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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take That
Non classifié
1 586
Piano & claviers
Piano seul
926
Piano, Voix et Guitare
304
Piano, Voix
304
Piano Facile
166
Instruments en Do
101
Orgue
63
Accompagnement Piano
41
1 Piano, 4 mains
28
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
13
Piano (partie séparée)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Orgue, Piano (duo)
1
Clavier
1
Orgue et Orchestre
1
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare
95
Guitare notes et tablatures
64
Ligne De Mélodie, (Paroles) et Accords
46
Paroles et Accords
18
Ukulele
16
Basse electrique
13
2 Guitares (duo)
12
Guitare (partie séparée)
9
4 Guitares (Quatuor)
7
Mandoline
6
3 Guitares (trio)
6
Banjo
5
Dulcimer
4
Piano, Guitare (duo)
2
Ensemble de guitares
2
Guitare, Orchestre
1
Orchestre à Plectres
1
+ 12 instrumentations
Retracter
Voix
Chorale Unison
859
Chorale SATB
472
Chorale 3 parties
153
Chorale 2 parties
88
Chorale TTBB
78
Chorale SSAA
57
Voix duo, Piano
28
Voix Soprano, Piano
24
Voix haute
10
Voix Baryton, Piano
6
Voix Alto, Piano
6
Chorale
5
Chorale SSAATTBB
4
Voix duo
3
Soli, choeur mixte et accompagnement
3
Chorale SSATB
2
Voix Soprano
2
Voix seule
2
Voix Tenor
2
Voix Tenor, Piano
2
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 20 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
158
Quintette de Saxophone: 5 saxophones
138
Quatuor de Saxophones: 4 saxophones
117
Flûte traversière et Piano
95
Flûte, Hautbois, Clarinette, Basson
84
Saxophone
80
Flûte traversière
79
Hautbois, Piano (duo)
73
Ensemble de saxophones
69
Clarinette
65
2 Saxophones (duo)
63
Saxophone Alto et Piano
63
Clarinette et Piano
55
Saxophone Alto
54
Saxophone (partie séparée)
53
Saxophone Tenor et Piano
49
Saxophone Soprano et Piano
46
Saxophone Tenor
45
Ensemble de Clarinettes
40
Saxophone Baryton, Piano
34
Quatuor de Clarinettes: 4 clarinettes
32
2 Clarinettes (duo)
29
Hautbois (partie séparée)
29
2 Flûtes traversières, Piano
26
2 Flûtes traversières (duo)
25
Quatuor de Flûtes : 4 flûtes
23
Ensemble de Flûtes
23
Clarinette (partie séparée)
20
Saxophone Soprano
19
3 Saxophones (trio)
17
Quintette de Flûte : 5 flûtes
17
Saxophone Baryton
12
Hautbois
12
Flute (partie séparée)
11
Clarinette, Basson (duo)
10
2 Hautbois (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
9
Hautbois, Basson (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Clarinette Basse, Piano
9
Flûte à bec Soprano
9
Flûte, Clarinette (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Violoncelle (duo)
9
Flûte à Bec
8
Flûte, Violoncelle
7
Quatuor de Flûtes à bec
7
Flûte et Guitare
6
Flûte, Violon, Piano
6
Trio de Flûtes: 3 flûtes
6
Cor anglais, Piano
6
3 Clarinettes (trio)
6
Clarinette, Violon (duo)
6
Hautbois, Violoncelle
6
Flûte à bec Alto
5
Flûte, Hautbois (duo)
5
5 Flûtes à bec
4
Clarinette, Guitare (duo)
4
Flûte, Alto et Piano
4
Flûte, Violon
3
Hautbois, Clarinette (duo)
3
Flûte, Alto (duo)
3
2 Clarinettes, Piano
2
Harmonica
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Piano (trio)
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone, Clarinette (duo)
1
Flûte, Basson et Piano
1
2 Clarinettes, Basson
1
Hautbois, violon (duo)
1
Saxophone et Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Cor Anglais
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, trombone et piano
1
Cor anglais, Guitare (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
162
Quatuor de Cuivres : 2 trompettes, trombone, tuba
98
Trompette
67
Trombone et Piano
57
Trompette, Piano
55
Ensemble de Trompettes
49
Cor
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Cor et Piano
44
Trombone
42
Trombone (partie séparée)
39
Trompette (partie séparée)
38
Tuba
35
Quatuor de Cuivres
32
Ensemble de Trombones
29
Tuba et Piano
27
2 Trombones (duo)
17
Euphonium, Piano (duo)
12
Cor (partie séparée)
12
2 Trompettes (duo)
11
2 Cors (duo)
11
Tuba (partie séparée)
10
Trompette, Trombone (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
3
Trompette, Cor (duo)
3
2 Euphoniums (duo)
2
