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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sinfonia
Non classifié
374
Piano & claviers
Piano seul
197
Orgue
32
Piano Facile
18
1 Piano, 4 mains
3
Piano, Voix
3
Accompagnement Piano
3
Clavecin
2
2 Pianos, 4 mains
2
Clavier
1
Instruments en Do
1
Orgue, Trompette (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
2 Guitares (duo)
9
Guitare notes et tablatures
7
Guitare
4
4 Guitares (Quatuor)
4
Ukulele
1
Banjo
1
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
5
Chorale TTBB
2
Chorale SSATTB
1
Chorale, Orgue
1
Chorale Unison
1
Vents
3 Clarinettes (trio)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Hautbois, Clarinette, Basson (trio d'anches)
19
Ensemble de Clarinettes
15
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière
12
3 Flûtes à bec (trio)
8
Saxophone Tenor
8
Flûte à Bec
8
Clarinette et Piano
8
Clarinette
8
Flûte traversière et Piano
7
Clarinette (partie séparée)
7
2 Flûtes traversières (duo)
7
Saxophone (partie séparée)
7
2 Saxophones (duo)
7
Saxophone Alto et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
6
2 Flûte à bec (duo)
6
Quintette de Saxophone: 5 saxophones
6
Hautbois (partie séparée)
6
Ensemble de Flûtes
6
Saxophone Alto
6
Trio de Flûtes: 3 flûtes
5
Clarinette Basse, Piano
4
Flute (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
4
Ensemble de saxophones
3
Saxophone Baryton, Piano
3
Hautbois
3
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Piccolo, Piano
2
2 Hautbois (duo)
2
Flûte, Hautbois (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Harpe (duo)
1
Flûte, Violon
1
Ensemble De Flûte à bec
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Basse continue
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
Hautbois, Harpe
1
Cor anglais, Piano
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
Harmonica
1
Flûte à bec Alto, Piano
1
Piccolo
1
+ 55 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
12
Trombone (partie séparée)
8
Trombone et Piano
7
Cor
6
Cor et Piano
5
Cor (partie séparée)
5
Trompette, Piano
5
Trombone
5
Trompette (partie séparée)
5
Tuba
4
3 Trombones (trio)
4
Trompette, Trombone (duo)
4
Trio de Cuivres
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres
4
Ensemble de Cors
3
Euphonium, Piano (duo)
3
2 Tubas (duo)
2
2 Cors (duo)
2
3 Euphoniums
2
2 Trombones (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
Tuba et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Harpe
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon (partie séparée)
43
Trio à Cordes: violon, alto, violoncelle
41
Violon, Violoncelle (duo)
25
Violon et Piano
13
Violon, Alto (duo)
13
2 Violons (duo)
12
Alto (partie séparée)
11
Violoncelle
9
Alto, Piano
9
Alto seul
9
Violon
8
Harpe
7
Violoncelle (partie séparée)
7
Violoncelle, Piano
6
Trio à Cordes: 3 violoncelles
5
Contrebasse (partie séparée)
5
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes
4
2 Harpes (duo)
4
Ensemble de Violoncelles
3
Contrebasse, Piano (duo)
3
2 Altos (duo)
2
2 Contrebasses (duo)
2
Violoncelle, Orchestre
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
127
Orchestre
60
Orchestre de chambre
48
Orchestre d'harmonie
32
Ensemble de cuivres
11
Percussion (partie séparée)
3
Percussion
2
Timbales (partie séparée)
2
Vibraphone
1
Timbales
1
Cloches
1
Xylophone, Piano
1
Instrumentation Flexible
1
Ensemble de Percussions
1
+ 9 instrumentations
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Autres
Formation musicale - Solfège
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Vous avez sélectionné:
Sinfonia
Trompette, Trombone (duo)
Partitions à imprimer
4 partitions trouvées
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1
Arioso (From Cantata 156 - Sinfonia)
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Tenor Trombone - Level 3 - Digital Download SKU: A0.13…
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B-Flat Trumpet,Instrumental Duet,Tenor Trombone - Level 3 - Digital Download SKU: A0.1383608 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Wedding. 2 pages. Gildson Cerqueira #968055. Published by Gildson Cerqueira (A0.1383608). â??Elevate Your Performance: Explore the captivating beauty of our meticulously crafted arrangement of J. S. Bachâ??s â??Arioso.â?? Ideal for all levels and ensembles. Get your sheet music now!â?{VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!}.
$7.99
7.37 €
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Trompette, Trombone (duo)
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Johann Sebastian Bach
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Gildson Cerqueira
#
Arioso
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Gildson Cerqueira
#
SheetMusicPlus
Arioso (From Cantata 156 - Sinfonia)
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Tenor Trombone - Level 3 - Digital Download SKU: A0.13…
(+)
B-Flat Trumpet,Instrumental Duet,Tenor Trombone - Level 3 - Digital Download SKU: A0.1383607 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Wedding. 2 pages. Gildson Cerqueira #968054. Published by Gildson Cerqueira (A0.1383607). “Elevate Your Performance: Explore the captivating beauty of our meticulously crafted arrangement of J. S. Bach’s ‘Arioso.’ Ideal for all levels and ensembles. Get your sheet music now!â€{VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!}.
$7.99
7.37 €
#
Trompette, Trombone (duo)
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Johann Sebastian Bach
#
Gildson Cerqueira
#
Arioso
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Gildson Cerqueira
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
(+)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
#
SheetMusicPlus
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