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ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
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Rob Ames
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303
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241
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194
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88
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86
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35
Orgue
11
Piano Quatuor: piano, violon, alto, violoncelle
10
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4
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2
Piano (partie séparée)
2
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
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Guitare notes et tablatures
27
Basse electrique
21
Ligne De Mélodie, (Paroles) et Accords
15
Guitare
9
Paroles et Accords
6
Ukulele
5
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
Banjo
1
2 Guitares (duo)
1
+ 5 instrumentations
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Chorale SATB
111
Chorale TTBB
39
Chorale 3 parties
30
Chorale SSAA
13
Chorale 2 parties
6
Voix seule
5
Chorale Unison
5
Voix duo
1
Paroles Seulement
1
Voix Tenor
1
Voix haute
1
+ 6 instrumentations
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Flûte traversière et Piano
60
Clarinette et Piano
43
Saxophone Tenor et Piano
37
Hautbois, Piano (duo)
35
Saxophone Alto et Piano
31
Saxophone Baryton, Piano
30
Quatuor de Saxophones: 4 saxophones
29
Saxophone Soprano et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone (partie séparée)
19
Clarinette Basse, Piano
18
Clarinette
18
Cor anglais, Piano
16
Quatuor de Clarinettes: 4 clarinettes
15
Flûte traversière
13
Saxophone Alto
13
Clarinette (partie séparée)
11
Saxophone Tenor
10
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Flûtes
9
Quatuor de Flûtes : 4 flûtes
8
3 Saxophones (trio)
6
2 Saxophones (duo)
6
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5
Ensemble de Clarinettes
4
2 Flûtes traversières (duo)
4
Flute (partie séparée)
4
Hautbois (partie séparée)
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
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2
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2
Clarinette Basse
2
Flûte et Guitare
2
Hautbois
2
2 Clarinettes (duo)
1
Clarinette, Harpe (duo)
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
+ 47 instrumentations
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Trombone et Piano
34
Cor et Piano
30
Trompette, Piano
24
Euphonium, Piano (duo)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
18
Cor anglais, Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette (partie séparée)
13
Trombone (partie séparée)
12
Tuba et Piano
12
Trombone
8
Tuba (partie séparée)
5
Trompette, Trombone (duo)
3
Cor (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
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Trio de Cuivres
2
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2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
2 Trompettes (duo)
2
Ensemble de Tubas
1
Trompette, Orchestre
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Tuba ou Euphonium ou Saxhorn
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
2 Trombones (duo)
1
Trombone et orchestre
1
Quatuor de Cuivres
1
Cor anglais et Harpe (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
48
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37
Violoncelle, Piano
31
Violon (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
27
Violon
20
Violon, Violoncelle (duo)
17
Violoncelle
10
Contrebasse, Piano (duo)
9
Alto seul
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
6
Violoncelle (partie séparée)
5
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
2 Violons (duo)
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
1
Contre Basse
1
4 Contrebasses
1
4 Violoncelles
1
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122
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40
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32
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5
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2
Orchestre de chambre
2
Cloches
2
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2
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1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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Crtitères actifs :
Rob Ames
Trompette, Trombone (duo)
Partitions à imprimer
3 partitions trouvées
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
When I'm Sixty-four
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.588155 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartne...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.588155 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5306129. Published by David McKeown (A0.588155). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for one Trumpet and one Trombone. The full YouTube performance above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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Rob Ames
