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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Be Choir
Non classifié
2 899
Piano & claviers
Piano, Voix
259
Piano seul
160
Piano, Voix et Guitare
141
Accompagnement Piano
119
Orgue
71
Instruments en Do
23
Piano Facile
21
Piano Trio: piano, violon, violoncelle
7
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Clavier
1
Clavecin
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
6
Guitare
6
Basse electrique
3
Ukulele
2
Dulcimer
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Paroles et Accords
1
2 Guitares (duo)
1
Mandoline, Piano (duo)
1
+ 6 instrumentations
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Voix
Chorale SATB
7 019
Chorale 2 parties
2 899
Chorale 3 parties
2 735
Chorale Unison
1 998
Chorale TTBB
1 112
Chorale SSAA
736
Chorale
148
Pack Instrumental pour Chorale
139
Voix duo, Piano
28
Chorale SSAATTBB
13
Voix duo
11
Voix haute
9
Chorale SSATB
9
Chorale SSATTB
6
Chorale SSAB a cappella
5
Voix seule
3
Chorale SSAB, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Soprano, Piano
2
Chorale SATBB
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Voix Tenor, Piano
1
Voix Soprano
1
Voix basse, Piano
1
Chorale SSATBB
1
+ 24 instrumentations
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Vents
Ensemble de Flûtes
210
Ensemble de Clarinettes
156
Quatuor de Clarinettes: 4 clarinettes
52
Ensemble de saxophones
46
Quatuor de Flûtes : 4 flûtes
41
Flûte, Hautbois, Clarinette, Basson
41
Quatuor de Saxophones: 4 saxophones
38
Clarinette et Piano
34
Quintette de Saxophone: 5 saxophones
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
3 Saxophones (trio)
25
Hautbois, Piano (duo)
24
Flûte traversière et Piano
23
Quintette de Flûte : 5 flûtes
21
Saxophone Alto et Piano
21
3 Clarinettes (trio)
19
Quintette de Clarinettes: 5 clarinettes
17
Saxophone Tenor et Piano
16
2 Saxophones (duo)
16
2 Clarinettes (duo)
15
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
9
2 Flûtes traversières (duo)
8
Cor anglais, Piano
8
Trio de Flûtes: 3 flûtes
7
Clarinette
6
Saxophone (partie séparée)
6
Flute (partie séparée)
5
Quatuor de Flûtes à bec
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
Hautbois (partie séparée)
3
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Hautbois, Flûte
2
Ensemble à vent
2
Flute, harpe et violon
2
Flûte traversière
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
5 Flûtes à bec
2
Flûte à Bec
1
2 Clarinettes, Basson
1
2 Flûte à bec (duo)
1
Saxophone Alto
1
Clarinette, Basson (duo)
1
Saxophone Tenor
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
3 Flûtes à bec (trio)
1
Saxophone, Clarinette (duo)
1
Clarinette, Trompette (duo)
1
Piccolo
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Violon (trio)
1
Cor Anglais
1
Flûte à bec Alto
1
Piccolo, Piano
1
Flûte, Violoncelle
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
81
Ensemble de Trompettes
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Ensemble de Trombones
22
Trompette, Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
17
Cor et Piano
14
Quatuor de cuivres: 4 trombones
12
3 Trombones (trio)
11
Euphonium, Piano (duo)
10
Trompette
9
Cor anglais, Piano
8
Trombone (partie séparée)
7
Ensemble de Cors
7
Trompette (partie séparée)
7
Quatuor de Cuivres
7
Quatuor de cuivres: 4 cors
6
2 Trompettes (duo)
4
Cor
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Trombone
3
3 Trompettes (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trio de Cuivres
3
Trombone, Tuba (duo)
2
Tuba et Piano
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
2
2 Tubas (duo)
1
Tuba
1
Ensemble de Tubas
1
Tuba et Orgue
1
Trombone, Orgue
1
Cor Anglais
1
Clarinette, Cor (duo)
1
+ 33 instrumentations
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Cordes
Violon et Piano
39
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violoncelle
19
Alto, Piano
19
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
13
Violon
12
4 Violoncelles
9
2 Violons (duo)
9
Violon (partie séparée)
8
Trio à cordes: 3 violins
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
6
Contre Basse
5
Contrebasse (partie séparée)
5
Violon, Violoncelle (duo)
4
Piano Trio: Violon, Alto, Piano
4
2 Altos (duo)
3
Alto seul
3
Harpe
3
Violoncelle, Contrebasse (duo)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Harpe et Piano
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
2 Violons, Piano
1
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Cloches
478
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208
Orchestre
139
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117
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99
Ensemble de cuivres
88
Ensemble Jazz
22
Jazz combo
8
Vibraphone
3
Batterie
2
Marimba
2
Quintette à Vent
2
Instrumentation Flexible
1
Percussion (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
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Ensemble de Percussions
1
Percussion
1
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BASSE
BASSON
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Be Choir
Trompette, Trombone (duo)
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Pure Imagination
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mormon Tabernacle Choir
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Roger Wallace
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Pure Imagination
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Roger Wallace
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 4 - SKU: A0.1388333 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Rog...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 4 - SKU: A0.1388333 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. 29 pages. Roger Wallace #971929. Published by Roger Wallace (A0.1388333). Duet with Multiple Part Options. The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Designed mainly for family groups such as woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.Features both parts.A full length audio version (Trumpet & Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
TWICE AS NICE - trumpet and trombone duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Jazz
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Anthony Giamanco
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TWICE AS NICE - trumpet and tr
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Whole Tone Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.774001 Composed by Anthony Giamanco. Concert,Jazz,Standards. Score and parts. 1...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.774001 Composed by Anthony Giamanco. Concert,Jazz,Standards. Score and parts. 10 pages. Whole Tone Press #6358463. Published by Whole Tone Press (A0.774001). A fun, fresh, jazzy duet for B-flat trumpet and trombone. It starts off 'straight' (A), alternating between primarily 3/4 and 4/4, then moves into a cool 'swing' (B), followed by a repeat of 'A' and 'B' with some interesting variations, then one more repeat of the 'A' section before culminating in a captivating coda. Rhythmically, a little tricky, but the metre changes feel quite natural. Great piece foir solo/ensemble, recital, concert. Intermediate.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50
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