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ASCAP.
Trompette, Trombone (duo)
Partitions à imprimer
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Four Traditional 13th Century Christmas Carols for 2 Trumpets & Trombone
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.550980
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.550980 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Classical,Standards. 42 pages. Jmsgu3 #4897111. Published by jmsgu3 (A0.550980). Score: 14 pages. Duration 7:40Players read from the score.1. Angelus Ad Virginum2. Qui creavit celum3. Verbum caro factum est4. Verbum Patris umanatur
$28.95
26.58 €
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Trompette, Trombone (duo)
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Traditional
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James M
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Four Traditional 13th Century Christmas Carols for 2 Trumpets & Trombone
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jmsgu3
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SheetMusicPlus
3 Traditional 14th Century Christmas Carols for Trumpet Duo & Trombone
Trompette, Trombone (duo)
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.550997 Composed by Traditiona…
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.550997 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Classical,Standards. 30 pages. Jmsgu3 #4898621. Published by jmsgu3 (A0.550997). Score: 10 pages, Duration ca. 4:00Players read from score.Contents:1. Ad cantus leticiae2. Puer nobis nascitur3. Lullay, lullay: Als I lay on Yoolis Night.
$28.95
26.58 €
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Trompette, Trombone (duo)
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Traditional
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James M
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3 Traditional 14th Century Christmas Carols for Trumpet Duo & Trombone
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jmsgu3
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SheetMusicPlus
CPE Bach: Duetto Wq. 140 for Trumpet & Trombone
Trompette, Trombone (duo)
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Tenor Trombone - Level 4 - Digital Down…
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Tenor Trombone - Level 4 - Digital Download SKU: A0.551153 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #4999881. Published by jmsgu3 (A0.551153). Duration ca. 7:00Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
22.91 €
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Trompette, Trombone (duo)
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Carl Philipp Emanuel Bach
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James M
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CPE Bach: Duetto Wq. 140 for Trumpet & Trombone
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jmsgu3
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SheetMusicPlus
Beethoven: Duet WoO 26 for Trumpet & Trombone
Trompette, Trombone (duo)
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 3 - Digital Download
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.551737 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards. Score and parts. 24 pages. Jmsgu3 #5708927. Published by jmsgu3 (A0.551737). Beethoven WoO 26 composed in 1792. Duration ca. 7:00 Score: 9 pages.1. Allegro con brio2. Minuetto quasi Allegretto & TrioOriginally scored for flute duo.
$32.95
30.26 €
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Trompette, Trombone (duo)
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Duet WoO 26 for Trumpet & Trombone
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jmsgu3
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SheetMusicPlus
TWICE AS NICE - trumpet and trombone duet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.774001 Composed by Anthony Giamanco. Concert,Jazz,Standards. Score and parts. 10 pages. Whole Tone Press #6358463. Published by Whole Tone Press (A0.774001). A fun, fresh, jazzy duet for B-flat trumpet and trombone. It starts off 'straight' (A), alternating between primarily 3/4 and 4/4, then moves into a cool 'swing' (B), followed by a repeat of 'A' and 'B' with some interesting variations, then one more repeat of the 'A' section before culminating in a captivating coda. Rhythmically, a little tricky, but the metre changes feel quite natural. Great piece foir solo/ensemble, recital, concert. Intermediate.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50
4.13 €
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Trompette, Trombone (duo)
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Anthony Giamanco
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TWICE AS NICE - trumpet and trombone duet
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Whole Tone Press
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
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