Cor, Violoncelle (duo)
2
4 Tubas
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Basson (duo)
2
Trompette, Euphonium (duo)
1
Euphonium
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trombone basse
1
Trombone, Tuba (duo)
1
Trompette et Guitare
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Guitare (duo)
1
Trompette, Saxophone (duo)
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
257
Violon et Piano
127
Violon
100
Violoncelle, Piano
78
Alto, Piano
75
Violoncelle
66
Trio à Cordes: violon, alto, violoncelle
66
Alto seul
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Violon, Violoncelle (duo)
40
Harpe
27
Violon (partie séparée)
27
Contre Basse
26
Contrebasse, Piano (duo)
26
Alto (partie séparée)
25
2 Violons (duo)
21
2 Violoncelles (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Contrebasse (partie séparée)
17
Violon, Alto (duo)
17
Ensemble de Violons
12
Ensemble d'Altos
12
2 Altos (duo)
10
Violoncelle (partie séparée)
7
4 Violoncelles
7
Alto, Violoncelle (duo)
6
Violon, Guitare (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
3
Harpe, Voix
3
Violon, Basson (duo)
3
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
2
Alto et Basson
2
Ensemble de Violoncelles
2
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe et mandoline
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
565
Orchestre
169
Orchestre à Cordes
134
Ensemble Jazz
130
Ensemble de cuivres
51
Batterie
33
Cloches
30
Jazz combo
26
Orchestre de chambre
23
Fanfare
15
Ensemble de Percussions
12
Percussion (partie séparée)
10
Batterie (partie séparée)
5
Xylophone, Piano
4
Marimba
3
Cajon
2
Xylophone
1
Caisse Claire
1
Vibraphone
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
1
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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UKULELE
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Vous avez sélectionné:
Take That
Trompette, Trombone (duo)
Partitions à imprimer
8 partitions trouvées
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1
10 Rounds and Canons for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
10 Rounds and Canons for Trump
#
David McKeown
#
SheetMusicPlus
Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.1188911 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #7...
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Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.1188911 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788522. Published by David McKeown (A0.1188911). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Trumpet and one Trombone. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
Sing Joyfully (Eb) ( Brass Sextet) (3 Trp, 3 Trb)
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Trompette, Trombone (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
#
SheetMusicPlus
Trombone,Trumpet - Level 4 - SKU: A0.1344013 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissanc...
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Trombone,Trumpet - Level 4 - SKU: A0.1344013 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #929495. Published by Regis Bookshar (A0.1344013). Sing Joyfully William Byrd - Brass Sextet - Advanced/Intermediate - .William Byrd was the greatest British composer of the late Renaissance. and just maybe, the greatest British composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one. It is enchanting to listen to and fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years, so he has now transcribed, edited and arranged this wonderful composition for a wide variety of instrumental ensembles, including this one for a Brass Sextet, consisting of 3 Bb Trumpets and 3 Trombones.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to included them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students, and perhaps even some younger students. It is perfect for concerts, recitals and church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's magnificaebt anthem, Sing Joyfully, will continue to delight both performers and audiences alike for many years to come.
