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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata 8
Non classifié
259
Piano & claviers
Piano seul
335
Piano Facile
27
Orgue
11
Piano, Voix
7
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
+ 3 instrumentations
Retracter
Guitares
Guitare
42
Guitare notes et tablatures
11
2 Guitares (duo)
6
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
Ukulele
1
Ensemble de guitares
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale 3 parties
3
Chorale TTBB
1
Vents
Flûte traversière et Piano
46
2 Flûtes traversières (duo)
36
2 Saxophones (duo)
31
Saxophone Alto et Piano
29
Clarinette et Piano
28
2 Clarinettes (duo)
24
Hautbois, Piano (duo)
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Tenor et Piano
16
3 Clarinettes (trio)
13
2 Hautbois (duo)
13
Flûte traversière
10
Saxophone Soprano et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette Basse, Piano
9
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Quatuor de Saxophones: 4 saxophones
8
Flûte, Violoncelle
8
3 Flûtes à bec (trio)
7
Quintette de Saxophone: 5 saxophones
7
3 Saxophones (trio)
7
Clarinette
7
Hautbois, Basson (duo)
7
Flûte, Hautbois, Basson
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Violon (duo)
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Clarinette (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette, Violoncelle (duo)
5
2 Cors Anglais Et Pianoforte
5
2 Flûte à bec (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Piccolo, Piano
4
Flûte à bec Alto, Basse continue
3
Flûte à bec Alto, Piano
3
Flûte à bec Tenor
3
Ensemble de saxophones
3
Cor anglais, Piano
3
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes, Basson
3
Ensemble de Clarinettes
3
Flûte, Violon, Piano
2
Flûte traversière, Basse continue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble De Flûte à bec
2
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Saxophone Soprano
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Saxophone Tenor
1
Cor anglais, Guitare (duo)
1
Flûte, Basson et Piano
1
Saxophone Alto
1
Saxophone, Clarinette (duo)
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Flûte à Bec, Piano
1
+ 64 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Cor et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
13
2 Trompettes (duo)
11
2 Cors (duo)
11
Tuba et Piano
10
2 Trombones (duo)
10
2 Euphoniums (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor
6
2 Tubas (duo)
6
2 Cors Anglais Et Pianoforte
5
Euphonium, Piano (duo)
5
Ensemble de Trombones
4
Trompette
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Trombone
2
Quatuor de Cuivres
2
Trombone basse et Piano
2
3 Trombones (trio)
2
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
+ 27 instrumentations
Retracter
Cordes
Violon et Piano
57
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
41
Alto, Piano
35
Violoncelle, Piano
30
2 Violons (duo)
22
Violon, Violoncelle (duo)
14
Violon (partie séparée)
12
2 Altos (duo)
12
Violoncelle
12
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle, Basse continue
7
Alto seul
6
2 Contrebasses (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violon, Basson (duo)
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle (partie séparée)
3
Violon, Basse continue
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
2
2 Violons, Piano
2
4 Violoncelles
1
Ensemble de Violons
1
2 Violons et Basse continue
1
Ensemble d'Altos
1
Harpe
1
Flûte, Contrebasse (duo)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
26
Orchestre d'harmonie
12
Orchestre
6
Ensemble de cuivres
4
Orchestre de chambre
3
Ensemble Jazz
3
Cloches
1
+ 2 instrumentations
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Sonata 8
Trompette, Trombone (duo)
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
#
Giovanni Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Sonata 8
