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PIANO & CLAVIERS
Piano, Voix
312
Piano seul
186
Piano Facile
108
Orgue
72
Orgue, Trompette (duo)
18
Piano, Voix et Guitare
8
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
1
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1
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GUITARES
Mandoline
101
Guitare
54
Guitare notes et tablatures
53
Ligne De Mélodie, (Paroles) et Accords
32
Ukulele
15
2 Guitares (duo)
6
Mandoline, Guitare (duo)
4
Basse electrique
3
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
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1
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1
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1
Banjo
1
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VOIX
Chorale SATB
46
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17
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13
Chorale SSAA
7
Voix duo, Piano
6
Chorale 2 parties
4
Chorale Unison
3
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1
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1
Voix seule
1
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1
Voix duo
1
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VENTS
Quatuor de Saxophones: 4 saxophones
94
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Quintette de Saxophone: 5 saxophones
66
3 Saxophones (trio)
65
Flûte, Hautbois, Clarinette, Basson
63
Flûte traversière et Piano
57
2 Saxophones (duo)
49
Quatuor de Clarinettes: 4 clarinettes
49
Clarinette et Piano
41
3 Clarinettes (trio)
39
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
30
2 Flûtes traversières (duo)
27
Flûte, Hautbois, Basson
26
Flûte, Hautbois, Clarinette (trio)
26
Flûte, Violon et Violoncelle
25
Trio de Flûtes: 3 flûtes
25
Ensemble de saxophones
23
Flûte traversière
23
Ensemble de Clarinettes
23
Quatuor de Flûtes à bec
23
Saxophone Tenor et Piano
23
2 Clarinettes (duo)
22
Flûte, Clarinette et Basson
22
Ensemble De Flûte à bec
22
Quatuor de Flûtes : 4 flûtes
21
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21
2 Flûte à bec (duo)
20
Clarinette
19
Flûte et Guitare
17
2 Hautbois (duo)
16
Quintette de Flûte : 5 flûtes
15
Clarinette, Basson (duo)
14
Saxophone Baryton, Piano
14
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13
Ensemble de Flûtes
12
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11
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11
Saxophone Alto
11
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11
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10
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10
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10
Quintette de Clarinettes: 5 clarinettes
9
Flûte, Clarinette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
3 Flûtes à bec (trio)
8
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7
Flûte à Bec
7
Hautbois
7
Hautbois, Clarinette (duo)
6
Clarinette, Violon (duo)
5
Flûte, Violon
5
Flûte à bec Alto
5
Flûte à bec Soprano, Piano
5
Clarinette Basse, Piano
5
Saxophone, Violon (duo)
4
Saxophone, Clarinette (duo)
4
5 Flûtes à bec
4
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4
Hautbois, violon (duo)
4
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4
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4
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3
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3
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3
Harmonica
3
Flûte, Alto (duo)
2
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2
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2
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2
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1
Flûte, Trombone (duo)
1
Flûte à bec Alto, Basse continue
1
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1
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1
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1
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1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Ensemble de Hautbois
1
Saxophone Baryton
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Ensemble de Trompettes
58
Trompette, Piano
39
Trombone et Piano
33
Cor et Piano
28
Trompette
21
2 Trompettes (duo)
19
2 Trombones (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
2 Cors (duo)
18
Ensemble de Trombones
18
Trombone
14
Euphonium, Piano (duo)
12
Tuba
10
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
10
Trompette, Basson (duo)
9
Cor
9
Trompette, Violoncelle (duo)
8
Cor anglais, Piano
8
2 Tubas (duo)
7
Quatuor de cuivres: 4 cors
7
Trompette, Trombone (duo)
6
Quatuor de Cuivres
6
Trompette, Saxophone (duo)
5
Trompette, violon (duo)
4
Quatuor de cuivres: 4 trompettes
3
Ensemble de Cors
3
Cor, Violoncelle (duo)
3
Trompette, Cor (duo)
3
2 Euphoniums (duo)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Trombone, Violon (duo)
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
Trompette, Harpe
1
Trompette (partie séparée)
1
Trombone basse
1
4 Tubas
1
3 Cors (trio)
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
129
Violon et Piano
47
Violon, Violoncelle (duo)
39
Alto, Piano
38
Violoncelle, Piano
38
Violon
38
Trio à Cordes: violon, alto, violoncelle
32
