1
2 Mandolines (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Piano (duo)
1
Ensemble de Ukulélés
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 839
Chorale TTBB
562
Chorale 3 parties
454
Chorale 2 parties
395
Chorale SSAA
329
Voix duo, Piano
173
Voix Baryton, Piano
137
Chorale Unison
133
Voix Tenor, Piano
109
Voix Soprano, Piano
109
Voix duo
105
Pack Instrumental pour Chorale
79
Voix Alto, Piano
74
Voix haute
38
Voix basse, Piano
21
Voix moyenne, Piano
20
Chorale SSAATTBB
14
Voix Tenor
13
Voix seule
9
Voix basse
8
Voix Soprano
6
Chorale SSATTB
5
Chorale SSATB
5
Voix Mezzo-Soprano, Piano
4
Chorale
3
Soli, choeur mixte et accompagnement
3
Chorale SATBB
2
Voix, Guitare
2
Male Voice
2
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Chorale SSAB, Piano
1
+ 28 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
3 871
Saxophone Tenor
1 982
2 Saxophones (duo)
1 791
Saxophone Tenor et Piano
1 749
Saxophone (partie séparée)
1 701
Quintette de Saxophone: 5 saxophones
1 122
Saxophone Alto et Piano
726
3 Saxophones (trio)
532
Saxophone Alto
481
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
472
Flûte traversière et Piano
440
Ensemble de saxophones
425
Flûte, Hautbois, Clarinette, Basson
418
Saxophone, Clarinette (duo)
409
2 Clarinettes (duo)
396
Clarinette et Piano
386
2 Flûtes traversières (duo)
340
Saxophone Soprano et Piano
338
Quatuor de Clarinettes: 4 clarinettes
290
Clarinette, Violon (duo)
267
Hautbois, Piano (duo)
267
Flûte à bec Soprano
251
Clarinette, Trompette (duo)
230
Flûte traversière
217
Saxophone Baryton, Piano
216
Clarinette
207
Flûte, Clarinette (duo)
190
Flûte, Saxophone (duo)
141
Hautbois, Clarinette (duo)
141
Hautbois, Basson (duo)
141
Clarinette et Alto
134
Quatuor de Flûtes : 4 flûtes
134
Flûte, Violon
134
2 Hautbois (duo)
125
Flûte, Alto (duo)
112
Ensemble de Clarinettes
111
Hautbois, Flûte
111
Flûte, Trompette (duo)
105
Hautbois (partie séparée)
97
Flute (partie séparée)
84
3 Clarinettes (trio)
78
Quintette de Clarinettes: 5 clarinettes
74
Cor anglais, Piano
71
Saxophone Soprano
65
Ensemble de Flûtes
64
2 Flûte à bec (duo)
58
Clarinette Basse, Piano
53
Quatuor de Flûtes à bec
50
Clarinette (partie séparée)
46
Trio de Flûtes: 3 flûtes
41
Flûte et Guitare
38
Quintette de Flûte : 5 flûtes
37
Saxophone Baryton
31
2 Flûtes traversières, Piano
29
Hautbois
29
3 Flûtes à bec (trio)
22
Flûte à Bec
22
Flûte, Hautbois (duo)
21
Flûte à bec Alto
20
Saxophone
20
Cor Anglais
20
Ensemble De Flûte à bec
19
Clarinette, Basson (duo)
18
Ocarina
17
Hautbois, violon (duo)
17
2 Saxophones, Piano
15
Flûte, Violon, Piano
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte, Clarinette et Basson
13
Saxophone et Orgue
13
5 Flûtes à bec
12
Clarinette, Guitare (duo)
11
Flûte à bec Tenor
11
Flûte, Hautbois, Clarinette (trio)
10
Clarinette, Violoncelle (duo)
10
3 Hautbois
9
Saxophone et Guitare
9
Flûte à bec Soprano, Piano
9
Flûte, Violoncelle
8
4 Hautbois
7
Hautbois, Violoncelle
7
Ensemble à vent
7
Flûte, Hautbois, Basson
7
Harmonica
6
Piccolo, Piano
6
Saxophone et Harpe
6
Flûte, Trombone (duo)
6
Clarinette, Trombone (duo)
5
2 Clarinettes, Piano
4
Flûte, Hautbois, Piano (trio)
4
Flute, harpe et violon
4
Saxophone et Piano
4
Flûte irlandaise
4
Hautbois et alto (duo)
