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40
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Contrebasse (partie séparée)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Vous avez sélectionné:
The Sound of Music - Percussion 1
Trompette, Trombone (duo)
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.04 €
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Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.04 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
#
SheetMusicPlus
Canon K230
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1243084
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1243084 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 4 pages. Andre_Nusa #838122. Published by Andre_Nusa (A0.1243084). Immerse yourself in the enchanting melodies of Mozart's Canon K. 230 with this mesmerizing arrangement. This sheet music captures the timeless allure and intricate interplay of the original composition, allowing you to experience Mozart's musical brilliance in a new light. Specifically tailored for trumpet and trombone, this arrangement showcases the essence of Canon K. 230 with precision and elegance. The two instruments blend seamlessly, creating a rich and resonant sound that highlights the depth and complexity of Mozart's composition. Perfect for performances, recitals, or chamber music enthusiasts, this arrangement offers an opportunity to showcase the talents of trumpet and trombone, bringing the beauty of Canon K. 230 to life for your audience. The interplay between the instruments creates a captivating musical dialogue, accentuating the unique tonal colors and expressive capabilities of the two instruments.
$4.99
4.58 €
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Trompette, Trombone (duo)
#
Wolfgang Amadeus Mozart
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André Nusa
#
Canon K230
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Andre_Nusa
#
SheetMusicPlus
Greensleeves
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1248609
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1248609 Composed by Anonymous. Arranged by André Nusa. Early Music,Folk,Medieval,Traditional,Wedding. 4 pages. Andre_Nusa #843103. Published by Andre_Nusa (A0.1248609). Experience the timeless beauty of Greensleeves with this enchanting arrangement for trumpet and trombone. Immerse yourself in the delicate melodies and rich harmonies that have captivated listeners for generations. In this exquisite adaptation, the trumpet and trombone blend seamlessly, creating a captivating dialogue between the two instruments. The warm, expressive tones of the trumpet interweave with the resonant sound of the trombone, resulting in a harmonious and evocative musical experience. Perfect for beginner players, it invites you to explore the nuanced phrasing and expressive possibilities of each instrument, allowing for a truly personal interpretation. Rediscover the beloved folk song Greensleeves as it is brought to life by the trumpet and trombone.
$4.99
4.58 €
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Trompette, Trombone (duo)
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Anonymous
#
André Nusa
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Greensleeves
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Andre_Nusa
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SheetMusicPlus
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