Violoncelle
30
2 Violons (duo)
23
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
15
Alto seul
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
2 Altos (duo)
14
Alto, Violoncelle (duo)
11
Ensemble d'Altos
11
Violon, Alto (duo)
11
Ensemble de Violons
10
Trio à Cordes: 3 violoncelles
10
Harpe
10
Violon, Basson (duo)
8
Alto et Basson
8
Alto (partie séparée)
7
Contre Basse
7
Harpe, Flûte (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
5
2 Contrebasses (duo)
4
Violon (partie séparée)
3
Quatuor à cordes : 4 altos
3
4 Violoncelles
3
Trio à cordes: 3 violins
2
Ensemble de Violoncelles
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Violon, Basse continue
1
Violoncelle, Basse continue
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
55
Ensemble de cuivres
35
Orchestre de chambre
29
Orchestre d'harmonie
20
Orchestre
18
Cloches
4
Ensemble Jazz
2
Xylophone, Piano
2
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
Orchestre, Violon
1
Quintette à Vent
1
2 Xylophones
1
Vibraphone et Marimba
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
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Die Baroque
Trompette, Trombone (duo)
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.96 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.96 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
#
SheetMusicPlus
Minuet in G
Trompette, Trombone (duo)
Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1401799 Composed by Johann Se…
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Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1401799 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Early Music,Wedding. 5 pages. Gildson Cerqueira #984987. Published by Gildson Cerqueira (A0.1401799). Experience the timeless elegance of Bach's 'Minuet in G' like never before with our exclusive sheet music arrangement. Immerse yourself in the intricate harmonies and graceful melodies of this classic piece, expertly crafted to showcase its beauty and charm. Whether you're a seasoned musician or an aspiring virtuoso, our meticulously notated arrangement will inspire and delight. Elevate your repertoire today with our unique interpretation of Bach's beloved 'Minuet in G'. Purchase your copy now and let the music speak for itself.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$5.99
5.37 €
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Trompette, Trombone (duo)
#
Johann Sebastian Bach
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Gildson Cerqueira
#
Minuet in G
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Gildson Cerqueira
#
SheetMusicPlus
Minuet in G
Trompette, Trombone (duo)
Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1401800 Composed by Johann Se…
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Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1401800 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Early Music,Wedding. 5 pages. Gildson Cerqueira #984988. Published by Gildson Cerqueira (A0.1401800). Experience the timeless elegance of Bach's 'Minuet in G' like never before with our exclusive sheet music arrangement. Immerse yourself in the intricate harmonies and graceful melodies of this classic piece, expertly crafted to showcase its beauty and charm. Whether you're a seasoned musician or an aspiring virtuoso, our meticulously notated arrangement will inspire and delight. Elevate your repertoire today with our unique interpretation of Bach's beloved 'Minuet in G'. Purchase your copy now and let the music speak for itself.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$5.99
5.37 €
#
Trompette, Trombone (duo)
#
Johann Sebastian Bach
#
Gildson Cerqueira
#
Minuet in G
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Gildson Cerqueira
#
SheetMusicPlus
Arioso by Bach for Trumpet and Trombone
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1125339
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1125339 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #726124. Published by Woods Only, Arrangements (A0.1125339). This easy arrangement for trumpet and trombone duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$3.99
3.57 €
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Trompette, Trombone (duo)
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Trumpet and Trombone
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Woods Only, Arrangements
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SheetMusicPlus
Minuet by Boccherini for Trumpet and Trombone Duet
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1266612
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1266612 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. 3 pages. Woods Only, Arrangements #859287. Published by Woods Only, Arrangements (A0.1266612). Adaptation for Trumpet and Trombone Duet of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.
$3.99
3.57 €
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Trompette, Trombone (duo)
#
Luigi Boccherini
#
Ander
#
Minuet by Boccherini for Trumpet and Trombone Duet
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Woods Only, Arrangements
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SheetMusicPlus
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