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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mass
Non classifié
1 218
Piano & claviers
Piano seul
526
Piano, Voix
338
Piano, Voix et Guitare
246
Piano Facile
129
Orgue
104
Instruments en Do
48
Accompagnement Piano
7
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
4
Piano grosses notes
3
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
349
Ligne De Mélodie, (Paroles) et Accords
43
Guitare
25
Basse electrique
18
Ukulele
13
Paroles et Accords
10
2 Guitares (duo)
5
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Mandoline
1
Ensemble de guitares
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
807
Chorale 3 parties
152
Chorale Unison
104
Chorale 2 parties
72
Chorale TTBB
60
Voix seule
59
Pack Instrumental pour Chorale
55
Chorale
27
Chorale SSAA
25
Voix haute
23
Voix duo, Piano
12
Voix duo
7
Voix Soprano, Piano
7
Chorale, Orgue
4
Voix, Guitare
3
Voix moyenne, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SSAATTBB
2
Voix Alto, Piano
2
Voix Tenor
1
Chorale SSATTB
1
Voix Soprano, Orchestre
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
79
Clarinette et Piano
62
Saxophone Alto et Piano
54
Hautbois, Piano (duo)
47
Quatuor de Saxophones: 4 saxophones
45
Saxophone (partie séparée)
41
Ensemble de saxophones
33
Saxophone Tenor et Piano
33
Flûte, Hautbois, Clarinette, Basson
31
Flûte traversière
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Clarinette (partie séparée)
25
Saxophone Soprano et Piano
24
Quintette de Saxophone: 5 saxophones
24
Ensemble de Clarinettes
24
Saxophone Alto
24
Quatuor de Clarinettes: 4 clarinettes
22
Clarinette
19
Flute (partie séparée)
14
Saxophone Tenor
12
Quatuor de Flûtes à bec
12
2 Clarinettes (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Quatuor de Flûtes : 4 flûtes
11
Flûte et Guitare
11
Saxophone Baryton, Piano
11
Cor anglais, Piano
11
Hautbois (partie séparée)
10
2 Saxophones (duo)
10
2 Flûtes traversières (duo)
9
Ensemble de Flûtes
9
Clarinette Basse, Piano
7
Flûte à Bec
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
4
Hautbois, Basson (duo)
4
Hautbois
4
Saxophone et Guitare
3
3 Saxophones (trio)
3
Flûte, Violon, Piano
3
2 Hautbois (duo)
2
Flûte à bec Soprano
2
Harmonica
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
2
Flûte, Clarinette (duo)
2
Ensemble à vent
2
Hautbois, Harpe
2
3 Flûtes à bec (trio)
2
Saxophone
2
Ensemble De Flûte à bec
2
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
5 Flûtes à bec
1
Hautbois, Violoncelle
1
3 Clarinettes (trio)
1
Clarinette, Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Instruments en Mib
1
Hautbois, Orgue
1
Ocarina
1
2 Flûtes à bec, Guitare
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à Bec, Piano
1
Flûte traversière, Orgue (duo)
1
Saxophone et Harpe
1
Cor anglais, Guitare (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trompette, Piano
36
Trombone et Piano
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trompette
29
Trompette (partie séparée)
29
Trombone (partie séparée)
26
Cor et Piano
22
Euphonium, Piano (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trombone
15
Quatuor de Cuivres
15
Cor (partie séparée)
11
Cor anglais, Piano
11
Ensemble de Trombones
11
Tuba et Piano
11
Cor
7
Quatuor de cuivres: 4 trombones
7
Ensemble de Trompettes
5
Tuba (partie séparée)
5
Tuba
5
Ensemble de Cors
5
2 Trompettes (duo)
3
4 Tubas
3
Euphonium
3
Trompette, Trombone (duo)
2
Trombone basse
2
2 Trombones (duo)
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
Cor et Harpe
1
2 Tubas (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Trompette, Saxophone (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
146
Violon et Piano
98
Harpe
71
Violoncelle, Piano
67
Alto, Piano
51
Violon
47
Violoncelle
47
Violon, Violoncelle (duo)
42
2 Violoncelles (duo)
34
Violon (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
23
Alto seul
18
Alto (partie séparée)
12
Contrebasse (partie séparée)
11
4 Violoncelles
10
2 Violons (duo)
10
Violoncelle (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
7
Violon, Alto (duo)
7
2 Harpes (duo)
6
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto, Violoncelle (duo)
5
Trio à cordes
5
Harpe, Trombone (duo)
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violon (duo)
3
Piano Trio: Violon, Alto, Piano
3
2 Altos (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Ensemble de Violoncelles
2
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Alto et Basson
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
184
Orchestre
80
Cloches
70
Orchestre à Cordes
41
Ensemble de cuivres
35
Percussion (partie séparée)
21
Ensemble Jazz
20
Orchestre de chambre
15
Fanfare
12
Batterie
7
Jazz combo
7
Timbales (partie séparée)
4
Ensemble de Percussions
4
Vibraphone
3
Ensemble d'École
2
Marimba
2
Orchestre, Violon
2
Timbales
1
+ 13 instrumentations
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Mass
Trompette, Trombone (duo)
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
#
Trompette, Trombone (duo)
#
FACILE
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
(+)
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
#
Trompette, Trombone (duo)
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte,
#
jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
(+)
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
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