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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
10 Easter Rock'n'Roll Duets for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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10 Easter Rock'n'Roll Duets fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591475 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591475 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 24 pages. David McKeown #6295207. Published by David McKeown (A0.591475). 10 Easter Rock’n’Roll Duets is a fun collection of original compositions by David McKeown for one Trumpet and one Trombone.Each Easter themed duet is inspired by a different American dance style from the golden age of Rock’n’Roll. These duets are ideal for players of an Intermediate standard and above. While the keys and range are easily accessible for your instrument, the style of music requires accidentals and syncopated rhythms. Click the link above to hear short samples of each duet on YouTube played on clarinet.10 Easter Rock’n’Roll Duets areperfect for concert performances large and small; each piece lasts between one and two minutes. Perfect upbeat pieces to get you moving after a long winter, but playable any time of year. fully articulated to help interpret each style. great for helping with complex rhythms. road tested with scores of students and performed all over the world.fun to play. an exciting introduction to different musical Rock’n’Roll styles. 23 pages adding up to nearly twenty minutes of quality music. The ten titles are, Tulip Ch’Boogie, Baby Sheep Shuffle, Candy Cakewalk, Chocolate Chalypso, Daffodil Doo-Wop, Easter Bonnet Bop, Easter Bunny Hop, Easter Egg Rock, Jellybean Jive and Spring Chicken Swing.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.99
16 Favourite Hymns Vol.2 for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Hymns Vol.2 for T
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.587195 Composed by Various. Arranged by David McKeown. Christian,Praise & Worsh...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.587195 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. 18 pages. David McKeown #3106347. Published by David McKeown (A0.587195). 16 Favourite Hymns Vol.2 for Trumpet and Trombone Duet is a beautiful collection of your best-loved traditional hymns. They are arranged simply in the most suitable range and keys for one Trumpet and one Trombone The short audio sample is performed on Clarinet and Alto Saxophone while the linked youtube performance is from the Clarinet Duet version. The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.40
20 Easter Hymn Duets for Trumpet & Trombone: Vols. 1-2
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Trompette, Trombone (duo)
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FACILE
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Musique Sacrée
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Various
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20 Easter Hymn Duets for Trump
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. 66 pages. Ben Dockery #769461. Published by Ben Dockery...
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Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. 66 pages. Ben Dockery #769461. Published by Ben Dockery
These twenty classic Easter hymns have been arranged for B-flat trumpet and trombone. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.
Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$12.99
10 Easter Duets for Trumpet and Trombone - Volume 1
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Trompette, Trombone (duo)
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FACILE
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Musique Sacrée
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Various
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10 Easter Duets for Trumpet an
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Gospel, Sacred. Score and parts. 13 pages. Ben Dockery #6673443. Published by Ben D...
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Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Gospel, Sacred. Score and parts. 13 pages. Ben Dockery #6673443. Published by Ben Dockery
These classic Easter hymns have been arranged for trumpet and trombone duet. Great for preludes, offertories, postludes, recitals, and lessons.
Alleluia! Alleluia! (Ode to Joy)
At the Cross
Christ Arose (Low in the Grave He Lay)
Christ the Lord is Risen Today
Crown Him With Many Crowns
I Stand Amazed in the Presence (How Marvelous)
Jesus Paid It All
Near the Cross
Nothing but the Blood
Were You There
$8.99
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