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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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He Was There All The Time
Non classifié
424
Piano & claviers
Piano seul
81
Piano, Voix
51
Piano, Voix et Guitare
38
Piano Trio: piano, violon, violoncelle
5
Orgue
4
2 Pianos, 4 mains
3
Piano Facile
3
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2
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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15
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6
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1
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1
Ukulele
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31
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10
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5
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69
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62
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56
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45
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42
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30
Saxophone Alto et Piano
29
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28
Saxophone Tenor et Piano
28
Saxophone Soprano et Piano
27
Clarinette et Piano
26
Saxophone Baryton, Piano
24
Clarinette Basse, Piano
21
Clarinette, Violon (duo)
20
Cor anglais, Piano
19
Ensemble de Clarinettes
18
2 Flûtes traversières (duo)
15
2 Clarinettes (duo)
14
Clarinette
14
Clarinette, Trompette (duo)
13
Flûte, Clarinette (duo)
12
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11
Flûte, Saxophone (duo)
10
Hautbois, Flûte
10
Clarinette et Alto
10
Hautbois, Clarinette (duo)
10
Ensemble de Flûtes
9
Flûte, Trompette (duo)
9
Flûte, Violon
9
Hautbois, Basson (duo)
9
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8
Quintette de Flûte : 5 flûtes
7
Flûte, Hautbois, Clarinette, Basson
5
Hautbois (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Quatuor de Flûtes : 4 flûtes
4
Flûte, Alto (duo)
4
Saxophone Tenor
3
Saxophone (partie séparée)
3
Flûte traversière
2
Piccolo, Piano
2
Flute (partie séparée)
2
Saxophone Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto, Piano
1
3 Saxophones (trio)
1
Flûte à bec Soprano
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Euphonium, Piano (duo)
29
Trombone et Piano
25
Trompette, Saxophone (duo)
22
Cor anglais, Piano
19
Cor et Piano
19
Ensemble de Trombones
15
Trompette
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
2 Trombones (duo)
12
Trompette, Trombone (duo)
12
Quatuor de Cuivres
11
Trompette, Piano
10
2 Trompettes (duo)
10
Ensemble de Trompettes
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Tuba
4
Ensemble de Cors
3
Trombone
3
Cor
2
2 Tubas (duo)
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Tuba et Piano
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Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trombones
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Violon et Piano
29
Alto, Piano
29
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
14
2 Altos (duo)
13
2 Violons (duo)
13
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
10
Ensemble d'Altos
8
Violon, Violoncelle (duo)
8
Ensemble de Violons
8
Violon
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
5
Harpe
5
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
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22
Orchestre à Cordes
15
Orchestre
13
Ensemble de cuivres
10
Ensemble Jazz
7
Jazz combo
6
Orchestre de chambre
5
Cloches
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Orchestre, Violon
1
2 Marimbas
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
He Was There All The Time
Trompette, Trombone (duo)
Partitions à imprimer
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1
Walter the Weary Werewolf, Halloween Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Walter the Weary Werewolf, Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.592400 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Sco...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.592400 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358919. Published by David McKeown (A0.592400). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Trombone. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Here, There And Everywhere
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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Here, There And Everywhere
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589081 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589081 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 4 pages. David McKeown #5361001. Published by David McKeown (A0.589081). Here, There and Everywhere by the Beatles, was released on the 1966 album, Revolver. Never released as a single, the song was nevertheless cited by John Lennon, Paul McCartney and George Martin as being amongst their favourite Beatles songs. Primarily written by McCartney, he acknowledged that the vocal harmonies were inspired by recent releases by the Beach Boys.Here, There and Everywhere is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is a little over two minutes. The full YouTube performance linked above is the Clarinet version of this duet.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
The Easy Winners, Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, Duet for Tru
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.1109072 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.1109072 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 4 pages. David McKeown #711616. Published by David McKeown (A0.1109072). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Â
$3.99
Michelle
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Trompette, Trombone (duo)
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FACILE
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Rock
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The Beatles
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David McKeown
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Michelle
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - SKU: A0.588091 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - SKU: A0.588091 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 4 pages. David McKeown #5301529. Published by David McKeown (A0.588091). Michelle by the Beatles, was released on the 1965 album, Rubber Soul. The story goes that when John Lennon was at art school he used to invite Paul McCartney to college parties. At the time, French art culture was fashionable, and Paul McCartney used to pretend he was French despite no knowledge of the language. Later John Lennon suggested Paul should write a song recalling those times. Paul asked a friend’s wife, who happened to be a French teacher, for help with the French lyrics.This version of Michelle is arranged as a duet for one Trumpet and one Trombone. The full YouTube performance above is the Clarinet version of this duet. Musicians at an early intermediate level will find this ideal for formal and informal concert performance. The overall performance time is a little over two minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Maple Leaf Rag, by Scott Joplin, Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.1109637 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.1109637 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 5 pages. David McKeown #711997. Published by David McKeown (A0.1109637). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This duet version for one Trumpet and one Trombone includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The YouTube link is a full performance of the Clarinet version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Help!
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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Help!
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589084 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589084 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5711471. Published by David McKeown (A0.589084). Help! by the Beatles, was the title track of the 1965 album of the same name. It was also the name of the Beatles’ film released in the same year. Help! was primarily written by John Lennon. In later interviews he admitted that Help! was a subconscious response to the pressures of fame and that commercial pressures had forced the band to record it as an up-tempo pop song rather than a reflective ballad. This version of Help! is arranged as a duet for one Trumpet and one Trombone. The range will suit musicians at an intermediate level though the fast tempo and syncopated rhythms will represent a challenge. The overall performance time is around two and a half minutes. The full length performance on the YouTube link above is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Nowhere Man
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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Nowhere Man
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589080 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589080 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5335043. Published by David McKeown (A0.589080). Nowhere Man by the Beatles, was released on the 1965 album, Rubber Soul. Primarily written by John Lennon, he later described the song as autobiographical. The phenomenal success of the band had led to immense pressures on all of them. Nowhere Man later featured memorably in the film Yellow Submarine, personified as the lonely cartoon character, Jeremy Hillary Boob.This version of Nowhere Man is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. The full YouTube performance linked above is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Mazel Tov, Klezmer Wedding Tune for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Klezmer
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tun
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589099 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewis...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589099 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019085. Published by David McKeown (A0.589099). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
In My Life
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589079 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589079 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 4 pages. David McKeown #5324703. Published by David McKeown (A0.589079). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level will find In My Life ideal for formal and informal concert performance. Most of the duet is straightforward though the transcribed piano solo is difficult for both players; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. The full YouTube performance above is the Clarinet Duet version of In My Life.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Eleanor Rigby
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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David Cook
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David McKeown
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Eleanor Rigby
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.588123 By David Cook. By John Lennon and Paul McCartney. Arranged by David McKe...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.588123 By David Cook. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5303281. Published by David McKeown (A0.588123). Eleanor Rigby first appeared on the Beatles’ 1966 album, Revolver. There has been much speculation over the identity of Eleanor Rigby, and a gravestone bearing that name has been discovered close to where Paul McCartney grew up in Liverpool. But Paul McCartney insists that he chose the natural-sounding name as a combination of a friend’s name and a shop he noticed in Bristol. Indeed, the original working title of the song was Miss Daisy Hawkins.This version of Eleanor Rigby is arranged as a duet for one Trumpet and one Trombone. The YouTube sample above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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He Was There All The Time
