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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ever Ever After - Guitar
Sheetmusicplus
Non classifié
503
Piano & claviers
Piano seul
332
Piano, Voix
92
Piano Facile
81
Instruments en Do
36
Orgue
29
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
4
Banjo
1
Dulcimer
1
Voix
Chorale SATB
127
Chorale 3 parties
41
Chorale TTBB
23
Chorale Unison
13
Voix Soprano, Piano
12
Chorale SSAA
11
Chorale 2 parties
6
Voix seule
5
Voix Alto, Piano
4
Voix Soprano
3
Voix duo
3
Voix Baryton, Piano
3
Chorale SSAATTBB
1
Voix haute
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Flûte traversière et Piano
63
Quintette de Saxophone: 5 saxophones
53
Quatuor de Saxophones: 4 saxophones
49
Clarinette et Piano
39
Saxophone Alto et Piano
31
2 Saxophones (duo)
30
Hautbois, Piano (duo)
30
Saxophone Alto
25
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone Soprano et Piano
20
Clarinette
20
Flûte, Hautbois, Clarinette, Basson
20
Flûte traversière
18
2 Clarinettes (duo)
17
Quatuor de Flûtes : 4 flûtes
17
2 Flûtes traversières (duo)
16
3 Saxophones (trio)
16
Flûte, Clarinette (duo)
13
Ensemble de Flûtes
13
Saxophone Tenor et Piano
13
Ensemble de Clarinettes
12
Saxophone (partie séparée)
11
Saxophone, Clarinette (duo)
11
Hautbois
11
Saxophone Baryton, Piano
11
3 Clarinettes (trio)
9
Clarinette, Violon (duo)
9
Clarinette Basse, Piano
8
2 Hautbois (duo)
8
Harmonica
8
Ensemble de saxophones
7
Saxophone Tenor
7
Clarinette, Trompette (duo)
7
Quintette de Flûte : 5 flûtes
7
Hautbois, Basson (duo)
6
Cor anglais, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette et Alto
5
Clarinette, Basson (duo)
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Flûte
4
Flûte, Violon
4
Hautbois (partie séparée)
4
Flûte, Saxophone (duo)
4
Flute (partie séparée)
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Flûtes à bec
2
Flûte à Bec
2
Flûte à bec Soprano, Piano
2
Ocarina
2
Ensemble De Flûte à bec
2
Flûte à bec Alto
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
2 Saxophones, Piano
1
Clarinette Basse
1
5 Flûtes à bec
1
Cornemuse
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Piccolo
1
Flûte et Trio à cordes
1
Saxophone Soprano
1
Flûte à bec Tenor
1
Saxophone
1
Flûte, Violon, Piano
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette
29
Cor et Piano
23
Trompette, Piano
22
Trombone et Piano
18
Tuba et Piano
16
Euphonium, Piano (duo)
14
Trombone
13
Quatuor de Cuivres
12
Tuba
12
Cor
10
Trompette (partie séparée)
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
7
2 Trompettes (duo)
7
Cor anglais, Piano
6
Ensemble de Trompettes
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
5
2 Cors (duo)
4
Ensemble de Trombones
4
Cor (partie séparée)
3
4 Tubas
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Tuba et Orgue
2
Tuba (partie séparée)
2
Ensemble de Cors
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
3 Cors (trio)
1
Trio de Cuivres
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
111
Harpe
66
Violon et Piano
63
Alto, Piano
41
Violoncelle, Piano
37
Violon
28
Violoncelle
24
2 Harpes (duo)
16
Violon, Violoncelle (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
14
Trio à Cordes: violon, alto, violoncelle
13
2 Altos (duo)
13
Alto seul
12
Contrebasse, Piano (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Contre Basse
10
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Violon (partie séparée)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
3 Harpes
1
Harpe, Voix
1
Violoncelle, Orchestre
1
Alto (partie séparée)
1
2 Altos, Piano
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
215
Orchestre
78
Fanfare
72
Orchestre à Cordes
38
Ensemble de cuivres
28
Ensemble Jazz
19
Orchestre de chambre
19
Cloches
8
Ensemble de Percussions
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Batterie
3
Jazz combo
3
Marimba
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Xylophone, Piano
1
Percussion (partie séparée)
1
Orchestre, Violon
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Ever Ever After - Guitar
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
7.40pm, Traditional Klezmer tune for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
#
Klezmer
#
Traditional
#
David McKeown
#
7.40pm, Traditional Klezmer tu
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589098 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589098 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017123. Published by David McKeown (A0.589098). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Arioso by Bach for Trumpet and Trombone
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Trompette, Trombone (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Trumpet and
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Woods Only, Arrangements
#
SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1125339 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sac...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1125339 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #726124. Published by Woods Only, Arrangements (A0.1125339). This easy arrangement for trumpet and trombone duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$3.99
Rudolph The Red-nosed Reindeer
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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John Denver
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David McKeown
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Rudolph The Red-nosed Reindeer
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589819 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589819 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by David McKeown. Children,Christmas,Country,Holiday,Rock. Score and parts. 4 pages. David McKeown #6096197. Published by David McKeown (A0.589819). This version of Rudolph the Red-Nosed Reindeer is arranged by David McKeown as a duet for one Trumpet and one Trombone. The song, Rudolph the Red-Nosed Reindeer, was written in 1949 by Johhny Marks. The Rudolph story was written by Marks’ brother-in-law, Robert L May, a decade earlier. The success of the song was guaranteed when it was recorded by Gene Autry, a huge star at the time. Initially Gene Autry didn’t like the song and was only persuaded to record it by his wife. She obviously knew best as Rudolph went on to become the second best-selling Christmas record of all time after White Christmas, with versions by everyone from the Jackson Five to Alvin and the Chipmunks. This duet version of Rudolph the Red-Nosed Reindeer is based on the Gene Autry version, with a short introduction, and three choruses of the melody, with a key change and varied accompaniment throughout. Rhythms are simple in a swing style and the range is conservative, so this arrangement is ideal for players at an intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse, (including many Christmas carols and songs), at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Love, Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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Love, Trumpet and Trombone Due
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590612 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590612 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score and parts. 4 pages. David McKeown #6216897. Published by David McKeown (A0.590612). Love is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the songs from the great American Songbook. Musical theatre on Broadway reached its heyday in the ‘30s and ‘40s with composers such as George Gershwin and Cole Porter writing regular new shows. This period coincided with the jazz and swing era; as well as countless instrumental interpretations, singers such as Frank Sinatra and Ella Fitzgerald brought these songs to new audiences outside the theatre. They remain popular today, providing a soundtrack for every romantic occasion, and Love aims to capture the melody, form and spirit of these timeless songs.Love is written for players at an intermediate standard and upwards. Expressive throughout, after the rubato preamble, the song is a classic 32 bar AABA structure. Love has a performance time of around three minutes and a half minutes. Click the link above to listen to a full YouTube performance the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Stompin' Jam - Trumpet Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99
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Ever Ever After - Guitar