4
Flûte, Basson et Piano
3
Flûte à bec Alto, Piano
3
Flûte et Trio à cordes
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Piano (trio)
3
Cor anglais, Guitare (duo)
3
Hautbois, Guitare (duo)
3
Piccolo
2
Clarinette, Orgue
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette Basse
2
2 Clarinettes, Basson
2
Flûte, Violon et Violoncelle
2
Hautbois, trombone (duo)
2
Saxophone, Basson (duo)
1
2 Flûtes à bec, Guitare
1
Ensemble de Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Guitare
1
Hautbois, Basson et Piano
1
Flûte traversière, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec, Guitare (duo)
1
Flûte de Pan
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violoncelle et Piano
1
Saxophone et violoncelle
1
Saxophone, Tuba (duo)
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Instruments en Mib
1
Flûte, Violoncelle, Piano (trio)
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 247
Trombone (partie séparée)
996
Trombone et Piano
929
Quatuor de Cuivres : 2 trompettes, trombone, tuba
753
Trombone
601
Trompette (partie séparée)
401
Trompette, Saxophone (duo)
315
2 Trombones (duo)
308
Quatuor de cuivres: 4 trombones
287
Trompette
253
Trompette, Piano
241
Trompette, Trombone (duo)
238
Quatuor de Cuivres: 2 trompettes, Cor, trombone
213
Cor et Piano
211
Ensemble de Trombones
166
Quatuor de Cuivres
148
2 Trompettes (duo)
147
Tuba et Piano
112
Euphonium, Piano (duo)
110
Ensemble de Trompettes
95
Cor (partie séparée)
86
Tuba
84
Cor
79
Tuba (partie séparée)
78
Cor anglais, Piano
71
2 Cors (duo)
57
3 Trombones (trio)
40
2 Tubas (duo)
35
Quatuor de cuivres: 4 cors
35
Trio de Cuivres
29
2 Euphoniums et 2 Tubas
22
Trompette, Cor (duo)
22
Euphonium
22
Ensemble de Cors
20
Cor Anglais
20
4 Tubas
19
Trombone basse
18
Trombone basse et Piano
16
Quatuor de cuivres: 4 trompettes
16
Euphonium, Tuba (duo)
15
Trombone, Cor (duo)
13
Quatuor de cuivres: 2 trompettes, 2 trombones
13
3 Trompettes (trio)
12
Trombone, Orgue
11
3 Tubas (trio)
9
Trombone, Tuba (duo)
8
2 Euphoniums (duo)
7
Tuba et Orgue
7
3 Cors (trio)
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Instruments en Sib
5
Cor, Violoncelle (duo)
4
Trombone et orchestre
4
2 Cors Anglais Et Pianoforte
3
Cor anglais, Guitare (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
3 Euphoniums
2
Trompette, Basson (duo)
2
Cor et Basson (duo)
2
Trompette, Euphonium (duo)
2
Bass Clef Instruments
2
Trombone, violoncelle (duo)
2
Clarinette, Cor (duo)
1
2 Trombones, Piano
1
2 Cors, Piano
1
Trompette, Tuba (duo)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Cor, Trompette, Trombone (trio)
1
Trombone, Violon (duo)
1
+ 65 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 111
Violon et Piano
540
Violon, Violoncelle (duo)
442
Violon
402
Violoncelle, Piano
380
Alto, Piano
292
Violoncelle
272
Trio à Cordes: violon, alto, violoncelle
258
Harpe
210
2 Violons (duo)
198
Violon, Alto (duo)
196
2 Violoncelles (duo)
177
2 Altos (duo)
150
Contrebasse (partie séparée)
138
Quintette à cordes: 2 violons, alto, violoncelle, basse
106
Alto seul
89
Trio à Cordes: 2 violons, violoncelle
78
Contrebasse, Piano (duo)
71
Contre Basse
66
4 Violoncelles
40
Alto (partie séparée)
38
Violon (partie séparée)
34
Alto, Violoncelle (duo)
31
Trio à cordes: 3 violins
23
Trio à Cordes: 3 violoncelles
23
Trio à cordes: 3 altos
22
Ensemble de Violons
21
2 Contrebasses (duo)
20
Piano Trio: Violon, Alto, Piano
19
Ensemble d'Altos
19
Harpe, Flûte (duo)
18
2 Harpes (duo)
17
Quatuor à cordes: 4 violons
17
Harpe, Violon (duo)
16
Harpe, Voix
16
Alto et Harpe
14
Violon, Basson (duo)
14
Violon, Guitare (duo)
14
Violoncelle , Guitare (duo)
13
Quatuor à cordes : 4 altos
12
Harpe, Violoncelle (duo)
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Harpe, Trombone (duo)
6
Trio à Cordes: 2 violons, alto
5
Violoncelle, Contrebasse (duo)
5
Violoncelle, Orgue
5
Alto, Guitare (duo)
4
3 Harpes
4
Violoncelle (partie séparée)
3
4 Contrebasses
3
Flûte, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et orchestre
2
Violoncelle, Orchestre
2
Violon, Orgue
2
Ensemble de Violoncelles
2
Violoncelle, Basse continue
2
5 Harpes
2
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Harpe et Piano
1
Violon, Basse continue
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 889
Ensemble Jazz
1 215
Orchestre
661
Ensemble de cuivres
612
Orchestre à Cordes
474
Jazz combo
255
Orchestre de chambre
210
Fanfare
177
Cloches
141
Batterie (partie séparée)
111
Ensemble de Percussions
79
Batterie
31
Marimba
29
Xylophone, Piano
26
Percussion (partie séparée)
19
Vibraphone
12
Big band
8
Ensemble d'École
7
2 Xylophones
5
Xylophone
4
Piano et Orchestre
3
Instrumentation Flexible
2
Cajon
2
Orchestre, Violon
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
3 Percussions
1
Bongos
1
Quintette à Vent
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
9
Partitions Numériques
29
Librairie Musicale
0
Matériel de Musique
31
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
One In Ten
SheetMusicPlus
Partitions à imprimer
29 partitions trouvées
<
1
26
Canon in D marimba accompaniment (for arrangements by Samuel Stokes)
#
Marimba
#
Classique
#
Johann Pachelbel
#
Samuel Stokes
#
Canon in D marimba accompanime
#
SamuelStokesMusic.com
#
SheetMusicPlus
Marimba - SKU: A0.1068322 Composed by Johann Pachelbel. Arranged by Samuel Stokes. Baroque,Christmas,Concert,Holiday,Wedding. Accompaniment. Duration 16...
(+)
Marimba - SKU: A0.1068322 Composed by Johann Pachelbel. Arranged by Samuel Stokes. Baroque,Christmas,Concert,Holiday,Wedding. Accompaniment. Duration 165. SamuelStokesMusic.com #5017625. Published by SamuelStokesMusic.com (A0.1068322). This is a marimba accompaniment track for Samuel Stokes arrangements of Pachelbel's Canon in D. Please make sure that the arrangement you have is actually in the key of concert D before purchasing. In some arrangements, the Canon is put in a different key for the convenience of the particular instrument. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.comThis accompaniment is the correct key for the following Samuel Stokes arrangements of Canon in D: Flute, Bb clarinet, Bb tenor saxophone, theremin, oboe, xylophone, and marimba.
$1.99
Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba
#
Marimba
#
DÉBUTANT
#
Béla Ugró
#
Happy Mallets - Songs and Song
#
Bela Ugro
#
SheetMusicPlus
Marimba Solo - Level 1 - SKU: A0.1365155 Composed by Béla Ugró. 21st Century,Children,Classical,Multicultural,Traditional,World. Individual part. ...
