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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Along
Non classifié
1 113
Piano & claviers
Piano, Voix
649
Piano seul
546
Piano Facile
476
Piano, Voix et Guitare
274
Instruments en Do
107
Accompagnement Piano
56
1 Piano, 4 mains
37
Orgue
13
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
3
Accordéon
2
Piano (partie séparée)
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano grosses notes
1
+ 14 instrumentations
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Guitares
Guitare
96
Guitare notes et tablatures
78
Ukulele
77
Basse electrique
63
Ligne De Mélodie, (Paroles) et Accords
35
Piano, Guitare (duo)
7
Mandoline
6
Paroles et Accords
5
Dulcimer
4
Banjo
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Ukulele Baryton
1
Luth
1
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Chorale SATB
276
Chorale 2 parties
269
Chorale 3 parties
182
Chorale Unison
58
Chorale TTBB
34
Chorale SSAA
22
Voix duo, Piano
14
Voix seule
10
Voix Soprano, Piano
6
Voix duo
6
Voix Alto, Piano
2
Voix moyenne, Piano
2
Chorale SSATB
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Chorale
1
+ 11 instrumentations
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Vents
Flûte traversière et Piano
62
Flûte traversière
56
Clarinette et Piano
54
Hautbois, Piano (duo)
50
Saxophone Alto et Piano
49
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Saxophone Alto
41
Clarinette
33
Flûte, Hautbois, Clarinette, Basson
30
Quintette de Saxophone: 5 saxophones
28
Saxophone (partie séparée)
28
Quatuor de Saxophones: 4 saxophones
27
Saxophone Tenor et Piano
27
Saxophone Tenor
21
Saxophone Soprano et Piano
21
Quatuor de Clarinettes: 4 clarinettes
19
Hautbois (partie séparée)
17
Flûte à Bec
16
2 Saxophones (duo)
12
2 Flûtes traversières (duo)
11
2 Clarinettes (duo)
10
Ensemble de Flûtes
9
Ensemble de saxophones
8
Clarinette (partie séparée)
8
Ensemble de Clarinettes
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
6
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Flute (partie séparée)
3
3 Saxophones (trio)
3
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
2
Harmonica
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Flûte et Guitare
2
5 Flûtes à bec
2
Ensemble à vent
2
Clarinette, Violon (duo)
2
Flûte à bec Soprano
2
Flûte, Violoncelle
2
Cor Anglais
1
Flûte, Basson et Piano
1
Flûte à bec Alto
1
Hautbois, Clarinette (duo)
1
3 Flûtes à bec (trio)
1
Clarinette et Alto
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Instruments en Mib
1
Flûte à bec Tenor
1
Ocarina
1
Flûte irlandaise
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Basson (duo)
1
2 Flûte à bec (duo)
1
Clarinette Basse, Piano
1
Clarinette, Trompette (duo)
1
2 Clarinettes, Piano
1
Flûte, Violon, Piano
1
Clarinette, Guitare (duo)
1
2 Hautbois (duo)
1
Flûte de Pan
1
Flûte, Saxophone (duo)
1
+ 66 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Trombone et Piano
47
Trompette, Piano
43
Trompette
33
Quatuor de cuivres: 4 trombones
30
Cor et Piano
25
Trombone
22
Tuba et Piano
18
Trompette (partie séparée)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Trombone (partie séparée)
13
Tuba
12
Quatuor de Cuivres
12
Euphonium, Piano (duo)
12
Cor
8
2 Trompettes (duo)
6
Cor anglais, Piano
5
2 Euphoniums et 2 Tubas
5
Trompette, Trombone (duo)
5
Tuba (partie séparée)
4
Cor (partie séparée)
3
2 Trombones (duo)
3
Trompette, Saxophone (duo)
3
Euphonium
2
2 Cors (duo)
2
Cor Anglais
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Trompettes
1
Bass Clef Instruments
1
Instruments en Sib
1
3 Cors (trio)
1
Trio de Cuivres
1
Trompette, Violoncelle (duo)
1
Cor, Violoncelle (duo)
1
2 Tubas (duo)
1
2 Euphoniums (duo)
1
Ensemble de Cors
1
4 Tubas
1
Euphonium, Tuba (duo)
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon et Piano
143
Alto, Piano
66
Violon
65
Violoncelle, Piano
64
Violon, Violoncelle (duo)
45
Trio à Cordes: violon, alto, violoncelle
40
Trio à Cordes: 2 violons, violoncelle
38
Violoncelle
34
Harpe
26
Contrebasse, Piano (duo)
21
Alto seul
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Violoncelles (duo)
13
Violon (partie séparée)
12
Alto (partie séparée)
11
2 Violons (duo)
11
Contre Basse
10
Contrebasse (partie séparée)
9
2 Harpes (duo)
9
Violon, Alto (duo)
6
Harpe, Voix
6
Violon, Guitare (duo)
4
Trio à cordes: 3 violins
4
Violoncelle (partie séparée)
4
2 Altos (duo)
2
Alto, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Autoharp
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
Alto et Harpe
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
178
Cloches
155
Batterie
130
Orchestre à Cordes
59
Orchestre
57
Ensemble de cuivres
42
Ensemble Jazz
33
Fanfare
29
Orchestre de chambre
15
Percussion (partie séparée)
5
Ensemble de Percussions
4
Jazz combo
4
Xylophone, Piano
4
Xylophone
3
Percussion
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Batterie (partie séparée)
1
Big band
1
Timbales (partie séparée)
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--INSTRUMENTS--
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Vous avez sélectionné:
Sing Along
Trompette, Trombone (duo)
Partitions à imprimer
5 partitions trouvées
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1
All You Need Is Love
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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All You Need Is Love
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589082 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartne...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589082 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5370591. Published by David McKeown (A0.589082). All You Need Is Love by the Beatles, was written in 1967 especially for the world’s first live satellite TV transmission. John Lennon answered the BBC’s commission to write a positive song with easy-to-understand lyrics for an international audience. All You Need Is Love was recorded live in a TV studio with many famous contemporary artists such as Eric Clapton and Mick Jagger singing along. This version of All You Need Is Love is arranged as a duet for one Trumpet and one Trombone.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around three and a half minutes. The full YouTube performance linked above is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
#
Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Vere languores for Brass Quartet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Tomas Victoria
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James Haynor
#
c
#
Vere languores for Brass Quart
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James Haynor
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.782212 Composed by Tomas Victoria. Arranged by James Haynor. Praise & Worship,R...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.782212 Composed by Tomas Victoria. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. Score and parts. 13 pages. James Haynor #3549045. Published by James Haynor (A0.782212). Tomás Luis de Victoria (sometimes translated as da Vittoria; c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter Reformation, along with Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer. Vere Languores is a charming work that would add much to any concert or recital. It would be playable by a good high school or university quartet. ( Duration 1:40 )
$10.00
Yesterday
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Trompette, Trombone (duo)
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FACILE
#
Rock
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The Beatles
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David McKeown
#
Yesterday
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - SKU: A0.586940 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McK...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - SKU: A0.586940 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 3 pages. David McKeown #3022753. Published by David McKeown (A0.586940). Yesterday is one of the Beatles best known songs, released in 1965, yet Paul McCartney wrote it and only he appears on the original recording, alongside a string quartet. This version is arranged as a duet for one Trumpet and one Trombone. Musicians at an early intermediate level and above will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around two minutes. The short audio sample is from the Clarinet and Alto Saxophone version, while the full length performance on the youtube link is the Clarinet Duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
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