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CHORALE - CHAN…
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209
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65
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30
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22
2 Pianos, 4 mains
20
Piano grosses notes
19
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
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8
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5
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3
Orgue, Piano (duo)
1
Clavier
1
Ligne De Mélodie, Piano
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Orgue, Trompette (duo)
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Guitare notes et tablatures
123
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112
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99
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68
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38
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26
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21
2 Guitares (duo)
19
Mandoline
8
3 Guitares (trio)
6
Piano, Guitare (duo)
4
Dulcimer
4
4 Guitares (Quatuor)
3
Banjo
3
2 Mandolines (duo)
2
Basse électrique (partie séparée)
2
2 Ukuleles
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale Unison
879
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376
Chorale 2 parties
248
Chorale 3 parties
152
Chorale TTBB
95
Chorale SSAA
54
Voix duo, Piano
50
Voix duo
11
Voix Soprano, Piano
11
Voix seule
5
Chorale
5
Chorale SSATB
1
Voix Tenor
1
Voix Tenor, Piano
1
Voix haute
1
Chorale SSAB a cappella
1
Voix Baryton
1
Chorale SSATTB
1
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VENTS
Saxophone (partie séparée)
207
2 Saxophones (duo)
170
Quatuor de Saxophones: 4 saxophones
115
Flûte traversière
113
2 Flûtes traversières (duo)
109
2 Clarinettes (duo)
103
Flûte, Hautbois, Clarinette, Basson
101
Clarinette
97
Quintette de Saxophone: 5 saxophones
92
Flûte traversière et Piano
86
Saxophone Alto
86
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
Hautbois, Piano (duo)
63
Clarinette et Piano
60
Hautbois (partie séparée)
56
Saxophone Alto et Piano
54
Quatuor de Clarinettes: 4 clarinettes
51
Saxophone Tenor et Piano
48
2 Hautbois (duo)
39
Saxophone Soprano et Piano
38
Clarinette (partie séparée)
33
Quatuor de Flûtes : 4 flûtes
31
Saxophone Baryton, Piano
31
Saxophone Tenor
30
2 Flûtes traversières, Piano
27
Ensemble de saxophones
26
3 Saxophones (trio)
25
Ensemble de Clarinettes
24
Flute (partie séparée)
19
Trio de Flûtes: 3 flûtes
18
3 Clarinettes (trio)
18
Saxophone Soprano
17
Flûte, Clarinette (duo)
16
Hautbois, Basson (duo)
15
Hautbois
14
Saxophone Baryton
13
Clarinette, Basson (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Cor anglais, Piano
12
Ensemble de Flûtes
11
Flûte à bec Soprano
11
Clarinette Basse, Piano
10
Clarinette, Violoncelle (duo)
9
Quatuor de Flûtes à bec
9
Flûte à bec Alto, Piano
9
2 Flûte à bec (duo)
9
Cor Anglais
8
Flûte, Violoncelle
8
Hautbois, Violoncelle
6
5 Flûtes à bec
5
Hautbois, Clarinette (duo)
5
Flûte à bec Alto
5
Flûte à bec Tenor
5
Flûte et Guitare
5
Piccolo
5
Flûte à Bec
5
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
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4
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4
Flûte, Hautbois (duo)
4
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4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Clarinettes, Piano
4
Flûte, Trompette (duo)
3
Flûte, Hautbois, Basson
3
Flûte, Clarinette et Basson
3
2 Saxophones, Piano
2
Clarinette Basse
2
Flute, harpe et violon
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Guitare (duo)
2
Saxophone
2
2 Clarinettes, Basson
2
Hautbois, Flûte
2
Saxophone et Guitare
1
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1
Flûte traversière, Orgue (duo)
1
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1
Flûte, Clarinette, Cor, Basson (Quartet)
1
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1
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1
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1
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1
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1
Ocarina
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1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
315
Quatuor de Cuivres : 2 trompettes, trombone, tuba
182
Trompette
104
Trombone (partie séparée)
103
Trompette (partie séparée)
92
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Trompette, Piano
70
Cor
65
Trombone
61
Trombone et Piano
59
2 Trombones (duo)
53
2 Trompettes (duo)
47
Cor et Piano
44
Quatuor de Cuivres
43
Tuba
42
Tuba et Piano
30
2 Cors (duo)
30
Cor (partie séparée)
29
Tuba (partie séparée)
