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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Music of Being
Non classifié
1 544
Piano & claviers
Piano seul
514
Instruments en Do
216
Piano Facile
129
Piano, Voix
125
Piano, Voix et Guitare
95
Orgue
40
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
9
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
1 Piano, 6 mains
2
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
46
Guitare
40
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
14
Paroles et Accords
9
4 Guitares (Quatuor)
8
Piano, Guitare (duo)
6
Banjo
6
Basse electrique
5
2 Guitares (duo)
4
Ensemble de guitares
3
Mandoline
3
Cithare
1
Dulcimer
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
255
Chorale 3 parties
79
Chorale 2 parties
44
Chorale TTBB
28
Chorale Unison
23
Voix duo, Piano
23
Chorale SSAA
22
Voix Soprano, Piano
10
Voix haute
7
Voix Tenor, Piano
6
Voix Alto, Piano
6
Voix seule
6
Voix duo
4
Voix basse, Piano
2
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix, Guitare
1
Chorale SAATB A Cappella
1
Chorale SSATB
1
Chorale SSATTB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
167
Quintette de Saxophone: 5 saxophones
162
Flûte, Hautbois, Clarinette, Basson
111
Quatuor de Saxophones: 4 saxophones
111
Flûte traversière et Piano
95
Clarinette et Piano
71
Saxophone Alto
69
Ensemble de saxophones
65
Hautbois, Piano (duo)
65
Saxophone Alto et Piano
57
2 Saxophones (duo)
52
Flûte traversière
51
Clarinette
46
Quatuor de Clarinettes: 4 clarinettes
41
Ensemble de Clarinettes
36
Saxophone Soprano et Piano
31
Saxophone Tenor
31
Saxophone Tenor et Piano
31
3 Saxophones (trio)
29
2 Flûtes traversières, Piano
27
Hautbois (partie séparée)
27
Saxophone Baryton, Piano
25
Quatuor de Flûtes à bec
25
Quintette de Flûte : 5 flûtes
25
Quatuor de Flûtes : 4 flûtes
23
Saxophone (partie séparée)
22
2 Flûtes traversières (duo)
22
2 Clarinettes (duo)
19
Saxophone
18
Quintette de Clarinettes: 5 clarinettes
18
Cor anglais, Piano
17
2 Flûte à bec (duo)
17
Hautbois
16
5 Flûtes à bec
16
Ensemble de Flûtes
12
Trio de Flûtes: 3 flûtes
11
3 Clarinettes (trio)
11
Flûte, Trombone (duo)
10
Flûte, Clarinette (duo)
10
Saxophone Soprano
9
Hautbois, Flûte
8
Saxophone Baryton
8
Clarinette, Basson (duo)
8
3 Flûtes à bec (trio)
7
2 Hautbois (duo)
7
Cor Anglais
7
Clarinette Basse, Piano
6
Flûte à bec Soprano
6
Saxophone, Clarinette (duo)
6
Clarinette, Violon (duo)
5
Flûte à Bec
5
Flûte, Violoncelle, Piano (trio)
4
Flute (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Trompette (duo)
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Alto
3
Flûte à bec Tenor
3
Hautbois, Clarinette (duo)
3
Clarinette Basse
3
Flûte, Violon, Piano
2
Flûte, Trompette (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ensemble De Flûte à bec
2
Flûte, Clarinette et Basson
2
Flûte et Trio à cordes
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Flûte et Guitare
2
Ocarina
2
Ensemble à vent
2
Flûte, Violon
2
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
Ensemble de Hautbois
1
Flûte à bec Soprano, Piano
1
3 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Guitare
1
Harmonica
1
Flûte irlandaise
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois (duo)
1
Flûte à Bec, Piano
1
Clarinette, Orgue
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute, harpe et violon
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
217
Ensemble de Trompettes
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Trompette, Piano
55
Trompette
55
Trombone et Piano
52
Trombone
40
Cor et Piano
38
Ensemble de Trombones
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
Cor
34
Tuba
33
Tuba et Piano
31
Ensemble de Cors
20
Quatuor de Cuivres
17
Cor anglais, Piano
17
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
13
2 Trompettes (duo)
13
Quatuor de cuivres: 4 trompettes
12
Quatuor de cuivres: 4 cors
10
2 Trombones (duo)
9
4 Tubas
8
Euphonium
8
Cor Anglais
7
2 Cors (duo)
6
Trompette, Trombone (duo)
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
4
Trompette (partie séparée)
4
Trompette, Cor (duo)
4
Tuba et Orgue
4
2 Tubas (duo)
3
Trio de Cuivres
2
3 Cors (trio)
2
Trombone, Orgue
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
3 Trombones (trio)
2
Trombone basse
1
Cor et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Trombone (partie séparée)
1
Cor, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon et Piano
98
Violon
91
Violoncelle, Piano
76
Alto, Piano
65
Violoncelle
64
Alto seul
42
Trio à Cordes: violon, alto, violoncelle
41
Contrebasse, Piano (duo)
28
Contre Basse
23
Violon, Violoncelle (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violon, Alto (duo)
19
Harpe
18
2 Violons (duo)
16
Trio à Cordes: 2 violons, violoncelle
14
Ensemble de Violons
14
4 Violoncelles
14
2 Altos (duo)
13
2 Violoncelles (duo)
13
Ensemble d'Altos
12
2 Harpes (duo)
12
Alto (partie séparée)
10
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 violins
9
Trio à cordes: 3 altos
7
Trio à Cordes: 3 violoncelles
7
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes : 4 altos
6
Harpe, Voix
6
Harpe, Quatuor à cordes
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Basse continue
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon, Violoncelle
2
Contrebasse (partie séparée)
2
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
417
Orchestre
78
Orchestre à Cordes
76
Ensemble de cuivres
69
Ensemble Jazz
50
Orchestre de chambre
47
Marimba
19
Cloches
18
Jazz combo
17
Ensemble de Percussions
7
Ensemble d'École
4
Xylophone, Piano
3
Orchestre, Violon
2
Fanfare
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
Percussion (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
The Music of Being
Marimba
Partitions à imprimer
19 partitions trouvées
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1
Impromptu No.15 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.15 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047233. Published by Neal Fitzpatrick Editions (A0.955426). This is Impromptu No.15 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.14 For Marimba
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Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.14 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editions #6047219. Published by Neal Fitzpatrick Editions (A0.955425). This is Impromptu No.14 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.18 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.18 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick...
(+)
Marimba Solo - SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick Editions #6048849. Published by Neal Fitzpatrick Editions (A0.955430). This is Impromptu No.18 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.11 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.11 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
(+)
Marimba Solo - SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039309. Published by Neal Fitzpatrick Editions (A0.955423). This is Impromptu No.11 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.13 For Marimba
#
Marimba
#
Contemporain
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.13 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955424 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 3 pages. Neal Fitzpatrick Editi...
(+)
Marimba Solo - SKU: A0.955424 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 3 pages. Neal Fitzpatrick Editions #6040503. Published by Neal Fitzpatrick Editions (A0.955424). This is Impromptu No.13 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$1.99
Impromptu No.10 For Marimba
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.10 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Marimba Solo - SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039281. Published by Neal Fitzpatrick Editions (A0.955421). This is Impromptu No.10 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.7 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.7 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.4 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.4 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955415 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029223. Published by Neal Fitzpatrick Editions (A0.955415). This is Impromptu No.4 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.2 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.2 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Ne...
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Marimba Solo - SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.16 For Marimba
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Marimba
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Contemporain
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.16 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047249. Published by Neal Fitzpatrick Editions (A0.955427). This is Impromptu No.16 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.8 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.8 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955419 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6036611. Published by Neal Fitzpatrick Editions (A0.955419). This is Impromptu No.8 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.1 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.1 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
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Marimba Solo - SKU: A0.955412 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027557. Published by Neal Fitzpatrick Editions (A0.955412). This is Impromptu No.1 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.12 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.12 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal F...
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Marimba Solo - SKU: A0.955422 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6040459. Published by Neal Fitzpatrick Editions (A0.955422). This is Impromptu No.12 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.20 For Marimba
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Marimba
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Contemporain
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.20 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editi...
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Marimba Solo - SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editions #6055709. Published by Neal Fitzpatrick Editions (A0.955431). This is Impromptu No.20 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.00
Impromptu No.19 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.19 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatric...
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Marimba Solo - SKU: A0.955429 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 10 pages. Neal Fitzpatrick Editions #6053767. Published by Neal Fitzpatrick Editions (A0.955429). This is Impromptu No.19 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.99
Impromptu No.6 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.6 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955418 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 3 pages. Neal Fitzpatrick...
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Marimba Solo - SKU: A0.955418 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6035709. Published by Neal Fitzpatrick Editions (A0.955418). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Impromptu No.5 For Marimba
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.5 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Marimba Solo - SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal F...
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Marimba Solo - SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029231. Published by Neal Fitzpatrick Editions (A0.955416). This is Impromptu No.5 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
Peace in Ukraine Marimba solo
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Marimba
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FACILE
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Anderson Matos
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Peace in Ukraine Marimba solo
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Anderson M. Matos
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SheetMusicPlus
Marimba Solo - Level 2 - SKU: A0.819887 By Anderson Matos. By Anderson Matos. Instructional,Multicultural,New Age,Renaissance,Romantic Period,World. Ind...
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Marimba Solo - Level 2 - SKU: A0.819887 By Anderson Matos. By Anderson Matos. Instructional,Multicultural,New Age,Renaissance,Romantic Period,World. Individual part. 3 pages. Anderson M. Matos #424836. Published by Anderson M. Matos (A0.819887). Hello everyone.. after a few weeks, the video of my project is finished, which involves around 25 people from different parts of the world, together now for just 1 objective.. peace in the world, not war, and peace in Ukraine.🇺🇦🙠I would first like to thank Kana Omori , for being the first to accept the invitation to play in my project and for being the full support in this project, I would also like to thank all the musicians, speakers participants.. really... it was not easy to edit everything.. even more so because I let each guest perform their own free performance (I'm glad there wasn't much difference in tempo) I left this part free because I wanted to express that even though we are different from each other, being in different countries, different instruments, religion, ethnicity, sexuality.. we are all the same when we play the same music... there is nothing more important at this moment than doing what we love, which is playing music and we can bring peace, love and affection to those who watch us playing... this is gratifying.
$8.00
Tree Dance
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Marimba
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AVANCÉ
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Marei Suyama
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Tree Dance
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good umbrella inc
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SheetMusicPlus
Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual p...
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Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 72 pages. Good umbrella inc #989346. Published by good umbrella inc (A0.1406581). It is said that when an earthquake occurs, trees grow well.Though there is no evidence, the vibration of the earthquake seems to stir and condition the soil.Even through unprecedented disasters when the earth is cracked and the city is burnt, and even when people suffer from helplessness and anger, the trees (including apricot and blackberry branches) grow unaffectedly.Inger Christensen, the author of the poetry collection 'Alphabet', through her perceptive and lyrical senses, expressed that human beings are not managers of nature.On a lonely night, all we hear is the sound of crawling roots underneath the earth and rhythmic breathing of branches and leaves.....Not a few people consider classical music as something you listen to quietly while frowning. Tapping your feet to the rhythm is simply not acceptable. But I’ve always thought that classical music could be danceable - something that DJs can play at a club and you can move your body to.≪Tree dance≫, as the title suggests, is a musical piece featuring marimba and piano expressing the way trees dance in the wind. The music is almost like the classical version of craftwork, combining four-on-the-floor beats of techno music with the sharp sounds of modern music and organic poetry.I hope that the colorful musical notes on the score will be given life to and grow in this concert hall, creating a feast of dancing trees. I would be overwhelmed with joy to see the audience move their bodies or tap their feet to the rhythm of music. Marei Suyama
$38.00
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The Music of Being