(+)
Marimba Solo - Level 1 - SKU: A0.1365155 Composed by Béla Ugró. 21st Century,Children,Classical,Multicultural,Traditional,World. Individual part. 45 pages. Bela Ugro #949463. Published by Bela Ugro (A0.1365155). Embark on a melodic journey with Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba, a delightful collection crafted by the talented composer Béla Ugró. This sheet music compilation offers a diverse array of tunes, spanning from traditional melodies to original compositions, each carefully arranged for the enchanting tones of the 4.1/3 Octave Marimba with a total of 45 pages.Content: have you ever seen this (gyakorlat) where are you going, little kid? (hová mégy te kisnyulacska?) the candle is burning (ég a gyetya ég) even they say (még azt mondják) oops juliska (hopp juliska) cickom, cickom (cickom, cickom) little kece daughter (kis kece lányom) hey tulips, tulips (hej tulipán, tulipán) i picked flowers from the garden (kertbe virágot szedtem) there’s a catfish in the water (harcsa van a vÃzbe) dance (tánc) lacrimosa yellow corn fiber (sárga kukoricaszál) spring wind (tavaszi szél) three songs (három dal): it blows from above (felülrÅ‘l fúj), my sweet friend (kincsem komámasszony) i am not (nem vagyok én) noveletta flea market (bolhapiac) argentine summer shower (nyári zápor) greeting (köszöntÅ‘) the citrus tree (a citrusfa) dance house (táncház) nights in kapolcs (kapolcsi éjszakák) farewell (búcsú) bamby rome (róma) Béla Ugró's intricate arrangements bring these melodies to life, providing marimba enthusiasts with a captivating repertoire that spans various genres and cultural influences. Happy Mallets is not just sheet music; it's an invitation to explore the diverse sounds and emotions encapsulated within each composition.Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba invites young learners and educators to dive into the fascinating world of percussion, where each piece becomes a stepping stone in their musical education. With its engaging compositions, this sheet music promises an enjoyable and educational experience for aspiring percussionists of all ages.Keywords:Marimba Sheet MusicBéla Ugró Compositions4.1/3 Octave Marimba SolosMelodic Marimba ArrangementsPercussion Ensemble PiecesDiverse Cultural MelodiesEducational Marimba MusicOriginal Sheet Music CollectionEnchanting Melodies for MarimbaBéla Ugró Happy Mallets.
$13.00
Moonlight Festival Dances (for Mallet Percussion Solo)
#
Marimba
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Adam Lenhart
#
2-mallets, unaccompanied
#
Moonlight Festival Dances
#
Adam Lenhart
#
SheetMusicPlus
Marimba Solo - Level 4 - SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Published by Adam Lenha...
(+)
Marimba Solo - Level 4 - SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Published by Adam Lenhart (A0.949340). This intense mallet solo uses mixed meter to evoke an exciting and slightly chaotic of the climax of a town celebration. Each section embodies a different group of people celebrating and dancing in their own unique style, as if the audience were in the center of the dance looking around at the variety of cultures contained in the festival. Moonlight Festival Dances is an original piece that encompasses a variety of emotions and tones and requires the player to swiftly change between time signatures, styles and keys.Suitable for 3-octave marimba, xylophone or vibes; 2-mallets, unaccompanied.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$2.99
Impromptu No.15 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.15 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047233. Published by Neal Fitzpatrick Editions (A0.955426). This is Impromptu No.15 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.14 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.14 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editions #6047219. Published by Neal Fitzpatrick Editions (A0.955425). This is Impromptu No.14 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.18 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.18 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick...
