English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
4
Librairie
Musicale
0
Matériel
de Musique
156
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
111
PIANO & CLAVIERS
Piano seul
51
Piano, Voix
15
Piano Facile
13
Piano, Voix et Guitare
9
Orgue
9
Piano grosses notes
8
2 Pianos, 4 mains
2
Piano (partie séparée)
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
12
Ukulele
5
Guitare
5
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
31
Chorale 3 parties
10
Chorale
8
Chorale 2 parties
4
Chorale Unison
2
Chorale TTBB
2
Voix Soprano, Piano
1
Voix duo
1
Chorale SSAA
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
22
Quatuor de Saxophones: 4 saxophones
14
2 Saxophones (duo)
9
Saxophone Soprano et Piano
9
Flûte traversière et Piano
7
Saxophone Alto et Piano
6
Clarinette et Piano
5
Saxophone Baryton, Piano
4
Clarinette, Trompette (duo)
4
Ensemble de Flûtes
4
Saxophone Tenor et Piano
4
Ensemble de Clarinettes
4
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette et Alto
2
Cor anglais, Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Clarinette (duo)
2
2 Flûtes traversières (duo)
2
Flûte, Alto (duo)
2
Saxophone Alto
2
2 Clarinettes (duo)
2
Hautbois, Piano (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor
1
Flûte, Hautbois, Clarinette, Basson
1
3 Saxophones (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Clarinette Basse, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte traversière
1
Clarinette
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Euphonium, Piano (duo)
5
Trombone et Piano
5
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
4
Trompette
3
Tuba ou Euphonium ou Saxhorn
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Cor et Piano
2
Cor
1
Trombone
1
Quatuor de Cuivres
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon et Piano
6
Alto, Piano
5
Violoncelle, Piano
3
Harpe
3
Harpe, Voix
2
Violoncelle
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
Harpe, Flûte (duo)
1
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
2 Violoncelles (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
47
Orchestre
10
Ensemble Jazz
7
Ensemble de cuivres
5
Ensemble de Percussions
4
Orchestre de chambre
2
Batterie
1
Batterie (partie séparée)
1
Marimba
1
Jazz combo
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
One Call Away
Trompette, Trombone (duo)
Partitions à imprimer
4 partitions trouvées
<
1
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
(+)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.99 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
(+)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.99 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
#
jmsgu3
#
SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Trumpet and Trombone
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: …
(+)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.590991 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 29 pages. David McKeown #6259267. Published by David McKeown (A0.590991). 18 Easy Gospel Duets Vol.2 for Trumpet and Trombone is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Trumpet and one Trombone.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Trumpet and Trombone in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Trumpet and Trombone.
$9.99
8.96 €
#
Trompette, Trombone (duo)
#
Various
#
David McKeown
#
 
#
18 Easy Gospel Duets Vol.2 for Trumpet and Trombone
#
David McKeown
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale