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ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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CORNEMUSE
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FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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MANDOLINE
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Non classifié
317
PIANO & CLAVIERS
Piano seul
81
Piano Facile
74
Piano, Voix
22
Instruments en Do
21
Orgue
16
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
3
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Accompagnement Piano
3
Clavecin
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
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GUITARES
Mandoline
103
Guitare notes et tablatures
77
Ukulele
54
Guitare
48
4 Guitares (Quatuor)
15
2 Guitares (duo)
10
Ensemble de guitares
7
Ukulele Baryton
3
Ligne De Mélodie, (Paroles) et Accords
2
3 Guitares (trio)
2
Dulcimer
1
Luth
1
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VOIX
Chorale SATB
74
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34
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27
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9
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7
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5
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4
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2
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1
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1
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1
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1
Male Voice
1
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1
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VENTS
Quatuor de Flûtes à bec
43
Quatuor de Saxophones: 4 saxophones
42
Flûte, Hautbois, Clarinette, Basson
40
Quatuor de Clarinettes: 4 clarinettes
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Quatuor de Flûtes : 4 flûtes
21
Flûte à Bec
20
2 Saxophones (duo)
17
Flûte traversière
17
Flûte et Guitare
17
Trio de Flûtes: 3 flûtes
16
Flûte traversière et Piano
16
3 Flûtes à bec (trio)
16
2 Flûtes traversières (duo)
16
Clarinette et Piano
13
Ensemble De Flûte à bec
13
Saxophone Alto et Piano
12
Clarinette
12
Quintette de Saxophone: 5 saxophones
11
Quintette de Clarinettes: 5 clarinettes
11
2 Flûte à bec (duo)
10
Hautbois, Piano (duo)
10
3 Saxophones (trio)
9
Ensemble de Clarinettes
9
Ensemble de Flûtes
9
Quintette de Flûte : 5 flûtes
8
3 Clarinettes (trio)
8
Cor anglais, Guitare (duo)
8
Clarinette, Guitare (duo)
8
Saxophone Tenor et Piano
8
Saxophone Alto
7
2 Clarinettes (duo)
7
Saxophone et Guitare
6
Flûte à bec Soprano
4
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3
Cor anglais, Piano
3
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3
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3
Flûte à bec Alto
3
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3
Hautbois (partie séparée)
3
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2
2 Hautbois (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Flûte
2
Saxophone (partie séparée)
1
Flûte, Violon, Piano
1
Flûte, Violon et Violoncelle
1
Flûte à bec, Guitare (duo)
1
Saxophone Soprano et Piano
1
5 Flûtes à bec
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec, Harpe
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle (duo)
1
Cor Anglais
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte irlandaise
1
Hautbois, Violoncelle
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Quatuor de cuivres: 4 cors
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette, Piano
10
Trompette, Trombone (duo)
9
2 Trompettes (duo)
8
Cor anglais, Guitare (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 trombones
7
Trompette
6
Cor et Piano
6
Tuba et Piano
5
Quatuor de cuivres: 4 trompettes
5
2 Trombones (duo)
4
Trombone et Piano
4
Cor anglais, Piano
3
Quatuor de Cuivres
3
4 Tubas
3
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Trombone
1
Ensemble de Trombones
1
Cor Anglais
1
Cor et Harpe
1
Trombone, Orgue
1
Trompette (partie séparée)
1
Trompette, violon (duo)
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
3 Trompettes (trio)
1
Trio de Cuivres
1
Trompette, Harpe
1
2 Cors (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violoncelle, Piano
21
Violon et Piano
17
Harpe
17
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
11
Violon
11
2 Violoncelles (duo)
11
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Piano
7
Violoncelle (partie séparée)
6
Violon, Guitare (duo)
5
2 Harpes (duo)
5
Trio à cordes: 3 violins
5
Alto seul
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
4
4 Violoncelles
4
Violoncelle
3
Trio à cordes: 3 altos
3
Alto, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Harpe, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Violon, Alto (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
1
Alto et Harpe
1
Alto et Basson
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Contre Basse
1
Violon (partie séparée)
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
35
Orchestre d'harmonie
28
Ensemble de cuivres
19
Orchestre
5
Cloches
4
Orchestre de chambre
2
Marimba
2
Fanfare
1
Xylophone
1
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AUTRES
Vous avez sélectionné:
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Trompette, Trombone (duo)
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1
Coventry Carol (Trumpet and Trombone Duet)
Trompette, Trombone (duo)
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1106166 Composed by Traditional. Arranged by B. C. Dockery. Christian,Christmas,Renaissance,Sacred,Traditional. Score and parts. 1 pages. Ben Dockery #709280. Published by Ben Dockery (A0.1106166). A renaissance carol arranged for Bb trumpet and trombone duet. Great for lessons, recitals, Christmas programs, and caroling. Easy intermediate level.