(+)
Marimba Solo - SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick Editions #6048849. Published by Neal Fitzpatrick Editions (A0.955430). This is Impromptu No.18 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.11 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.11 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039309. Published by Neal Fitzpatrick Editions (A0.955423). This is Impromptu No.11 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.13 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.13 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955424 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 3 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955424 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 3 pages. Neal Fitzpatrick Editions #6040503. Published by Neal Fitzpatrick Editions (A0.955424). This is Impromptu No.13 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$1.99
Impromptu No.10 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.10 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039281. Published by Neal Fitzpatrick Editions (A0.955421). This is Impromptu No.10 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.7 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.7 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
(+)
Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.4 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.4 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029223. Published by Neal Fitzpatrick Editions (A0.955415). This is Impromptu No.4 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.2 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.2 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Ne...
(+)
Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.16 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.16 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047249. Published by Neal Fitzpatrick Editions (A0.955427). This is Impromptu No.16 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.8 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.8 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
(+)
Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6036611. Published by Neal Fitzpatrick Editions (A0.955419). This is Impromptu No.8 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.1 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.1 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027557. Published by Neal Fitzpatrick Editions (A0.955412). This is Impromptu No.1 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.12 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.12 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6040459. Published by Neal Fitzpatrick Editions (A0.955422). This is Impromptu No.12 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.20 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.20 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editions #6055709. Published by Neal Fitzpatrick Editions (A0.955431). This is Impromptu No.20 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.00
Impromptu No.19 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.19 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatric...
(+)
Marimba Solo - SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatrick Editions #6053767. Published by Neal Fitzpatrick Editions (A0.955429). This is Impromptu No.19 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.99
Impromptu No.6 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.6 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955418 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 3 pages. Neal Fitzpatrick...
(+)
Marimba Solo - SKU: A0.955418 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6035709. Published by Neal Fitzpatrick Editions (A0.955418). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.5 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.5 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029231. Published by Neal Fitzpatrick Editions (A0.955416). This is Impromptu No.5 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Kiss From A Rose
#
Marimba
#
INTERMÉDIAIRE/AVANCÉ
#
Seal
#
Nick Baron
#
Kiss From A Rose
#
Nick Baron
#
SheetMusicPlus
Marimba Solo - Level 4 - SKU: A0.910948 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Nick Baron. Contemporary,Pop. Individual part. 8 pages. Ni...
(+)
Marimba Solo - Level 4 - SKU: A0.910948 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Nick Baron. Contemporary,Pop. Individual part. 8 pages. Nick Baron #5982567. Published by Nick Baron (A0.910948). One of the most beautiful pop songs of the Nineties, if not all time, Seal's 'Kiss From A Rose' is a favourite for millions worldwide. This arrangement has been performed at concerts and weddings by it's creator, Nick Baron, in his own marimba duo, and it is now here on sale for the first time.Seal's masterpiece is poignant, elegant and soulful; these characteristics shared by the marimba with its soft attack and warm resonance make it a perfect fit.The arrangement follows the form of Seal's original but there is creativity in the marimba writing; for example the way a groove is often created between the ostinato rhythms of the two marimbas to suggest the presence of a rhythm section. Both parts are for four mallets and it is written in the key of C#. This arrangement would be an excellent addition to a conservatoire-level concert programme. Requirements: two players, four mallets each, two 4.3 octave marimbas.
$11.99
Christmas Medley for Marimba Trio
#
Marimba
#
INTERMÉDIAIRE
#
Noël
#
Dan Heslink
#
Christmas Medley for Marimba T
#
Pharaoh Publications
#
SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6194993. Publishe...