20
Quatuor de cuivres: 4 trombones
14
2 Euphoniums et 2 Tubas
14
Euphonium, Piano (duo)
13
Cor anglais, Piano
12
Quatuor de cuivres: 4 cors
8
Cor Anglais
8
2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
7
Euphonium
6
Ensemble de Trombones
6
Trompette, Cor (duo)
6
Trombone basse
5
Trompette, Trombone (duo)
5
3 Trompettes (trio)
4
Trio de Cuivres
4
Ensemble de Trompettes
3
4 Tubas
3
Trombone basse et Piano
3
Trombone et orchestre
2
Ensemble de Cors
2
Trompette, Basson (duo)
2
Trombone, Cor (duo)
2
Trombone, Orgue
2
Cor, Violoncelle (duo)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Trombones (trio)
1
Instruments en Sib
1
Trompette et Guitare
1
Ensemble de Tubas
1
Cor et Orgue
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Euphonium, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Saxophone (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
817
Violon
146
Violon et Piano
126
2 Violons (duo)
122
Violoncelle (partie séparée)
80
Alto, Piano
80
Violoncelle, Piano
79
Trio à Cordes: violon, alto, violoncelle
70
Alto seul
63
2 Violoncelles (duo)
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
2 Altos (duo)
47
Violon, Violoncelle (duo)
44
Trio à Cordes: 2 violons, violoncelle
38
Contrebasse (partie séparée)
38
Violon (partie séparée)
37
Alto (partie séparée)
34
Violoncelle
33
Harpe
33
Contre Basse
26
Contrebasse, Piano (duo)
25
Violon, Alto (duo)
25
Alto, Violoncelle (duo)
9
4 Violoncelles
8
Quatuor à cordes: 4 violons
8
Trio à Cordes: 2 violons, alto
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Piano Trio: Violon, Alto, Piano
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Guitare (duo)
5
2 Harpes (duo)
5
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
4
Alto et Basson
3
Violon, Basson (duo)
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
2 Altos, Piano
1
Violoncelle, Orgue
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
Alto, Orgue
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
570
Orchestre à Cordes
143
Orchestre
126
Ensemble Jazz
72
Cloches
61
Ensemble de cuivres
57
Batterie
55
Fanfare
32
Orchestre de chambre
26
Percussion (partie séparée)
25
Jazz combo
22
Batterie (partie séparée)
21
Ensemble de Percussions
17
Xylophone, Piano
5
Xylophone
4
Marimba
2
Marimba, Piano (duo)
1
Vibraphone
1
Percussion
1
Vibraphone (partie séparée)
1
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Trompette, Trombone (duo)
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Hungarian Dance No. 5 by Brahms for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1397909 Com…
(+)
Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1397909 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 4 pages. Rika K. #981181. Published by Rika K. (A0.1397909). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Trumpet and Trombone Duet.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$4.99
4.6 €
#
Trompette, Trombone (duo)
#
Johannes Brahms
#
Rika K
#
Hungarian Dance No. 5 by Brahms for Trumpet and Trombone Duet
#
Rika K.
#
SheetMusicPlus
Hungarian Dance No. 5 by Brahms for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1397908 Com…
(+)
Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1397908 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 4 pages. Rika K. #981180. Published by Rika K. (A0.1397908). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Trumpet and Trombone Duet.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$4.99
4.6 €
#
Trompette, Trombone (duo)
#
Johannes Brahms
#
Rika K
#
Hungarian Dance No. 5 by Brahms for Trumpet and Trombone Duet
#
Rika K.
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
(+)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.2 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
#
jmsgu3
#
SheetMusicPlus
March Militaire-Brass Duet 1
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: …
(+)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.844785 Composed by L Streabbog. Arranged by Phil Beaman. Classical,Instructional. Score and parts. 7 pages. Phil Beaman #5372933. Published by Phil Beaman (A0.844785). I have taken an elaborate piano solo and re-created it in just 2 parts. I have added extra markings of articulation and dynamics to provide interest. I used selected themes from Streabbog's piece with my own bridges to create a new structure. There are 3 main sections including a Trio in a different key. Perfect for the March repertoire.
$4.99
4.6 €
#
Trompette, Trombone (duo)
#
L Streabbog
#
Phil Beaman
#
March Militaire-Brass Duet 1
#
Phil Beaman
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
(+)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.2 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
#
jmsgu3
#
SheetMusicPlus
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