$3.99
3.69 €
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Trompette, Trombone (duo)
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Traditional
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B
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Coventry Carol
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Ben Dockery
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SheetMusicPlus
Coventry Carol (Trumpet and Trombone Duet with Piano Accompaniment)
Trompette, Trombone (duo)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digita…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.1106161 Composed by Traditional. Arranged by B. C. Dockery. Christian,Christmas,Renaissance,Sacred,Traditional. Score and parts. 4 pages. Ben Dockery #709277. Published by Ben Dockery (A0.1106161). A renaissance carol arranged for Bb trumpet and trombone duet with piano accompaniment. Great for lessons, recitals, Christmas programs, and caroling. Easy intermediate level. Includes score and parts.
$4.99
4.61 €
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Trompette, Trombone (duo)
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Traditional
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B
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Coventry Carol
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Ben Dockery
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SheetMusicPlus
UKRAINIAN BELL CAROL - Carol of the Bells, Brass Trio, Intermediate Level
Trompette, Trombone (duo)
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.521185 Composed by Mykola Leo…
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.521185 Composed by Mykola Leontovich. Arranged by Sherry Lewis Publishing. Christmas,Multicultural,Renaissance,Spiritual,World. 13 pages. Sherry Lewis Publishing #3881643. Published by Sherry Lewis Publishing (A0.521185). UKRAINIAN BELL CAROL, Brass Trio of 2 Bb trumpets and tromboneIntermediate LevelScore: 4 pagesParts: 6 pages Time: 2'30MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
6 €
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Trompette, Trombone (duo)
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Mykola Leontovich
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Sherry Lewis Publishing
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UKRAINIAN BELL CAROL - Carol of the Bells, Brass Trio, Intermediate Level
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Sherry Lewis Publishing
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SheetMusicPlus
Here We Come A-Caroling (Trumpet and Trombone Duet)
Trompette, Trombone (duo)
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1100003 Composed by Traditional. Arranged by B. C. Dockery. Christmas,Folk,Holiday,Renaissance,Traditional. Score and parts. 1 pages. Ben Dockery #703872. Published by Ben Dockery (A0.1100003). Here We Come A-Caroling, aka Wassail Song, arranged for Bb trumpet and trombone duet. Great for lessons, recitals, caroling, and Christmas or New Year's celebrations. Easy intermediate level.
$3.99
3.69 €
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Trompette, Trombone (duo)
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Traditional
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B
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Here We Come A-Caroling
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Ben Dockery
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SheetMusicPlus
Here We Come A-Caroling (Trumpet and Trombone Duet with Piano Accompaniment)
Trompette, Trombone (duo)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digita…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.1100002 Composed by Traditional. Arranged by B. C. Dockery. Christmas,Folk,Holiday,Renaissance,Traditional. Score and parts. 5 pages. Ben Dockery #703871. Published by Ben Dockery (A0.1100002). Here We Come A-Caroling, aka Wassail Song, arranged for Bb trumpet and trombone duet with piano accompaniment. Great for lessons, recitals, caroling, and Christmas or New Year's celebrations. Easy intermediate level. Includes score and parts.
$4.99
4.61 €
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Trompette, Trombone (duo)
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Traditional
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B
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Here We Come A-Caroling
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Ben Dockery
#
SheetMusicPlus
Gaudete (Trumpet and Trombone Duet)
Trompette, Trombone (duo)
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1110828 Composed by Traditional. Arranged by B. C. Dockery. Christian,Christmas,Renaissance,Sacred,Traditional. Score and parts. 1 pages. Ben Dockery #713120. Published by Ben Dockery (A0.1110828). A traditional 16th century carol arranged for Bb trumpet and trombone duet. Great for lessons, recitals, Christmas programs, and caroling. Easy intermediate level.
$3.99
3.69 €
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Trompette, Trombone (duo)
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Traditional
#
B
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Gaudete
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Ben Dockery
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SheetMusicPlus
Gaudete (Trumpet and Trombone Duet with Piano Accompaniment)
Trompette, Trombone (duo)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digita…
(+)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.1110825 Composed by Traditional. Arranged by B. C. Dockery. Christian,Christmas,Renaissance,Sacred,Traditional. Score and parts. 5 pages. Ben Dockery #713117. Published by Ben Dockery (A0.1110825). A traditional 16th century carol arranged for Bb trumpet and trombone duet with piano accompaniment. Great for lessons, recitals, Christmas programs, and caroling. Easy intermediate level. Includes score and parts.
$4.99
4.61 €
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Trompette, Trombone (duo)
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Traditional
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B
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Gaudete
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Ben Dockery
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.3 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.3 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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