(+)
Marimba Solo - Level 3 - SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6194993. Published by Pharaoh Publications (A0.935391). Christmas Medley for Marimba Trio . . . . . . . . . . . . . . arr. Dan HeslinkThis medley combines three of the most favored Carols celebrating the miracle of Christ’s birth. Angels We Have Heard On High encapsulates the birth of Jesus Christ as narrated in the Gospel of Luke. The flowing second part of this carol portrays the shepherds’ wonder as they encounter a multitude of angels singing and praising. The spiritual renewal brought about by the birth of the Christ child is given in What Child Is This? Sung to the tune of the traditional English song Greensleeves, its haunting quality has made it one of the most popular of Christmas carols. And focusing on the immediacy of the Child’s entrance into the world, Away in a Manger has become the most loved of all American Christmas carols. The medley opens with an eight-measure introduction that immediately establishes the Christmas spirit, and then moves on to Angels We Have Heard on High. The binary form of this section should suggest to the performers two contrasting manners of execution, one involving brisk, rhythmic strokes and the other more legato in nature. At the second indicated rehearsal number What Child Is This? introduces a new key and new meter for new melodic content. The score shapes these phrases with dynamic changes, which should be observed with care. The dynamic arches and divided eighth note passages will enhance the impetus of a rolling ternary meter The medley’s final selection, Away in a Manger, begins at measure sixty-seven. A light and delicate approach to execution should create an innocent, child-like characterization. The final cadence of this selection is expanded to a bolder conclusion. Players and conductor may wish to experiment with a dead stroke on the last soft note, to artistically suggest that the music may be experienced for a moment even after it is concluded. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:21. The arranger, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$3.99
15 Interludes for keyboard percussion
#
Marimba
#
INTERMÉDIAIRE
#
Daniel Burwasser
#
15 Interludes for keyboard per
#
Head and Stem
#
SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.1214398 Composed by Daniel Burwasser. Contest,Festival,Instructional. Individual part. 10 pages. Head and Stem #811425....
(+)
Marimba Solo - Level 3 - SKU: A0.1214398 Composed by Daniel Burwasser. Contest,Festival,Instructional. Individual part. 10 pages. Head and Stem #811425. Published by Head and Stem (A0.1214398). The 15 Interludes for keyboard percussion are intended for the intermediate player and are comprised of 15 short lyrical melodies for marimba or xylophone. Written in a variety of major and minor keys, each solo helps to develop musicality as well as technical skills. The metronome and dynamic markings are only suggested to allow the performers greater freedom for expression and interpretation.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$15.00
Garage Lobsters
#
Marimba
#
INTERMÉDIAIRE/AVANCÉ
#
Alex Ippolito
#
Garage Lobsters
#
Alex Ippolito
#
SheetMusicPlus
Marimba Solo - Level 4 - SKU: A0.1033220 Composed by Alex Ippolito. 20th Century,African,Contemporary,World. Individual part. 4 pages. Alex Ippolito #62...
(+)
Marimba Solo - Level 4 - SKU: A0.1033220 Composed by Alex Ippolito. 20th Century,African,Contemporary,World. Individual part. 4 pages. Alex Ippolito #6207661. Published by Alex Ippolito (A0.1033220). This short piece for solo marimba has several sections. The left hand is more rhythmic, while the right hand highlights the various themes. The final section is partly inspired by xylophone music from Uganda. The left hand imitates the latter while the right hand harmonizes with the left hand and resolves the tension in a previous theme.
$10.00
Strangely, Soothing
#
Marimba
#
INTERMÉDIAIRE
#
Cameron Duncan
#
Strangely, Soothing
#
Cameron Duncan
#
SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.1153144 Composed by Cameron Duncan. Classical,Contest,Festival,Instructional,Jazz,Medieval. Individual part. 3 pages. C...
(+)
Marimba Solo - Level 3 - SKU: A0.1153144 Composed by Cameron Duncan. Classical,Contest,Festival,Instructional,Jazz,Medieval. Individual part. 3 pages. Cameron Duncan #753390. Published by Cameron Duncan (A0.1153144). Strangely, Soothing focuses on rippled rolls in an unstable, modal setting. The voices meander about atypically, achieving an equal parts mixture of empty movements and functional, directional ones. This piece is part of my collection of marimba solos intended for beginning four-mallet students. This piece is definitely on the more advanced end of beginning, but it functions as a short, more approachable introduction to double/triple-laterals/rippled chords while staying musical, which in my thought process warrants this distinction. Length: ~4' Difficulty: Intermediate Find it on my website for less! cameronduncanmusic.com.
$4.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale