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Piano Trio: piano, violon, violoncelle
11
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Orgue, Piano (duo)
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117
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45
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45
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42
Clarinette et Piano
42
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41
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31
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28
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24
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19
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17
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15
Saxophone
12
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9
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3 Saxophones (trio)
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7
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2
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2
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1
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1
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1
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1
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Clarinette, Orgue
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Cor anglais et Harpe (duo)
1
Cor Anglais
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Flûte à Bec
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Clarinette, Harpe (duo)
1
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1
2 Cors Anglais Et Pianoforte
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Cor
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Tuba et Piano
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2 Cors (duo)
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Trompette, Trombone (duo)
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Euphonium
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Cor anglais, Piano
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2 Tubas (duo)
4
Quatuor de Cuivres
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Trio de Cuivres
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Trombone basse
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Euphonium, Piano (duo)
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Cor (partie séparée)
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Trompette, Harpe
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Cor anglais et Harpe (duo)
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Quatuor de cuivres: 4 trombones
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Cor Anglais
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Cor et Harpe
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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2 Cors Anglais Et Pianoforte
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Trompette, Violoncelle (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
162
2 Violons (duo)
109
Violon et Piano
84
Violon
77
Harpe
63
Violoncelle, Piano
59
Alto, Piano
57
Violoncelle (partie séparée)
39
Alto seul
36
Contre Basse
25
2 Harpes (duo)
21
2 Violoncelles (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse, Piano (duo)
16
Violon, Violoncelle (duo)
15
Violoncelle
15
Trio à Cordes: violon, alto, violoncelle
14
2 Altos (duo)
10
Alto (partie séparée)
10
Piano Trio: Violon, Alto, Piano
9
Violon, Alto (duo)
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
2
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
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Alto, Orgue
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Violoncelle, Orgue
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Harpe, Flûte (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
190
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91
Ensemble Jazz
78
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51
Cloches
34
Fanfare
20
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Orchestre
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Jazz combo
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11
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5
Xylophone
4
Vibraphone
3
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AUTRES
Vous avez sélectionné:
Mark
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Trompette, Trombone (duo)
Partitions à imprimer
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I Know That My Redeemer Liveth (StA BQ00101)
Trompette, Trombone (duo)
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.525295 Composed by G. F. Hand…
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.525295 Composed by G. F. Handel. Arranged by Mark Rippe. Classical,Easter,Sacred,Traditional. 8 pages. Mark Rippe #135835. Published by Mark Rippe (A0.525295). StA BQ00101. Â Brass quartet arrangement of the well-known soprano aria from Handel's Messiah. This arrangement is from the St. Andrew's Collection.
$3.99
3.69 €
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Trompette, Trombone (duo)
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G
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Mark Rippe
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I Know That My Redeemer Liveth
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Mark Rippe
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SheetMusicPlus
Carols for Two - Fifteen Traditional Carols for Trumpet and Trombone Duet (with Piano Accompaniment)
Trompette, Trombone (duo)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digita…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.1151972 Composed by Christmas Carol. Arranged by Kate Agioritis. Christmas,Holiday,Traditional. Score and parts. 63 pages. Musika Publishing Australia #752179. Published by Musika Publishing Australia (A0.1151972). A collection of 15 well-loved Christmas Carols, scored for Trumpet/Trombone Duet with Piano Accompaniment. Sure to be useful for a wide range of Christmas performances and events - just print the songs you need! Level: Intermediate Visit our websites: www.musikapublishing.com and www.sheetmusicmarketplace.com.
$19.99
18.47 €
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Trompette, Trombone (duo)
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Christmas Carol
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Kate Agioritis
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Carols for Two - Fifteen Traditional Carols for Trumpet and Trombone Duet
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Musika Publishing Australia
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SheetMusicPlus
5 Easy Christmas Carols for Brass Trio
Trompette, Trombone (duo)
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1254256 Composed by Tradition…
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1254256 Composed by Traditional Christmas. Arranged by Kate Agioritis. Christmas,Holiday,Traditional. 25 pages. Musika Publishing Australia #847830. Published by Musika Publishing Australia (A0.1254256). 5 Easy Christmas Carols - Brass Trio (2 trumpets and trombone)5 simple, yet well-crafted arrangements of well-known Christmas Carols for early-intermediate players.Silent Night, We Wish You A Merry Christmas, Away in a Manger, O Christmas Tree (O Tannenbaum) and Good King Wenceslas.Download includes a score and a full set of parts.Visit our website: www.musikapublishing.com or www.sheetmusicmarketplace.com.
$6.99
6.46 €
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Trompette, Trombone (duo)
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Traditional Christmas
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Kate Agioritis
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5 Easy Christmas Carols for Brass Trio
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Musika Publishing Australia
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SheetMusicPlus
More Carols for Two - Trumpet/Trombone Duet
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1296280
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1296280 Composed by Christmas Carol. Arranged by Kate Agioritis. Christmas,Holiday,Traditional. 32 pages. Musika Publishing Australia #886522. Published by Musika Publishing Australia (A0.1296280). Here it is - the next edition! Ten more well-loved Christmas Carols. Add them to your Christmas stash now! It Came Upon a Midnight Clear, While Shepherds Watched their Flocks by Night; Coventry Carol; Carol of the Bells (Ukrainian Bell Carol); God Rest Ye Merry Gentlemen; We Three Kings of Orient Are; Carol of the Drum; Here We Come A-Wassailing; Angels from the Realms of Glory; Jingle Bells. Visit our websites: www.musikapublishing.com and www.sheetmusicmarketplace.com
$14.99
13.85 €
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Trompette, Trombone (duo)
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Christmas Carol
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Kate Agioritis
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Coventry Carol
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More Carols for Two - Trumpet/Trombone Duet
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Musika Publishing Australia
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.3 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.3 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
March Militaire-Brass Duet 1
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.844785 Composed by L Streabbog. Arranged by Phil Beaman. Classical,Instructional. Score and parts. 7 pages. Phil Beaman #5372933. Published by Phil Beaman (A0.844785). I have taken an elaborate piano solo and re-created it in just 2 parts. I have added extra markings of articulation and dynamics to provide interest. I used selected themes from Streabbog's piece with my own bridges to create a new structure. There are 3 main sections including a Trio in a different key. Perfect for the March repertoire.
$4.99
4.61 €
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Trompette, Trombone (duo)
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L Streabbog
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Phil Beaman
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March Militaire-Brass Duet 1
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Phil Beaman
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SheetMusicPlus
I Heard The Bells On Christmas Day
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1306888
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1306888 Composed by Henry Wadsworth Longfellow and Johnny Marks. Arranged by P. R. Frederick. Christmas,Holiday. 1 pages. P. R. Frederick #896224. Published by P. R. Frederick (A0.1306888). Here's the Christmas classic arranged for trumpet and trombone duet.Check out all of my arrangements here
$6.00
5.54 €
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Trompette, Trombone (duo)
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Henry Wadsworth Longfellow and Johnny Marks
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P
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I Heard The Bells On Christmas Day
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P. R. Frederick
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SheetMusicPlus
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