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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Their First Time
Non classifié
390
Piano & claviers
Piano seul
114
Piano, Voix
69
Piano Facile
61
Piano, Voix et Guitare
28
Instruments en Do
17
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
21
Guitare
19
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
4
Basse electrique
4
3 Guitares (trio)
3
Paroles et Accords
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale 3 parties
12
Chorale TTBB
10
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
6
Voix Soprano, Piano
6
Voix duo, Piano
3
Voix haute
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
36
Quatuor de Saxophones: 4 saxophones
32
Hautbois, Piano (duo)
29
2 Flûtes traversières (duo)
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Saxophone Soprano et Piano
11
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Saxophone Tenor et Piano
10
Flûte, Saxophone (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
Flûte traversière
8
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
3 Saxophones (trio)
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Flûte à bec Soprano
4
Saxophone (partie séparée)
3
Cor Anglais
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
2
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
Hautbois et alto (duo)
1
Ensemble De Flûte à bec
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
15
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
11
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
9
Trompette
9
Cor anglais, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Tuba
6
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
1
Tuba et Orgue
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
44
Violon et Piano
40
Violoncelle, Piano
30
Violon, Violoncelle (duo)
27
Harpe
19
Violon
17
2 Violoncelles (duo)
12
Violoncelle
10
Violon, Alto (duo)
10
2 Violons (duo)
10
2 Altos (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
4 Violoncelles
5
Ensemble de Violons
5
Ensemble d'Altos
3
Harpe, Trombone (duo)
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
33
Orchestre
27
Ensemble Jazz
19
Jazz combo
14
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Marimba
1
Orchestre, Violon
1
Batterie
1
Piano et Orchestre
1
+ 9 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Their First Time
Trompette, Trombone (duo)
Partitions à imprimer
11 partitions trouvées
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1
Grá, (Irish Gaelic for Love), Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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Grá,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590572 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and p...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590572 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and parts. 4 pages. David McKeown #6212729. Published by David McKeown (A0.590572). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and Trombone.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Good King Wenceslas, Jazz Style, for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Styl
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.594084 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Prais...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.594084 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537279. Published by David McKeown (A0.594084). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Trombone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Tango d'Elinora, for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Tango
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David McKeown
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Tango d'Elinora, for Trumpet a
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589092 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and p...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589092 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and parts. 6 pages. David McKeown #5792895. Published by David McKeown (A0.589092). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Odessa Bulgar, Klezmer tune for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Klezmer
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589557 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589557 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078939. Published by David McKeown (A0.589557). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Ding Dong Merrily on High, Jazz Style, for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional
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David McKeown
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Ding Dong Merrily on High, Jaz
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.594045 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Prais...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.594045 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6535023. Published by David McKeown (A0.594045). Ding Dong Merrily on High is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Shuffle/Swing style for one Trumpet and one Trombone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Ding Dong Merrily on High first appeared in a French book of secular dance tunes during the sixteenth century. The Christmas lyrics we know and love were added much later by English composer and rector George Ratcliffe Woodward and first published in 1924. With a performance time around of three minutes, this version of Ding Dong Merrily on High is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz shuffle style is a fun and fresh take on this familiar traditional tune.Ding Dong Merrily on High is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played twice, with short bell-chiming intros and outros. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Liebe, (German for Love), Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590474 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. ...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590474 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6211995. Published by David McKeown (A0.590474). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Salsa de Shibby, for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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David McKeown
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Salsa de Shibby, for Trumpet a
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589091 Composed by David McKeown. Concert,Jazz,Latin. Score and parts. 7 pages....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.589091 Composed by David McKeown. Concert,Jazz,Latin. Score and parts. 7 pages. David McKeown #5776675. Published by David McKeown (A0.589091). Salsa de Shibby is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is based on the style of Salsa. The name Salsa was first used in 1960s New York to describe the popular and commercial dance music made by Latin emigrés in the city. Most of the musical and structural ideas came straight from Cuban Son Montuno, but the lack of one single traditional root has allowed musicians from different Latin American countries to bring their own flavours to the music. Given the tensions between the US and Cuba, there have been accusations of cultural appropriation and Cubans dislike the word Salsa, but there is no denying the music’s worldwide appeal. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Salsa de Shibby has a performance time of just over two and a half minutes. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easter Bonnet Bop for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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The Easter Bonnet Bop for Trum
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293693. Published by David McKeown (A0.591401). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Trombone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
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