$30.00
Swanee River (Old Folks at Home)
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Trompette, Trombone (duo)
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DÉBUTANT
#
Folklorique/Traditionel
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Stephen Collins Foster
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Gildson Cerqueira
#
Swanee River
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Gildson Cerqueira
#
SheetMusicPlus
Trombone,Trumpet - Level 1 - SKU: A0.1399058 Composed by Stephen Collins Foster. Arranged by Gildson Cerqueira. Folk,Traditional. 5 pages. Gildson Cerqu...
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Trombone,Trumpet - Level 1 - SKU: A0.1399058 Composed by Stephen Collins Foster. Arranged by Gildson Cerqueira. Folk,Traditional. 5 pages. Gildson Cerqueira #982350. Published by Gildson Cerqueira (A0.1399058). Explore the timeless melody of “Swanee River†through a unique arrangement that offers a fresh take on this beloved classic. Ideal for musicians seeking to enrich their performances with a blend of tradition and innovation, this sheet music promises to be a delightful addition to any repertoire.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$4.99
Swanee River (Old Folks at Home)
#
Trompette, Trombone (duo)
#
DÉBUTANT
#
Folklorique/Traditionel
#
Stephen Collins Foster
#
Gildson Cerqueira
#
Swanee River
#
Gildson Cerqueira
#
SheetMusicPlus
Trombone,Trumpet - Level 1 - SKU: A0.1399059 Composed by Stephen Collins Foster. Arranged by Gildson Cerqueira. Folk,Traditional. 5 pages. Gildson Cerqu...
(+)
Trombone,Trumpet - Level 1 - SKU: A0.1399059 Composed by Stephen Collins Foster. Arranged by Gildson Cerqueira. Folk,Traditional. 5 pages. Gildson Cerqueira #982352. Published by Gildson Cerqueira (A0.1399059). Explore the timeless melody of “Swanee River†through a unique arrangement that offers a fresh take on this beloved classic. Ideal for musicians seeking to enrich their performances with a blend of tradition and innovation, this sheet music promises to be a delightful addition to any repertoire.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$4.99
Clair de Lune by Debussy for Trumpet and Trombone
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Trompette, Trombone (duo)
#
DÉBUTANT
#
Classique
#
Claude Debussy
#
Langanho
#
Clair de Lune by Debussy for T
#
Avery Lynn Jordan
#
SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1225428 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wed...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1225428 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. 3 pages. Avery Lynn Jordan #821494. Published by Avery Lynn Jordan (A0.1225428). The arrangement for Trumpet and Trombone with Chords of Debussy's Clair de Lune is perfect for students who are starting to learn the instrument. Adapted to better meet the needs of beginner students, this version is ideal for music teachers who want to use it as teaching material or parents who want to encourage their children to explore this classic repertoire. This arrangement is carefully crafted to ensure that it is easy to learn, while maintaining the beauty and essence of the original music. With this arrangement, students can feel motivated to continue learning piano and parents can take pride in seeing their children play this beautiful piece of music.
$4.99
Clair de Lune by Debussy for Trumpet and Trombone
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Trompette, Trombone (duo)
#
DÉBUTANT
#
Classique
#
Claude Debussy
#
Langanho
#
Clair de Lune by Debussy for T
#
Avery Lynn Jordan
#
SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1225427 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wed...
(+)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1225427 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. 3 pages. Avery Lynn Jordan #821493. Published by Avery Lynn Jordan (A0.1225427). The arrangement for Trumpet and Trombone of Debussy's Clair de Lune is perfect for students who are starting to learn the instrument. Adapted to better meet the needs of beginner students, this version is ideal for music teachers who want to use it as teaching material or parents who want to encourage their children to explore this classic repertoire. This arrangement is carefully crafted to ensure that it is easy to learn, while maintaining the beauty and essence of the original music. With this arrangement, students can feel motivated to continue learning piano and parents can take pride in seeing their children play this beautiful piece of music.
$2.99
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
#
Giovanni Gabrieli
#
James M
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1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
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