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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Like That
Non classifié
184
Piano & claviers
Piano seul
74
Piano Facile
70
Piano, Voix et Guitare
24
Piano, Voix
23
Orgue
11
Instruments en Do
9
Accordéon
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
17
Guitare
7
Ukulele
4
Paroles et Accords
2
Basse electrique
1
Voix
Chorale 3 parties
94
Chorale SATB
50
Chorale 2 parties
15
Chorale Unison
11
Chorale TTBB
11
Voix duo
4
Chorale SSAA
2
Voix Alto, Piano
2
Voix duo, Piano
2
Chorale SSATTB
1
Voix haute
1
+ 6 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
19
2 Saxophones (duo)
16
Quintette de Saxophone: 5 saxophones
14
Flûte, Hautbois, Clarinette, Basson
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Flûtes traversières (duo)
11
2 Clarinettes (duo)
11
Flûte traversière et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
2 Hautbois (duo)
6
Saxophone Alto et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Clarinette et Piano
5
Flûte traversière
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violoncelle
3
Hautbois, Basson (duo)
3
Hautbois, Piano (duo)
3
Ensemble de saxophones
3
Saxophone Tenor et Piano
3
Saxophone Baryton, Piano
3
5 Flûtes à bec
3
Ensemble de Clarinettes
3
Clarinette
2
Clarinette Basse, Piano
2
Saxophone, Clarinette (duo)
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Saxophone Tenor
2
Saxophone Soprano et Piano
2
Cor anglais, Piano
1
Flûte à bec Soprano
1
2 Cors Anglais Et Pianoforte
1
Hautbois (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Clarinette, Violoncelle (duo)
1
3 Saxophones (trio)
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Hautbois, Violoncelle
1
+ 39 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Euphonium, Piano (duo)
6
Trompette, Piano
5
2 Trombones (duo)
5
2 Trompettes (duo)
5
Trombone et Piano
4
2 Tubas (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
3
Trombone
3
Trompette
3
Trompette, Trombone (duo)
3
4 Tubas
1
Cor anglais, Piano
1
Cor
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
Tuba
1
Cor, Violoncelle (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Cor et Piano
1
Tuba et Piano
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Harpe
8
2 Violons (duo)
7
Violon et Piano
6
Violoncelle
6
Alto, Piano
5
Violoncelle, Piano
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
2 Contrebasses (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon
3
Violon, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et Basson
1
Alto seul
1
Contrebasse, Piano (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
25
Orchestre à Cordes
12
Ensemble Jazz
5
Cloches
5
Orchestre
5
Ensemble de Percussions
4
Ensemble de cuivres
2
Fanfare
2
Orchestre de chambre
1
Vibraphone et Marimba
1
Jazz combo
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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Be Like That
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Trompette, Trombone (duo)
Partitions à imprimer
3 partitions trouvées
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Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
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Trompette, Trombone (duo)
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FACILE
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Musique Sacrée
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Joshua Popovici
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Blessed Assurance - Brass Quar
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Joshua Popovici
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SheetMusicPlus
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sa...
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Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077). Here’s the thing… There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity. This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable. Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
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Be Like That
